High school students led by the Girl and Boy turn from Christianity toward secret atheistic meetings. When a girl is accidentally killed by a stairway collapse, the Girl and Boy go to ... See full summary »
High school students led by the Girl and Boy turn from Christianity toward secret atheistic meetings. When a girl is accidentally killed by a stairway collapse, the Girl and Boy go to reform school where they are treated brutally. Written by
Ed Stephan <firstname.lastname@example.org>
One of the fictional claims made my the film's publicity department was that it was filmed on location in a real reformatory, using real inmates. This is false; the reform school sets (both indoors and out) were constructed sets, and the cast was comprised of Hollywood actors. See more »
Opening Title Card:
It is not generally known that there are Atheist Societies using the schools of the country as their battle-ground - attacking, through the Youth of the Nation, the beliefs that are sacred to most of the people.
Opening Title Card:
And no fanatics are so bitter as youthful fanatics.
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B DeMille can still find enough sensational material in modern day America as an excuse to bring on chaos and destruction in The Godless Girl. It's atheists versus Christians in a struggle for the soul of roaring twenties youth not debated through civil discourse but violence and calamity with CB measuring it out in clockwork segments.
High schooler Judy Craig is out "to kill the bible" by organizing and giving lectures on atheism. When the principal gets wind of a meeting he completely abandons his responsibility and allows the student body president and his righteous classmates to deal with the problem. Displaying high school spirit like jack booted Fascists they bust up the meeting which results in a death and packs both instigators off to prison for manslaughter. Conveiently both the men's and women's reformatories are neighbors and the two end up bonding against a sadistic warden.
Basically a silent The Godless Girl offers an audacious and defiant female well ahead of her time in Judy Craig with Lena Basquette conveying a confident and independent exterior most of the film. Bob Keene has the look of an Arrow man but is dull in comparison to Lena's Judy. Marie Prevost and Eddie Quillan provide some comic bits while Noah Beery is his usual sadistic self as the corrections officer.
For his part DeMille provides an abundance of hair raising scenes including an hallucinogenic fall over a banister with the crowd looking on. C.B. is clearly on the Creator's side but he does give us a feisty heroine in the non-believer Judy while unintentionally exposing the rabid intolerance of the God squad. DeMille also seems to be at a loss on what to do between the torrid scenes but by then the provocative poster or coming attraction has already secured your money.
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