| Charles Bickford | ... | Robert 'Bob' Sangster | |
| Raymond Hatton | ... | Tom 'Barbwire' Gibbons | |
| Fred Kohler | ... | William 'Wild Bill' Kearney | |
| Fritzi Ridgeway | ... | Mrs. Frank Edwards, the mother | |
| Joe De La Cruz | ... | José (as Jo de la Cruz) | |
| Walter James | ... | Sheriff | |
| Maria Alba | ... | Carmelita | |
| Buck Connors | ... | Parson Jones (as 'Buck' Conners) | |
| rest of cast listed alphabetically: | |||
| Jim Corey | ... | Barfly (uncredited) | |
| Mary Gordon | ... | Choir Member (uncredited) | |
| Edward Hearn | ... | Frank Edwards (uncredited) | |
| John Huston | ... | Bit Part (uncredited) | |
| Bert Lindley | ... | Gambler (uncredited) | |
| Tom London | ... | Croupier (uncredited) | |
| Bill Nestell | ... | Barfly (uncredited) | |
Directed by | |||
| William Wyler | |||
Writing credits | ||
| Tom Reed | (adaptation & dialogue) | |
| C. Gardner Sullivan | (chief story supervisor) | |
| Peter B. Kyne | novel "The Three Godfathers" | |
Produced by | |||
| Carl Laemmle Jr. | .... | producer (uncredited) | |
Original Music by | |||
| Sam Perry | (sound and silent version) (uncredited) | ||
| Heinz Roemheld | (silent version) (uncredited) | ||
Cinematography by | |||
| George Robinson | |||
Film Editing by | |||
| Harry Marker | |||
Sound Department | |||
| C. Roy Hunter | .... | recording supervisor | |
| William Hedgcock | .... | sound technician (uncredited) | |
Editorial Department | |||
| Del Andrews | .... | supervising editor | |
Music Department | |||
| David Broekman | .... | synchronization and score | |
Other crew | |||
| Carl Laemmle | .... | presenter | |
| Carl Laemmle | .... | studio president | |
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| Three Godfathers | The Phantom Rider | Greed | Holes | The English Patient |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Much tighter and less bloated with extra characters and subplots than the later versions. The story has enough plot on it's own. It avoids the pitfall of being syrupy, a pitfall that the John Wayne version does not avoid. It's not the sanitized west of most films of the genre. You just know that those hombres hadn't bathed in a month of Sundays. The film gets right down to business. It avoids another pitfall, as well. Early talkies tended to be just that--talkie. This film makes good use of visuals in developing the characters and moving along the story. It has much more of the feeling of the just past silent era about it than the just arrived talkie era.