A cavalcade of English life from New Year's Eve 1899 until 1933 seen through the eyes of well-to-do Londoners Jane and Robert Marryot. Amongst events touching their family are the Boer War,... See full summary »
Jeanne Eagels plays the bored and restless Leslie Crosbie who turns to another man, Geoffrey Hammond (Herbert Marshall) for attention when neglected by her husband Robert (Reginald Owen). ... See full summary »
Harriet and Queenie Mahoney, a vaudeville act, come to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. Eddie was in love with Harriet,... See full summary »
A partly fictionalized account of history begins with the arrival of slatternly Emma Hart, a cook's daughter, at the home of Charles Greville. Greville takes her as his lover and grooms her until their relationship becomes an inconvenience. Greville then dupes Emma into traveling to Naples to live with his uncle, Lord Hamilton, ambassador to the court at Naples. Realizing that Greville has abandoned her, Emma agrees to marry Lord Hamilton. Soon, however, she meets Admiral Horatio Nelson of the British Navy. Emma plays a crucial role in convincing Naples to open its ports to Nelson during his campaign against Napoleon's French fleet. Soon, Emma and the married Nelson become romantically involved -- a relationship which will have consequences for them both. Written by
Shannon Patrick Sullivan <firstname.lastname@example.org>
This film was a joint preservation project of the UCLA Film and Television Archive and the Museum of Modern Art Department of Film in cooperation with the Czechoslovak Film Archive. It was restored in conjunction with the project American Moviemakers: The Dawn of Sound. See more »
During the naval battle sequence a modern bridge can be seen in the far distance. See more »
Music by Nathaniel Shilkret
Lyrics by Richard Kountz
Played during the opening credits and sung offscreen by an unidentified singer
In the score often as the love theme
Reprised at the end by an unidentified singer offscreen See more »
Director Frank Lloyd won the Academy Award for Directing this rather ponderous telling of the romance between Admiral Horatio Nelson and Lady Emma Hamilton. We do not know what the standard was used at the time for voting, but it must have been a curious one. I have always had the feeling for the first ten (10) years of the Award that deals were cut in smoke filled back-rooms. Academy Awards were given less on merit, but that each studio got a share of the prizes deserving or not.
THE DIVINE LADY (1929) features a strong supporting cast though its two (2) leads are rather lack luster. CORRINNE GRIFFITH had a rather limited appeal and VICTOR VARCONI was being groomed for a leading man a role which he was unsuited for. Later he would find success as a character actor. MS. GRIFFITHs' career would not outlast the silent era, but she did have her million$ as consolation. The film does feature THE BATTLE OF THE NILE and TRAFALGAR. Though short they were fairly well done. Using a combination of full scale mock-ups and large miniatures.
The film was remade as THAT HAMILTON WOMEN (1941) aka LADY HAMILTON. A Alexander Korda production it featured real life lovers VIVIAN LEIGH and LAURENCE OLIVIER. It is a handsomely mounted film with the actors giving a skilled performance and we rate it IMDb Eight********Stars.
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