Prologue: The murderer "Boss" Huller - after having spent ten years in prison - breaks his silence to tell the warden his story. "Boss", a former trapeze artist, and his wife own a cheap ... See full summary »
Ewald André Dupont
Lya De Putti
Wlliam deMille produced and directed Miss Lulu Bett, a film of extraordinary conviction and insight. It was then often the custom for unmarried women to lodge with family; thus we discover ... See full summary »
William C. de Mille
A free-spirited bartender on a tropical island has a reputation as a "pagan lady", who hops from man to man and bed to bed. The young son of the island's fire-and-brimstone evangelist ... See full summary »
John Francis Dillon
Broadway now exists in two versions - the 88 minute visual silent with Hungarian subtitles and the 105 minute soundtrack only of the talking version (inflated for production numbers).
I was most impressed with the cinematography (Hal Mohr) in the scenes that could be filmed silently with soundtrack added later. The tracking and crane shots are amazing for any period, but especially for an early talkie; about an hour into the silent print, a morning after shot reveals the enormous night club set being cleaned by custodians with an almost surrealistically mobile camera. In contrast the scenes including dialogue are filmed rather conventionally with a non-moving camera.
The night club set is a stunner - looks like it took up an entire sound stage - kudos to Art Director Charles D. Hall. There are only a handful of other sets, mostly small backstage interiors.
The plot is very simplistic. I won't reveal any details as I don't want to provide spoilers. However, I can reveal this. There are two parallel plot lines - one involving a hoofer and his romance with one of the chorus girls, and the other a reel one murder involving management and bootlegging that relies on feelings of guilt and paranoia to bring the guilty party to heel.
Glenn Tryon is a lousy singer, but Evelyn Brent's superb performance as Pearl carries the film.
As a piece of cinematic history, it's a treasure to find. Now if the talking version pictorial elements surface, we'll be able to really compare the two.
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