Jeanne Eagels plays the bored and restless Leslie Crosbie who turns to another man, Geoffrey Hammond (Herbert Marshall) for attention when neglected by her husband Robert (Reginald Owen). ... See full summary »
Jean de Limur
A stenographer who works for a lawyer falls in love with and marries a wealthy young man. His family has the marraige annulled, after which she gives birth to a child. Her former boss helps... See full summary »
A tough slum girl faces a crisis of the heart when the boy she loves is accused of shooting her cop father. Her brother stalks the accused slayer and finally shoots him down in the street. ... See full summary »
In the late 1800s New England, banker William Marlowe and his wife Martha have arranged for their daughter Mary to marry the officious and older Lord Hurley of England. Mary does not want ... See full summary »
C. Aubrey Smith
Norma Besant, daughter of a Southern doctor, is an incorrigible flirt and has many boys on her string. She begins to favor Michael Jeffrey, who, shiftless and hot-tempered but fundamentally honorable, is warned off by her father. When Michael returns after a long absence, the pair are innocently compromised, and Dr. Besant's old-South paternal rage brings tragedy. Written by
Rod Crawford <firstname.lastname@example.org>
Mary Pickford's performance received universally negative reviews but she secured winning the Oscar by inviting members of the Academy's judging committee to her Pickfair mansion for luncheons. Outrage over her being given the award forced the Academy to change its procedures for selecting the winners. See more »
[to Wentworth after her father's suicide]
I've got to hurry along home now and help Jimmy with his algebra.
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As with most early talkies, some of the performances will appear insecure and the dialogue may seem either flat or overracted. For many actors the transition to sound was not an easy one. The early recording devices of the late twenties were not refined until many years later. So to modern audiences much of this will seem crude amidst this age of digital technology. This film is certainly not one of Mary Pickford's best work. I think its true to say her silent era was her golden age.
Upon viewing this film it becomes evident of the transition period in the film industry. The actors are speaking but there is the hint of gestural expressions that became common in the silent era. Its by no means a cinematic work of art, but there are some redeeming qualities. I happen to have got a tape taken from a good print so as to observe that some of the photography and lighting was somewhat decent but not too brilliant. Some of the acting takes a back seat but it is Miss Pickford's presence that saves what would be a forgettable film. This was a whole new concept. Mary Pickford speaks for the first time and her personna was altered by her trendy apparell and short, shingled hairstyle. In my opinion she was worthy of the Academy Award. Not only was she one of greatest actresses of the century but she was very instrumental in the deveopment of the film industry. But still her talkies don't compare to her silent films. It is these more than anything that secures her status of the icon she truly was, "America's Sweetheart".
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