In a juke joint, sharecropper Zeke falls for a beautiful dancer, Chick, but she's only setting him up for a rigged craps game. He loses $100, the money he got for the sale of his family's ...
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Andrew Manson, a young, enthusiastic doctor takes his first job in a Welsh mining town, and begins to wonder at the persistent cough many of the miners have. When his attempts to prove its ... See full summary »
In a juke joint, sharecropper Zeke falls for a beautiful dancer, Chick, but she's only setting him up for a rigged craps game. He loses $100, the money he got for the sale of his family's entire cotton crop. His brother Spunk is mortally wounded in the shoot-out which follows. Zeke goes away but returns as Brother Zekiel the preacher. His forceful preaching draws the faithful in large numbers. Even Chick wants to be saved. Zekiel has asked the pretty Missy Rose to marry him, but Chick can still cast a spell over the preacher... Written by
King Vidor had been hoping to make the film for several years, and jumped at the chance to make it with the advent of sound. He so wanted to produce the picture that he offered to give up his salary. See more »
The dialogue does not match the mouths of several cast members in the scene where Zeke disembarks from his train car and rides through town on a donkey. It is especially visible in the shot of Hot Shot harassing Missy Rose. See more »
What's the matter, brother Zeke?
That's just it. I don't know what is the matter. Seems like the devil's done took a hold of me.
What you mean? What kinda talk is that? A big strong man like you ain't gonna give into that... after we done traveled this far.
I don't want to give in! But he just keeps on a torin' and a pullin' after me all the time.
That's just the way he is.
Just won't let me be.
What's we want to do, big brother?
I don't know what we gonna do. Unlessin'...
Unless what, Zeke?
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It's important to realize this was only the first year of sound pictures. Seen in that light, HALLELUJAH! has a remarkable fluidity, and a freedom from the tyranny of the sound camera that is little short of astonishing. (See "Singin' in the Rain" for a realistic depiction of this problem.) The acting is on a high level, if somewhat dated. King Vidor did an admirable job in depicting his characters' life condition, and was deservedly nominated as Best Director of 1929/30.
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