A beautiful showgirl, name "the Canary" is a scheming nightclub singer. Blackmailing is her game and with that she ends up dead. But who killed "the Canary". All the suspects knew and were ... See full summary »
Jeanne Eagels plays the bored and restless Leslie Crosbie who turns to another man, Geoffrey Hammond (Herbert Marshall) for attention when neglected by her husband Robert (Reginald Owen). ... See full summary »
Jean de Limur
Molly and Bee, sweet young 'working girls,' live in a cheap room over a New York grocery store. Molly's idol, wealthy Jack Cromwell, lives in a Long Island mansion but is markedly less ... See full summary »
Algy, Bulldog Drummond's right-hand-man, is getting married. Bulldog attends; on the way home, in the fog, he enters the (apparently deserted) mansion of Prince Achmed in search of a phone.... See full summary »
Roy Del Ruth
Hugh 'Bulldog' Drummond is a British WWI veteran who longs for some excitement after he returns to the humdrum existence of civilian life. He gets what he's looking for when a girl requests his help in freeing her uncle from a nursing home. She believes the home is just a front and that her uncle is really being held captive while the culprits try to extort his fortune from him. Written by
[in the silence of the club room, the waiter drops a spoon. Slowly the elderly Colonel stands up, and then... ]
Pah! The eternal din in this club is an outrage! I ask you, wot?
You're perfectly right, Colonel. We ought to complain. Do you know that's the third spoon I've heard drop this month?
Hugh 'Bulldog' Drummond:
Spoons, my hat. I wish that somebody would throw a bomb and wake the place up.
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The literary character of Bulldog Drummond has not worn well. Reading the books now, Drummond tends to come across as more of a fascist bully than as a hero. This 1929 movie was Ronald Colman's first in a talkie and he plays the character with his usual charm, honing down the more brutal aspects of the Drummond in the books (although in one scene he does gleefully choke a man to death with his bare hands).
The movie is based on the stage play rather than on the book and the stage origins show. One can almost sense actors waiting for their cue to make an entrance. Colman and Bennett are pretty good in the lead roles but the over acting of Lawrence Grant as the mad doctor is painful to behold.
For collector's it's worth seeing once for the record.
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