Joan Fry, a society woman, falls in love with Chuck Riley, the white-leader of a powerful gang in Chinatown, and he quickly drags her down into the depths with him. But seeing her so much ...
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The Broadway citizen Aloysius 'Butch' Grogan is known far and wide to be involved with criminal activities. Butch is motivated to pursue a life of crime in order to provide the lovely widow... See full summary »
Albert S. Rogell
Kay is a girl living in a small rural town whose life is just too dull and repetitious to bear. One night, she meets young, handsome, and rich Bob Dakin, who asks her for directions while ... See full summary »
Howes plays Pamela Dickson, an impulsive young bride-to-be, while Guy Rolfe portrays her long-lost father Paul. Ostensibly a cad and bounder, Paul turns out to be just the opposite when he arrives for Pamela's wedding.
Joan Fry, a society woman, falls in love with Chuck Riley, the white-leader of a powerful gang in Chinatown, and he quickly drags her down into the depths with him. But seeing her so much in love with him causes him to realize he isl in love with her, and he determines to lift her up again. "Boston" Charley, the rival gang-leader, has other plans. Written by
Les Adams <email@example.com>
One of the earliest of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by MCA ever since. See more »
Filming of Chinatown Nights as a silent was one-third completed when production was stopped to adapt it to sound. Four days later, dialogue had been written and filming resumed. In the Movietone version that survives, the retained silent sequences sometimes jarringly remind the viewer that the silent cinema was a totally different art form. Over-emoted scenes are dubbed and the result is risable. Indeed, Florence Vidor quit the talkies immediately upon the completion of principle photography and her dubbing is handled by an actress who manages to inject a tremmello into every syllable. However, when the new footage takes over, the film paces itself well. The love story plays true and the Chinese Theatre set piece is rousing. Wellman keeps the camera moving. If you enjoy seeing the birth of a new art form, then you might not mind the man with the megaphone's sloppy looping. His voice will still bark even when the cone goes to his side. And did I mention Warner Oland plays an evil Oriental? Recommended.
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