A beautiful showgirl, name "the Canary" is a scheming nightclub singer. Blackmailing is her game and with that she ends up dead. But who killed "the Canary". All the suspects knew and were ... See full summary »
A musical revue that basically has Paramount stars and contract-players doing things some had never done on screen, and wouldn't again; such as Ruth Chatteron , in a French-café setting ... See full summary »
Idealistic attorney Anton Adam makes headlines when he successfully prosecutes a prominent New York racketeer named Gilmurry. Adam's sudden renown attracts the attention of high-profile ... See full summary »
A beautiful showgirl, name "the Canary" is a scheming nightclub singer. Blackmailing is her game and with that she ends up dead. But who killed "the Canary". All the suspects knew and were used by her and everyone had a motive to see her dead. The only witness to the crime has also been 'rubbed out'. Only one man, the keen, fascinating, debonair detective Philo Vance, would be able to figure out who is the killer. Written by
Tony Fontana <firstname.lastname@example.org>
Paramount bought the rights to the first 3 S.S. Van Dine mysteries (The Benson Murder Case, The Canary Murder Case and The Greene Murder Case) as a package deal in 1928, filming the second effort first. MGM would outbid the studio for the 4th Philo Vance best-seller, The Bishop Murder Case (1930). See more »
In "The Greene Murder Case" (about 29 minutes in) someone mentions reading about "The Canary Murder Case". But, in "The Canary Murder Case" (about 21 minutes in) someone mentions that he hasn't seen Vance since "The Greene Murder Case". The studio may not have been sure which order the movies would be released when the dialog was written. See more »
What happened backstage? Were you able to see the Canary.
No luck Charles. She's about as hard to get out of that judging room, as she is in that swing.
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Upon its initial release, a message appeared at the end of the film requesting that the audience not reveal to anyone the surprise ending. See more »
"Probably the most asinine character in detective fiction."
One of the earliest private-eye talkies was "The Canary Murder Case," featuring William Powell as an American detective called Philo Vance ... later described by Raymond Chandler as "probably the most asinine character in detective fiction."
This type of "classic" murder mystery, transposed to an American location, must have seemed a natural for early talkie producers: few sets, all interiors, a lot of talk and little of that difficult action stuff which meant the camera might have to move around Like filming a stage play, in fact. Here was an opportunity to set up the static camera in its enclosed booth and let the actors get on with the job
Most of these films turned out to be the dullest ever made It wasn't the fault of William Powell, who played Philo Vance with wit and elegance It was the fault of a basic misconception in making private-detective movies
Powell played Vance four times... Others who, followed him were: Paul Lukas, Edmund Lowe, Warren Williams, Grant Richards, James Stephenson and Alan Curtis
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