Two American soldiers are captured by the Germans on the Western Front during World War One and escape a POW camp only to stumble into further life-threatening adventures when they come across an Arabian king's daughter while on the lam.
In 18th-Century Russia, the Czar, Paul, is surrounded by murderous plots and trusts only Count Pahlen. Pahlen wishes to protect his friend, the mad king, but because of the horror of the ... See full summary »
Jeanne Eagels plays the bored and restless Leslie Crosbie who turns to another man, Geoffrey Hammond (Herbert Marshall) for attention when neglected by her husband Robert (Reginald Owen). ... See full summary »
Jean de Limur
A partly fictionalized account of history begins with the arrival of slatternly Emma Hart, a cook's daughter, at the home of Charles Greville. Greville takes her as his lover and grooms her until their relationship becomes an inconvenience. Greville then dupes Emma into traveling to Naples to live with his uncle, Lord Hamilton, ambassador to the court at Naples. Realizing that Greville has abandoned her, Emma agrees to marry Lord Hamilton. Soon, however, she meets Admiral Horatio Nelson of the British Navy. Emma plays a crucial role in convincing Naples to open its ports to Nelson during his campaign against Napoleon's French fleet. Soon, Emma and the married Nelson become romantically involved -- a relationship which will have consequences for them both. Written by
Shannon Patrick Sullivan <firstname.lastname@example.org>
This was the very first sound film ever exhibited in Argentina. Max Glücksmann presented this film, which was distributed by Warner Bros., with its original Vitaphone soundtrack in the Grand Splendid Movie Theater that also have Movietone equipment. See more »
The Vauxhall carnival sequence, set in 1786, contains a Ferris wheel, which wouldn't be invented for another 100 years. See more »
Music by Nathaniel Shilkret
Lyrics by Richard Kountz
Played during the opening credits and sung offscreen by an unidentified singer
In the score often as the love theme
Reprised at the end by an unidentified singer offscreen See more »
The Divine Lady is a fantastic silent film, a gem of early American cinema that we are lucky to have discovered. Once thought to be lost, The Divine Lady was found along with its original vitaphone score. Since its rediscovery, the movie hasn't raised much commotion in the film community. It has aired on Turner Classic Movies only a handful of times, and it has not been offered for sale on home video. Despite all of this neglection, The Divine Lady is as important and significant as it is entertaining. Garnering an Oscar nomination for its lovely star Corinne Griffith (who, after seeing all the nominees from that year, I have decided should have won) and an Oscar win for Best Direction (for Frank Lloyd). The opening scene is upbeat and humorous. The deliciously hammy Marie Dressler is a delight as the English cook, Mrs. Hart. When her and her hussy of a daughter Emma (Griffith) arrive at the home of the Honorable Charles Greville (Ian Kieth) to work, Sir Charles is skeptical and doubts allowing a vulgar young gamine to enter his home. After her persuasions, however, the man changes his mind and begins to romance Emma. Anxious to inherit the fortune of a rich uncle Sir William Hamilton, Greville sends Emma to live with him in Naples. His motivation is that Sir William could never bring himself to marry such a woman, and that she will exist as his mistress; thus, he himself will inherit the fortune of his uncle when he dies unmarried. When Emma learns that her love will not be joining her, however, she foils the plans of her suitor and marries Sir William. One day, a young naval officer, Horatio Nelson (Victor Varconi), comes to ask a favor of Sir William. Instead, he meets his lovely wife and the two are attracted to one another. When, after a great deal of success, Nelson returns, the two carry out a much-gossipped-about affair. Struggling for the peace and tranquility they desire, the two settle down to live a quiet life. But when Napoleon becomes a threat to England again, the lovers must separate and Nelson must go fight another naval battle. Dripping with beautiful production values, the Divine Lady is a wonderful film, even today. The characters are portrayed vividly and realistically. The photography is some of the best ever, at times similar to the much-touted 'Sunrise.' Over all, the film is a massive experience. It is truly one of the best silents of American film!
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