| Charles King | ... | Eddie Kearns | |
| Anita Page | ... | Queenie Mahoney | |
| Bessie Love | ... | Hank Mahoney | |
| rest of cast listed alphabetically: | |||
| The Angeles Twins | ... | Chorus Girls (uncredited) | |
| J. Emmett Beck | ... | Babe Hatrick (uncredited) | |
| Nacio Herb Brown | ... | Pianist (uncredited) | |
| James Burrows | ... | Singer (uncredited) | |
| Eddie Bush | ... | Guitarist and Singer (uncredited) | |
| Ray Cooke | ... | Bellhop (uncredited) | |
| Drew Demorest | ... | Turpe - Costumer (uncredited) | |
| Edward Dillon | ... | Stage Manager (uncredited) | |
| Mary Doran | ... | Flo (uncredited) | |
| Arthur Freed | ... | Bystander in Rehearsal Room (uncredited) | |
| Paul Gibbons | ... | Guitarist and Singer (uncredited) | |
| James Gleason | ... | Music Publisher (uncredited) | |
| Eddie Kane | ... | Francis Zanfield (uncredited) | |
| Ches Kirkpatrick | ... | Guitarist and Singer (uncredited) | |
| Carla Laemmle | ... | Oyster Shell (uncredited) | |
| Eddie Lang | ... | Guitar Player in Band (uncredited) | |
| Joyce Murray | ... | Specialty Dancer (uncredited) | |
| Blanche Payson | ... | Wardrobe Lady (uncredited) | |
| Alice Pitman | ... | Chorus Girl (uncredited) | |
| Jed Prouty | ... | Uncle Jed (uncredited) | |
| Marshall Ruth | ... | Stew - Mr. Zanfield's Assistant (uncredited) | |
| Bill Seckler | ... | Guitarist and Singer (uncredited) | |
| Kenneth Thomson | ... | Jock Warriner (uncredited) | |
| Diana Verne | ... | Chorus Girl (uncredited) | |
| Alice Weaver | ... | Chorus Girl (uncredited) | |
| Dorothy Coonan Wellman | ... | Chorus Girl (uncredited) | |
Directed by | |||
| Harry Beaumont | |||
Writing credits | ||
| Edmund Goulding | (story) | |
| Sarah Y. Mason | (continuity) | |
| Norman Houston | (dialogue by) and | |
| James Gleason | (dialogue by) | |
| Earl Baldwin | (titles: silent version) uncredited | |
Produced by | |||
| Harry Rapf | .... | producer (uncredited) | |
| Irving Thalberg | .... | producer (uncredited) | |
| Lawrence Weingarten | .... | producer (uncredited) | |
Cinematography by | |||
| John Arnold | (photographed by) | ||
Film Editing by | |||
| Sam Zimbalist | (film editor) (as Sam S. Zimbalist) | ||
| William LeVanway | (silent version) (uncredited) | ||
Art Direction by | |||
| Cedric Gibbons | |||
Costume Design by | |||
| David Cox | (wardrobe by) | ||
Sound Department | |||
| Douglas Shearer | .... | recording engineer | |
| G.A. Burns | .... | sound technician (uncredited) | |
| O.O. Ceccarini | .... | sound technician (uncredited) | |
| Louis Kolb | .... | sound technician (uncredited) | |
| Wesley C. Miller | .... | sound technician (uncredited) | |
Camera and Electrical Department | |||
| Louis Kolb | .... | gaffer (uncredited) | |
Music Department | |||
| Nacio Herb Brown | .... | music by | |
| Arthur Freed | .... | lyrics by | |
Other crew | |||
| George Cunningham | .... | choreographer (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Musical section | IMDb USA section |
Even though the occasional subtitle appears like training wheels on a bicycle with The Broadway Melody sound had finally arrived to tell the story of a movie. Though the movies had learned to talk, the players hadn't quite gotten down acting with a microphone instead of exaggerated gestures to make a point.
Everybody was overacting that year, you ought to see Mary Pickford's Best Actress performance in this same year. In fact she beat out Bessie Love who did a very good job as one of the aspiring Mahoney sisters for stardom on the Great White Way.
Bessie Love and Anita Page play the Mahoney Sisters who come to Broadway after being sent for by an old friend Charles King. King's had his eye on Love, but now little sister Page is all grown up. And she's also attracting Broadway wolf, Kenneth Thomson.
Charles King was a popular Broadway leading man of the day, his career going back to 1908 there. Such people as George M. Cohan, Irving Berlin, and Vincent Youmans had songs introduced by him. King had a nice singing and dancing act. He never really took to the big screen, but introducing Broadway Melody and You Were Meant For Me should qualify him for some screen immortality.
The plot is your usual backstage story, but the greatness of Broadway Melody was the singing and dancing. The possibilities of the screen musical hadn't been fully explored, it would take Busby Berkeley to do that in a few years. In its numbers Broadway Melody is a photographed stage musical.
But not a bad one at that. And our second Best Picture Oscar.