A young couple marries in secret. Judy's afraid her parents won't approve of Dick and she'll lose her generous allowance. Her parents bring her home from the city where she's been studying ... See full summary »

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Cast

Complete credited cast:
...
Morgan Farley ...
Dickie Carroll
Ken Murray ...
Charles Turner
Ann Greenway ...
Ann Turner
Anderson Lawler ...
Tom Stribbling
...
Sally
...
Mrs. Page
Richard Tucker ...
Mr. Page
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Storyline

A young couple marries in secret. Judy's afraid her parents won't approve of Dick and she'll lose her generous allowance. Her parents bring her home from the city where she's been studying art and encourage the attentions of Tom, a persistent suitor. Judy and her jealous husband have an argument that leads her back to the city, a drunken, amorous Tom, and tragedy. Written by David Eickemeyer

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Genres:

Drama | Romance

Certificate:

TV-PG
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Release Date:

13 October 1929 (USA)  »

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Technical Specs

Runtime:

Sound Mix:

(RCA Photophone System)

Aspect Ratio:

1.20 : 1
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Did You Know?

Trivia

Dick says he makes $45 per week, but Judy doesn't think that's enough to get married on. That amount would equate to almost $624 per week in 2015. See more »

Quotes

Judy Paige: [Toast] Here's to the poor men we love and the rich men we marry.
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Soundtracks

After the Clouds Roll By
(uncredited)
Music by Oscar Levant
Lyrics by Sidney Clare
Sung by Ann Greenway
Variations played as part of the score
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User Reviews

 
A Slice of Flapper Life
1 January 2003 | by (USA) – See all my reviews

Okay, so this film would never win any awards, but for the viewer today, it offers a rather interesting example of a film made during the transition to sound period. Viewers get to see a couple of roaring 20's party scenes, great flapper attire, hear a 20's style torch singer, and see a fabulous art-deco style apartment, and that almost makes it worthwhile.

The plot is simple: Two young people marry in secret because her rich family would disapprove of her "poor" up-and-coming boyfriend. However, keeping the marriage a secret leads to interesting complications.

Olive Borden, who plays "Judy" is a cute flapper who with her modern, 1929 morality, insists that slipping across the border to get married on the sly is being done all the time. She suggests to her young hubby-to-be she sell a bracelet from Daddy to finance their housekeeping, and tells "Dickie" that they can even move into her already paid for apartment, since the semester at the art school she attends is over and her roommates are packing to leave. You get the idea that although Judy is a modern young girl, she's still got a bit of the old morality left in her, and I liked that about her character. Dick, on the other hand, is a much more conservative man--insisting they should marry only when he can afford to be the provider.

This movie is an interesting transitional film that deserves a look by people willing to remember that this film was made over 70 years ago. Watch it for the art-deco sets, and the stylish flapperesque clothing worn by the ladies. Catch Hedda Hopper as Judy's snobbish mother and forgive the somewhat predictable ending. I enjoyed this movie.


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