Molly Kelly wants to marry a millionaire. When she runs into Andy Charles, heir to a restaurant fortune, she jumps at the chance and marries him. Andy's father if furious and disinherits ... See full summary »
The lights go out at a high-society dinner party and one of the guests is murdered. The police are summoned and Inspector Killian shows up, with his assistant Carney. In order to get a ... See full summary »
William Collier Jr.
Two sailors who are always competing against each other set their sights on the same girl. When she chooses one over the other, their friendship ends acrimoniously. However, things change ... See full summary »
Director Frank Capra was upset with Jack Holt's refusal to stand up in the plane that was flying, until he learned that Holt had been playing with the ripcord. The parachute had opened, and had Holt stood up he would have been dragged out of the plane. A red ribbon was tied to Holt's ripcord for the remainder of filming. See more »
When Lefty Phelps is polishing an aircraft, Sergeant Williams calls to him by yelling "Hey, soldier!" As both men are US Marines, the sergeant would not have addressed him that way. Soldiers are members of the US Army and a Marine would actually consider that remark to be an insult. See more »
[On the Nicaraguan rebels]
You know damn well what's going to happen if these people come along and catch you alive.
See more »
The film is about two pilots--one who is the veteran flight instructor at Pensacola Naval Air Station (Tim Holt) and the other is a man who desperately wants to earn his wings, but he's terribly unsure of himself (Ralph Graves). Over time, a friendship develops between them that is challenged when both men fall for the same Navy nurse.
While all this might seem a bit predictable and clichéd, for 1929 it was pretty good stuff. Plus, all the familiar story elements contained in the film were NOT clichés, as this film introduced many of these items that would later become standard plot lines. Plus, the film is aided by excellent flying scenes and some amazingly fun and witty dialog every now and again. Graves made several comments that had me laughing. Because of this and the easy-going banter between them, this was a very likable film--particularly for nuts like me that adore early aviation films. The film abounds with great footage of aircraft and is a must-see for aviation fans.
By the way, the team of Graves and Holt made quite a few early military-inspired films for Columbia--making them the first stars for this fledgling studio. In addition to Marine pilots like they were in this film, they also starred in other films about US military (such as DIRIGIBLE, A DANGEROUS AFFAIR, FLYING FLEET and SUBMARINE). Oddly, despite their success, by 1931-1932, their careers as leading men were pretty much over.
One negative about the film is the sound quality. Though it does improve later in the film, FLIGHT is terribly in need of restoration as some of the dialog is very, very difficult to understand--a rather common problem with films from the early sound era. Closed captioning would have been nice, but was not included.
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