When four men rob a bank, one is killed and the other three escape into the desert where they lose their horses in a storm. Finding a woman who gives birth, they are made godfathers only to...
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A serial killer in London is murdering young women whom he meets through the personal columns of newspapers; he announces each of his murders to the police by sending them a cryptic poem. ... See full summary »
When four men rob a bank, one is killed and the other three escape into the desert where they lose their horses in a storm. Finding a woman who gives birth, they are made godfathers only to learn that the baby's father was the man they killed in the holdup. When the woman dies they head back, but they have little water and it is 40 miles. Written by
Maurice VanAuken <firstname.lastname@example.org>
In childhood, my interest in cowboys centered around Fred Thomson and his horse Silver King. I did not pay much attention to the villains but I remembered that Fred Kohler was usually the leader of the 'black hats'. Raymond Hatton was only known then as the erstwhile partner of the popular comedy team of Raymond Hatton and Wallace Beery. Some time within the last five years or so, my constant monitoring of old time movies presented on TV resulted in my capturing 'Hell's Heroes'. What a discovery it was for me!
I had always remembered "The Three Godfathers" with Chester Morris, Lewis Stone and Walter Brennan from my teenage years. In fact, it had driven me to the local library to read the original story by Peter B. Kyne.
One would never have guessed that Charles Bickford would be the hero of this 1930 movie but he filled the role admirably. With the aforementioned Fred Kohler and Raymond Hatton in the supporting roles, the 'three godfathers' were a formidable thespian trio. This film, produced when it was without today's modern advantages, is an excellent model of fine early movie-making. And it should certainly be seen to get insight into the technological advances that subsequently resulted in the 1936 version with Chester Morris, Lewis Stone and Walter Brennan, as well as the Technicolor version in 1948 with John Wayne, Harry Carey, Jr. and Pedro Armendariz.
The strength of the novella by P.B. Kyne is evident through all three versions. If this title appears on your TV schedule, don't let the date of 1930 scare you away. The writing of screenplays by different persons may alter the end result but a strong well written story with excellent acting will always produce an enjoyable film. You might be surprised how dry your throat is at the end of this picture but you will also be strangely satisfied with the ending.
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