'Rainbow Girls' has just opened and closed on Broadway when Dixie, a actress in it, runs into smooth talking Hollywood Director Frank Buelow. He tells her she would be a natural, promises ... See full summary »
Torch singer Joan Gordon, tiring of her relationship with small-time hood and racketeer Eddie Fields, flees to Montreal and becomes the mail-order bride of down-to-earth farmer Jim Gilson. ... See full summary »
William A. Wellman
The first to die in an epidemic of meningitis in Vera Cruz is a French tourist. His wife Nellie, detached and indifferent, feels little grief and realizes that her coldness is her own doom.... See full summary »
Rafael E. Portas
Carlos López Moctezuma
A free-spirited bartender on a tropical island has a reputation as a "pagan lady", who hops from man to man and bed to bed. The young son of the island's fire-and-brimstone evangelist ... See full summary »
John Francis Dillon
During World War I, a French girl is romanced by an American doughboy even though she is promised to a French soldier who is fighting at the front. She falls in love with the Yank however ... See full summary »
Robert Z. Leonard
Produced as an all-talkie, it has inventive camera work that contrasts considerably against other, mostly static, musicals of the 1928-30 period. Director Pál Fejös developed a special crane capable of moving the extremely cumbersome camera at 600' per minute. See more »
Broadway now exists in two versions - the 88 minute visual silent with Hungarian subtitles and the 105 minute soundtrack only of the talking version (inflated for production numbers).
I was most impressed with the cinematography (Hal Mohr) in the scenes that could be filmed silently with soundtrack added later. The tracking and crane shots are amazing for any period, but especially for an early talkie; about an hour into the silent print, a morning after shot reveals the enormous night club set being cleaned by custodians with an almost surrealistically mobile camera. In contrast the scenes including dialogue are filmed rather conventionally with a non-moving camera.
The night club set is a stunner - looks like it took up an entire sound stage - kudos to Art Director Charles D. Hall. There are only a handful of other sets, mostly small backstage interiors.
The plot is very simplistic. I won't reveal any details as I don't want to provide spoilers. However, I can reveal this. There are two parallel plot lines - one involving a hoofer and his romance with one of the chorus girls, and the other a reel one murder involving management and bootlegging that relies on feelings of guilt and paranoia to bring the guilty party to heel.
Glenn Tryon is a lousy singer, but Evelyn Brent's superb performance as Pearl carries the film.
As a piece of cinematic history, it's a treasure to find. Now if the talking version pictorial elements surface, we'll be able to really compare the two.
6 of 8 people found this review helpful.
Was this review helpful to you?