A cavalcade of English life from New Year's Eve 1899 until 1933 seen through the eyes of well-to-do Londoners Jane and Robert Marryot. Amongst events touching their family are the Boer War,... See full summary »
Harriet and Queenie Mahoney, a vaudeville act, come to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. Eddie was in love with Harriet, but when he meets Queenie, he falls in love to her, but she is courted by Jock Warriner, a member of the New Yorker high society. It takes a while till Queenie recognizes, that she is for Jock nothing more than a toy, and it also takes a while till Harriet recognizes, that Eddie is in love with Queenie. Written by
Stephan Eichenberg <firstname.lastname@example.org>
Early musicals tended to be just filmed vaudeville performances. The Broadway Melody (1929) broke with this tradition by actually incorporating musical numbers into its plot. See more »
Well, let's go and get a bowl of chop suey and we'll rewrite the show!
Well, if you'll write me back in the show, I'd go for a bowl of anything.
Well, you can - get most anything out of a bowl of chop suey.
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OK, it's very simple. If you want to watch and enjoy this film, you have to put yourself back into 1929. If you're not willing to do that, don't waste your time. If you *are* willing to do that, it's a pretty good film. If the sound or picture seems ancient-- well, not in 1929! If the plot seems old hat-- well, not in 1929! You really do have to put yourself mentally into the time-frame of the time. This was really pretty damn good for 1929.
Of course, part of the enjoyment, today, of watching such a film, is indeed the time-warp you get. It really is interesting to see the movie people groping to find their way in the new era of talkies. Some have mentioned the odd silent-movie-style story-boards that open the scenes. Or the way that the players sometimes get out of focus when they get out of range of the camera. There were some other limitations of the time that I found interesting. Very interesting to note all the silence, when the characters are not speaking, especially when they are just emoting. Today, of course, every such scene would have orchestral back-up music, to tell you how to feel, but obviously nobody had thought of that yet. Or the way that they hadn't really invented the modern notion of a Musical, where people burst into song for no reason. In the one scene here where somebody seems to spontaneously burst into a song describing his feelings to someone else... at the end of the song he explains that he wrote it just for her (thus, it wasn't spontaneous after all).
All in all, not a *great* film, but enjoyable. I gave it six stars, plus an extra one for the historic interest. My one real gripe: I did think that the actress who played Queenie was just terrible. Too often she just didn't sound natural, she sounded like she was reading lines.
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