In a juke joint, sharecropper Zeke falls for a beautiful dancer, Chick, but she's only setting him up for a rigged craps game. He loses $100, the money he got for the sale of his family's ...
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Set in the bleak aftermath and devastation of the World War I, a recently demobbed soldier, Timosh, returns to his hometown Kiev, after having survived a train wreck. His arrival coincides ... See full summary »
In 1918 a simple Mongolian herdsman escapes to the hills after brawling with a western capitalist fur trader who cheats him. In 1920 he helps the partisans fight for the Soviets against the... See full summary »
Brutus Johnson, owner of the Porter Pullman Shoe Polish Company, sponsors the Porter Pullman Shoe Polish Variety Program on the Black Network Broadcasting Co. Mezzanine Johnson, Brutus' ... See full summary »
Nina Mae McKinney,
The Nicholas Brothers,
The Washboard Serenaders
In a juke joint, sharecropper Zeke falls for a beautiful dancer, Chick, but she's only setting him up for a rigged craps game. He loses $100, the money he got for the sale of his family's entire cotton crop. His brother Spunk is mortally wounded in the shoot-out which follows. Zeke goes away but returns as Brother Zekiel the preacher. His forceful preaching draws the faithful in large numbers. Even Chick wants to be saved. Zekiel has asked the pretty Missy Rose to marry him, but Chick can still cast a spell over the preacher... Written by
Presently available version, as broadcast on Turner Classic Movies, is the re-edited 100 minute 1939 re-release, with redesigned opening and closing credits. See more »
The dialogue does not match the mouths of several cast members in the scene where Zeke disembarks from his train car and rides through town on a donkey. It is especially visible in the shot of Hot Shot harassing Missy Rose. See more »
You knows you's just jokin'! Why I never had no new pants in my life. Why as soon as you grows out 'em, I steps in.
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It's important to realize this was only the first year of sound pictures. Seen in that light, HALLELUJAH! has a remarkable fluidity, and a freedom from the tyranny of the sound camera that is little short of astonishing. (See "Singin' in the Rain" for a realistic depiction of this problem.) The acting is on a high level, if somewhat dated. King Vidor did an admirable job in depicting his characters' life condition, and was deservedly nominated as Best Director of 1929/30.
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