The Canary Murder Case (1929)

User Rating:

6.3/10   

Directors:

Malcolm St. Clair
Frank Tuttle

Writers:

Albert S. Le Vino (writer)
Herman J. Mankiewicz (titles)

Release Date:

1929 (Germany)

Genre:

Crime | Drama | Mystery

Plot:

A beautiful showgirl, name "the Canary" is a scheming nightclub singer. Blackmailing is her game and with that she ends up dead...

Plot Keywords:

Philo Vance | Theater | Beautiful Woman | District Attorney | Murder

Cast

William Powell	...	Philo Vance
Louise Brooks	...	Margaret Odell (the Canary)
Jean Arthur	...	Alice LaFosse
James Hall	...	Jimmy Spotswoode
Charles Lane	...	Charless Spotswoode
Eugene Pallette	...	Sgt. Ernest Heath
Gustav von Seyffertitz	...	Dr. Ambrose Lindquist
Lawrence Grant	...	Charles Cleaver
Ned Sparks	...	Tony Sheel
Louis John Bartels	...	Louis Mannix
E.H. Calvert	...	Dist. Atty. John F.X. Markham
Oscar Smith	...	Stuttering hallboy
Tim Adair	...	George Y. Harvey
Margaret Livingston	...	Margaret Odell (voice)

Runtime:

82 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.20 : 1

Sound Mix:

Mono (MovieTone)

Company:

Paramount Pictures

Trivia:

Completed in 1928, Paramount sensed that releasing the S.S. Van Dine (Willard Huntington Wright) Philo Vance whodunit as a silent would be financial disaster. Studio honchos called in Frank Tuttle to rework it as an all-talkie. Margaret Livingston supplied the voice of the uncooperative Louise Brooks (as the Canary), who had left Hollywood for a career in Europe. The film was a big hit despite the high negative cost.

Movie Connections:

Followed by The Garden Murder Case (1936)

A curiosity at best

This film is today memorable only for those interested in the struggles the studios went through during the conversion to sound, and those interested in the fortunes of two of Hollywood's most fascinating characters, William Powell, and Louise Brooks.

Powell is cast as Philo Vance and plays him in a straight, deadpan manner. It's interesting because he has almost none of the charm and sophistication that he would bring just a few years later to the Nick Charles character that would become such a major hit.

On the other hand, this is the film that sunk the Hollywood career of Louise Brooks. She had just completed the silent version of this film when her Paramount contract came up for renewal. She was owned a $250 bump in salary, which would have boosted her all the way to $1,000 a week. But B.P. Schulberg refused to honor the deal, saying he didn't know how she would record. Of course, Brooks walked out on the film, went to Europe and made film history, although it would be 30 years before anyone realized it. But eventually, the restored version of "Pandora's Box" would turn her into a screen legend and perhaps, the greatest femme fatale in movie history. But the film pretty much flopped at the time, mostly because it was carved up by the censors.

Meanwhile, Paramount decided to do some reshoots to get some sound into "Canary", but could not lure Brooks back to Hollywood for love or money. So Margaret Livingston was brought in and dubbed Brooks' voice, unfortunately using a Brooklyn accent that sounded nothing at all like Brooks. (For a real example of her voice, check out "Windy Riley Goes Hollywood," a terrible 1929 short that was actually directed by Fatty Arbuckle under an assumed name. She has a low, sexy voice, despite Paramount's contention that she "didn't record." It's now available on DVD as added material for Brooks' other German triumph, "Diary of a Lost Girl," directed by G.W.Pabst.)

At any rate, Canary is slow moving and dull to the extreme. After Brooks' character is knocked off, the film goes straight downhill and is almost impossible to watch. But the first part is fascinating, if only because Brooks is so damned beautiful that she takes your breath away.