A beautiful showgirl, name "the Canary" is a scheming nightclub singer. Blackmailing is her game and with that she ends up dead. But who killed "the Canary". All the suspects knew and were ... See full summary »
After killing her treacherous step-father, a girl tries to escape the country with a young vagabond. She dresses as a boy, they hop freight trains, quarrel with a group of hobos, and steal ... See full summary »
William A. Wellman
Lucienne, typist and gorgeous bathing beauty, decides to enter the 'Miss Europe' pageant sponsored by the French newspaper she works for. She finds her jealous lover Andre violently ... See full summary »
At the end of each year, the extremely wealthy but odious Greene family gets together at the spooky old family castle to establish terms of a will, though they despise each other. This year... See full summary »
A beautiful showgirl, name "the Canary" is a scheming nightclub singer. Blackmailing is her game and with that she ends up dead. But who killed "the Canary". All the suspects knew and were used by her and everyone had a motive to see her dead. The only witness to the crime has also been 'rubbed out'. Only one man, the keen, fascinating, debonair detective Philo Vance, would be able to figure out who is the killer. Written by
Tony Fontana <email@example.com>
Paramount bought the rights to the first 3 S.S. Van Dine mysteries (The Benson Murder Case, The Canary Murder Case and The Greene Murder Case) as a package deal in 1928, filming the second effort first. MGM would outbid the studio for the 4th Philo Vance best-seller, The Bishop Murder Case (1930). See more »
In "The Greene Murder Case" (about 29 minutes in) someone mentions reading about "The Canary Murder Case". But, in "The Canary Murder Case" (about 21 minutes in) someone mentions that he hasn't seen Vance since "The Greene Murder Case". The studio may not have been sure which order the movies would be released when the dialog was written. See more »
I have been a fan of S.S. Van Dine's "Philo Vance" novels since I was a kid. I have recently purchased the first editions of most of his catalogue. I have read about this movie for years, and being a HUGE admirer of Louise Brooks, I could not wait to see this film.
Although I have always been fascinated by early sound films, this is one is a textbook case of the problems encountered by the studios at the time. It is slow beyond belief. It is more than obvious that Louise's speaking parts are dubbed. The editors chose long shots so it wasn't as noticeable----it didn't work! Powell's Philo Vance bears no resemblance to the colorful character in the novels. I give this film a "3" rating simply for Brooks' beauty.
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