A beautiful showgirl, name "the Canary" is a scheming nightclub singer. Blackmailing is her game and with that she ends up dead. But who killed "the Canary". All the suspects knew and were ... See full summary »
After killing her treacherous step-father, a girl tries to escape the country with a young vagabond. She dresses as a boy, they hop freight trains, quarrel with a group of hobos, and steal ... See full summary »
William A. Wellman
Thymiane is a beautiful young girl who is not having a storybook life. Her governess, Elizabeth, is thrown out of her home when she is pregnant, only to be later found drown. That same day,... See full summary »
Sherwood Nash is a swindler who bootlegs Paris fashions for sale at cut-rate prices. His assistant Lynn poses as An American interested in a dress and Snap conceals a camera in his cane. ... See full summary »
Gardoni, a down-on-his-luck vaudeville performer, is taken in by a fellow performer, a clown who has a bicycle riding act. Gardoni shows his appreciation by stealing the clown's act and his girlfriend, whom he marries.
A beautiful showgirl, name "the Canary" is a scheming nightclub singer. Blackmailing is her game and with that she ends up dead. But who killed "the Canary". All the suspects knew and were used by her and everyone had a motive to see her dead. The only witness to the crime has also been 'rubbed out'. Only one man, the keen, fascinating, debonair detective Philo Vance, would be able to figure out who is the killer. Written by
Tony Fontana <email@example.com>
Completed in 1928, Paramount sensed that releasing the S.S. Van Dine (Willard Huntington Wright) Philo Vance whodunit as a silent would be financial disaster. Studio honchos called in Frank Tuttle to rework it as an all-talkie. Margaret Livingston supplied the voice of the uncooperative Louise Brooks (as the Canary), who had left Hollywood for a career in Europe. Livingstone, who also had short, bobbed hair, stood in for her in some of the retakes. The film was a big hit despite the high negative cost. See more »
In "The Greene Murder Case" (about 29 minutes in) someone mentions reading about "The Canary Murder Case". But, in "The Canary Murder Case" (about 21 minutes in) someone mentions that he hasn't seen Vance since "The Greene Murder Case". The studio may not have been sure which order the movies would be released when the dialog was written. See more »
What happened backstage? Were you able to see the Canary.
No luck Charles. She's about as hard to get out of that judging room, as she is in that swing.
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Upon its initial release, a message appeared at the end of the film requesting that the audience not reveal to anyone the surprise ending. See more »
This film typifies the problems the studios were having adapting to sound in 1929. The characters talk and talk and talk and nothing much happens. Being a great Philo Vance fan, I had to purchase this film even though it is a pretty rough transfer to tape and is very stilted in style. The obvious post-dubbing of Louise Brooks' voice is comical since it comes out as a nasal Bronx accent. William Powell, just beginning to develop his persona as a sophisticate, really doesn't stand much of a chance here. However, for historical value, it is worth a try. It is the last film that Brooks made before she went to Germany and her greatest triumphs(Pandora's Box, Diary of a Lost Girl); thus the voice dubbing. The film started out as a silent and was converted to sound....by that time she was in Germany and refused to return to dub her own voice. If you are a Philo Vance buff and can't work your way through this film, see "The Kennel Murder Case" instead.
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