A beautiful showgirl, name "the Canary" is a scheming nightclub singer. Blackmailing is her game and with that she ends up dead. But who killed "the Canary". All the suspects knew and were ... See full summary »
Finding a deserted cattle ranch, Buck buys it and turns it into a dude ranch. But Buck is quickly in trouble with sheep men who want the ranch and then with outlaws who kidnap the daughter of the wealthy Mr. Grant.
Mary Gray, whose father manufactures cold cream, is engaged to sappy Horace Niles, the son of Hugo Niles, the elder Gray's most competitive rival in the cosmetics business. Chip Armstrong, ... See full summary »
A musical revue that basically has Paramount stars and contract-players doing things some had never done on screen, and wouldn't again; such as Ruth Chatteron , in a French-café setting ... See full summary »
A beautiful showgirl, name "the Canary" is a scheming nightclub singer. Blackmailing is her game and with that she ends up dead. But who killed "the Canary". All the suspects knew and were used by her and everyone had a motive to see her dead. The only witness to the crime has also been 'rubbed out'. Only one man, the keen, fascinating, debonair detective Philo Vance, would be able to figure out who is the killer. Written by
Tony Fontana <email@example.com>
Paramount bought the rights to the first 3 S.S. Van Dine mysteries (The Benson Murder Case, The Canary Murder Case and The Greene Murder Case) as a package deal in 1928, filming the second effort first. MGM would outbid the studio for the 4th Philo Vance best-seller, The Bishop Murder Case (1930). See more »
In "The Greene Murder Case" (about 29 minutes in) someone mentions reading about "The Canary Murder Case". But, in "The Canary Murder Case" (about 21 minutes in) someone mentions that he hasn't seen Vance since "The Greene Murder Case". The studio may not have been sure which order the movies would be released when the dialog was written. See more »
This film typifies the problems the studios were having adapting to sound in 1929. The characters talk and talk and talk and nothing much happens. Being a great Philo Vance fan, I had to purchase this film even though it is a pretty rough transfer to tape and is very stilted in style. The obvious post-dubbing of Louise Brooks' voice is comical since it comes out as a nasal Bronx accent. William Powell, just beginning to develop his persona as a sophisticate, really doesn't stand much of a chance here. However, for historical value, it is worth a try. It is the last film that Brooks made before she went to Germany and her greatest triumphs(Pandora's Box, Diary of a Lost Girl); thus the voice dubbing. The film started out as a silent and was converted to sound....by that time she was in Germany and refused to return to dub her own voice. If you are a Philo Vance buff and can't work your way through this film, see "The Kennel Murder Case" instead.
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