Gardoni, a down-on-his-luck vaudeville performer, is taken in by a fellow performer, a clown who has a bicycle riding act. Gardoni shows his appreciation by stealing the clown's act and his girlfriend, whom he marries.
Mrs. Ramsey sent Jean Oliver to prison on a false charge. To get even, Jean (disguised as Madame Mystera) plans to kidnap her daughter and turn her into a thief. Love entanglements with a ... See full summary »
Edward G. Robinson,
Although his murdered friend was by all accounts a scoundrel a true "bounder" Edward Wales is determined to trap his killer by staging a seance using a famous medium. Many of the 13 seance ... See full summary »
Philandering actor Richard Hardell is murdered at a movie studio. His jealous wife Blanche, his director Rupert Borka, and a girl he mistreated, Helen MacDonald, all have substantial ... See full summary »
George's partner in vaudeville quits their act, claiming that Betty has broken his heart. George then teams up with Charlie, a stranded trouper, and Irving becomes their manager. Later, in ... See full summary »
The lead role was originally meant for Gary Cooper, who turned it down because he didn't like the script or director Louis J. Gasnier. He was threatened with suspension by Paramount Pictures, but eventually the studio relented and the role was given to Neil Hamilton. See more »
Neil Hamilton is Emory Yago, the struggling proprietor of a boardwalk photography shop. Madame Silvera, an adjacent spiritual medium, hires Emory to fake "spirit photos", and he becomes intrigued with the financial possibilities of spiritualism. While researching this new business enterprise, an exhausted and starving chorus girl (Evelyn Brent) collapses in Emory's shop. He shows kindness, feeding and nurturing her back to health, and she repays his rescue by picking up the slack at the photo shop. In spite of the affection Emory and Ellen share, greed overtakes Emory's heart and his spiritualism racket consumes his thoughts. Ellen will resort to some trickery of her own to save her relationship and get Emory to "go straight".
An early talker, this film cannot blame its flaws on the new sound technique. Its release near the end of 1929 comes almost a full year into Paramount's talking age. The plot is meandering and direction is slack. Mr. Hamilton gave many fine, full-bodied performances in 1929. Here, his character's motivations are not made clear to the audience, because, I don't believe HE understood them. Evelyn Brent fills the eyes and ears again with PRESENCE, though her lines have plenty of clunk factor. No dazzling special effects to save the finale, either.
Comic relief is supplied by Sammy Bricker playing a sailor. He keeps coming in to be photographed with a different girl throughout the picture. For all the shortcomings, I recommend seeing Evelyn Brent in any of her early talkie roles. She is one of the screen's truly unsung divas.
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