In a juke joint, sharecropper Zeke falls for a beautiful dancer, Chick, but she's only setting him up for a rigged craps game. He loses $100, the money he got for the sale of his family's ...
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Andrew Manson, a young, enthusiastic doctor takes his first job in a Welsh mining town, and begins to wonder at the persistent cough many of the miners have. When his attempts to prove its ... See full summary »
Brutus Johnson, owner of the Porter Pullman Shoe Polish Company, sponsors the Porter Pullman Shoe Polish Variety Program on the Black Network Broadcasting Co. Mezzanine Johnson, Brutus' ... See full summary »
Nina Mae McKinney,
The Nicholas Brothers,
The Washboard Serenaders
In a juke joint, sharecropper Zeke falls for a beautiful dancer, Chick, but she's only setting him up for a rigged craps game. He loses $100, the money he got for the sale of his family's entire cotton crop. His brother Spunk is mortally wounded in the shoot-out which follows. Zeke goes away but returns as Brother Zekiel the preacher. His forceful preaching draws the faithful in large numbers. Even Chick wants to be saved. Zekiel has asked the pretty Missy Rose to marry him, but Chick can still cast a spell over the preacher... Written by
REALISTIC! EARTHY!...it pictures in dialogue and heart-stirring song the reckless love and the gripping drama of the Southern Negro...come to the dusky cabarets....the revivals and the baptisms. (original ad) See more »
Presently available version, as broadcast on Turner Classic Movies, is the re-edited 100 minute 1939 re-release, with redesigned opening and closing credits. See more »
The dialogue does not match the mouths of several cast members in the scene where Zeke disembarks from his train car and rides through town on a donkey. It is especially visible in the shot of Hot Shot harassing Missy Rose. See more »
Tired Son? How you like to have a nice plate of this hot chitterlings?
I sure would, Mammy. But, I likes everything you cooks.
I know you sure is crazy about chitterlings.
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It's important to realize this was only the first year of sound pictures. Seen in that light, HALLELUJAH! has a remarkable fluidity, and a freedom from the tyranny of the sound camera that is little short of astonishing. (See "Singin' in the Rain" for a realistic depiction of this problem.) The acting is on a high level, if somewhat dated. King Vidor did an admirable job in depicting his characters' life condition, and was deservedly nominated as Best Director of 1929/30.
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