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Eternal Love (1929)

 -  Drama | Romance  -  11 May 1929 (USA)
6.9
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Ratings: 6.9/10 from 276 users  
Reviews: 11 user | 7 critic

In the Swiss Alps of the early 19th century, a couple forced into loveless marriages struggle to find happiness with one another.

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(titles), (novel), 3 more credits »
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Title: Eternal Love (1929)

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Cast

Cast overview:
...
...
Ciglia
Victor Varconi ...
Lorenz Gruber
Hobart Bosworth ...
Rev. Tass
Bodil Rosing ...
Housekeeper
Mona Rico ...
Pia
Evelyn Selbie ...
Pia's mother
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Storyline

In a Swiss Village in 1806, the fiery Marcus and the local clergyman's niece Ciglia are passionately in love. Unfortunately, after getting drunk during a celebration, Marcus is seduced by his aggressive admirer Pia, who uses the encounter to force him into marrying her. Heart-broken, Ciglia tries to forget him by marrying her own persistent admirer, Lorenz. Able to be faithful in deed but not thought, the two pine for each other, inspiring jealousy in their respective spouses. And once Lorenz decides to find a way to force Marcus out of town for good, it seems the relationship between Marcus and Ciglia can only end in tragedy. Written by cupcakes

Plot Summary | Add Synopsis

Plot Keywords:

based on novel

Taglines:

THE DAREDEVIL (John Barrymore) - Fearless, defiant, a creature of raging passions, fighting the world for freedom and love. (original ad) See more »

Genres:

Drama | Romance

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Details

Country:

Language:

Release Date:

11 May 1929 (USA)  »

Also Known As:

King of the Mountains  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(DVD)

Sound Mix:

(MovieTone) (musical score and sound effects)|

Aspect Ratio:

1.20 : 1
See  »
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Did You Know?

Trivia

Prints exist in the Mary Pickford Institute film archive [35mm duplicate negative, 35mm print], and in the UCLA Film and Television Archive film archive [35mm restoration print]. See more »

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User Reviews

It's subtle AND it's breast-heaving
28 February 2002 | by (Los Angeles) – See all my reviews

I saw this screened at the Bay City/Saginaw show, and although I was skeptical and even jaded about it while I was watching it, the imagery, the atmosphere, and the intensity of the subject (not to mention of the performances) provided me with my most powerful memories of the festival. Barrymore is not a dapper figure here, but his appeal and his talent for projecting smoldering fire is 100% intact. He is ably abetted by the angelic blonde, Camilla Horn, and the fiery, wildly uninhibited Mona Rico (a late silent discovery quickly forgotten, but who does turn up dancing a bit in John Carroll's ZORRO serial.) Horn is a delicate beauty suspiciously strung together with steel wire, while Rico goes some lengths to out-spitfire Lupe Velez, and does she ever wear a jacket? Rico's character is sooooo hot, that she is hardly ever seen wearing costuming that can contain her writhing, lusting, scheming torso. That she is supported in her efforts every step of the way by her mother is no vote for quality parenting, not by any stretch of the imagination, and Heaven help poor John. Poor, poor John. There is something about physical attraction in silent cinema, it can be obvious, nostril-flaring, eye-popping (or, as in the case of Miss Rico, breast-heaving) but when it's subtle, as with Barrymore and Horn, it can scorch the screen along with your eyes and imaginations. They are met subtlety for subtlety by the second male lead, handsome Victor Varconi, a fine actor often underused in the talking era, and are matched in color by Hobart Bosworth as Horn's Reverend father, and Bodil Rosing as their housekeeper. Evelyn Selbie, who portrays Mona Rico's horrible hag of a mother, seems to have had quite a career playing mothers in the Silents, and parlayed such roles into lesser talking picture assignments such as "Screaming woman" or "Immigrant woman," or "Tenement Woman."






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