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Charming Sinners (1929)

Charming Sinners is a 1929 American drama film directed by Robert Milton and written by W. Somerset Maugham and Doris Anderson. The film stars Ruth Chatterton, Clive Brook, Mary Nolan, ... See full summary »

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Cast

Cast overview:
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Kathryn Miles
...
Robert Miles
...
Anne-Marie Whitley
...
Karl Kraley
...
Mrs. Carr
...
Helen Carr
...
George Whitley
Juliette Crosby ...
Margaret
Lorraine MacLean ...
Alice
Claud Allister ...
Gregson
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Storyline

Charming Sinners is a 1929 American drama film directed by Robert Milton and written by W. Somerset Maugham and Doris Anderson. The film stars Ruth Chatterton, Clive Brook, Mary Nolan, William Powell, Laura Hope Crews and Florence Eldridge. The film was released on August 17, 1929, by Paramount Pictures.

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based on play | See All (1) »

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Drama

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Release Date:

17 August 1929 (USA)  »

Also Known As:

Amar não é Pecado  »

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(MovieTone)

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1.20 : 1
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Did You Know?

Trivia

A nitrate print of this film survives in the UCLA Film and Television Archives. See more »

Connections

Referenced in I Flunked, But... (1930) See more »

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User Reviews

 
One of the Worst "A" Features Ever Made!
10 April 2009 | by See all my reviews

Despite their occasional creakiness, I'm a great fan of the early talkies. This one, however, is not only creaky but downright inept in every department, save one -- acting. In the acting division, thanks to the sterling efforts of Mary Nolan, Montagu Love and William Powell (in a very small, if important role), it's only 90% rotten. Clive Brook gives such a bad performance, one contemporary reviewer assumed he was playing the butler and wrote a tongue-in-cheek critique accordingly. Sad to say that while Brook plumbs the depths of ineptitude, Miss Chatterton and Miss Crews do not exactly shine either, although it's tempting to blame their staginess on the extremely static yet over-emphatic direction they obviously received from Robert Milton. As a result, the Somerset Maugham comedy-of-manners comes across with all the wit of a turkey's egg. Sparse production values and hole-in-the-wall photography don't help either.


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