A bored WWI veteran helps out a young woman, who believes her uncle is being held hostage.

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(based on the international stage success by) (as 'Sapper'), (adapted for the talking screen by) | 1 more credit »
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Nominated for 2 Oscars. Another 1 win. See more awards »
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Cast

Complete credited cast:
...
Claud Allister ...
Algy (as Claude Allister)
...
Montagu Love ...
Wilson Benge ...
...
...
Irma
Charles Sellon ...
Travers
Adolph Milar ...
Marcovitch
Tetsu Komai ...
Chong
Gertrude Short ...
Barmaid
Donald Novis ...
Country Boy
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Storyline

Hugh 'Bulldog' Drummond is a British WWI veteran who longs for some excitement after he returns to the humdrum existence of civilian life. He gets what he's looking for when a girl requests his help in freeing her uncle from a nursing home. She believes the home is just a front and that her uncle is really being held captive while the culprits try to extort his fortune from him. Written by Alfred Jingle

Plot Summary | Add Synopsis

Taglines:

Colman's voice is the "find" of this all-talking year, rich, amorous, romantic. (Newspaper ad). See more »


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Details

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Release Date:

2 May 1929 (USA)  »

Also Known As:

Amante de Emoções  »

Box Office

Budget:

$550,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.20 : 1
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Did You Know?

Trivia

Goldwyn paid $100,000 for the screen rights. See more »

Quotes

[first lines]
[in the silence of the club room, the waiter drops a spoon. Slowly the elderly Colonel stands up, and then... ]
Colonel: Pah! The eternal din in this club is an outrage! I ask you, wot?
Algy Longworth: You're perfectly right, Colonel. We ought to complain. Do you know that's the third spoon I've heard drop this month?
Hugh 'Bulldog' Drummond: Spoons, my hat. I wish that somebody would throw a bomb and wake the place up.
See more »

Connections

Followed by Bulldog Drummond's Peril (1938) See more »

Soundtracks

(I Says To Myself Says I) There's The One For Me
(uncredited)
Written by Harry Akst and Jack Yellen
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User Reviews

 
BULLDOG DRUMMOND (F. Richard Jones, 1929) ***
21 January 2014 | by (Naxxar, Malta) – See all my reviews

This started off yet another series devoted to the exploits of a literary detective figure (though he is actually an ex-British military officer); even if the films themselves never reached particular heights and, following the first two entries starring Ronald Colman (both, incidentally, included in the "Wonders In The Dark" poll), fell definitely into the B-movie league, this initial outing did yield two Oscar nominations for Best Actor and Best Art Direction (William Cameron Menzies)!

Despite being 85 years old and thus understandably stagey in treatment, the film survives quite nicely as pure entertainment (save for the frequent singing by a young man at an inn, summarily booted out when the villains turn up!), and can even be seen to have left its mark on culture (the presence of both a mad doctor and a femme fatale among its cast of characters). It is only the attitudes that have dated: Drummond's constant cheerfulness and over-confidence (we never really feel he is in danger throughout, also because there is a chivalric sense of mutual respect between hero and antagonist – though he does dispose violently and gratuitously of the slow-talking scientist, albeit offscreen); the latter, then, is an archaic gangster type; Drummond is assisted by silly ass Claud Allister's Algy (who, annoyingly, repeatedly asks for the afore-mentioned vamp's telephone number as if it were the most natural thing to do under the circumstances, or that she would ever even deign to give him the time of day!) and a butler; Drummond's romantic attachment to the heroine is likewise merely an obligatory convention (though 38 at the time, Colman always seemed to look middle- aged – which makes him that more unsuited to blonde Joan Bennett, not yet out of her teens and still a decade away from her 1940s heyday!). Curiously enough, though this tale is depicted as being Drummond's baptism of fire in the sleuthing business, the villainess already calls him by his "Bulldog" nickname!

Being a Samuel Goldwyn production, the film is slickly-handled (Gregg Toland was one of the cinematographers) and, as I said, includes a number of welcome elements that would eventually find their utmost expression in other popular genres (horror, noir and espionage thrillers – the latter in the deployment of a criminal organization, even if their objective here involves nothing more earth-shattering than the simple extortion of money!).


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