| Anny Ondra | ... | Alice White | |
| Sara Allgood | ... | Mrs. White | |
| Charles Paton | ... | Mr. White | |
| John Longden | ... | Detective Frank Webber | |
| Donald Calthrop | ... | Tracy | |
| Cyril Ritchard | ... | The Artist | |
| Hannah Jones | ... | The Landlady | |
| Harvey Braban | ... | The Chief Inspector (sound version) | |
| Ex-Det. Sergt. Bishop | ... | The Detective Sergeant (as Ex-Det. Sergt. Bishop - Late C.I.D. Scotland Yard) | |
| rest of cast listed alphabetically: | |||
| Johnny Ashby | ... | Boy (uncredited) | |
| Joan Barry | ... | Alice White (voice) (uncredited) | |
| Johnny Butt | ... | Sergeant (uncredited) | |
| Alfred Hitchcock | ... | Man on Subway (uncredited) | |
| Phyllis Konstam | ... | Gossiping Neighbour (uncredited) | |
| Sam Livesey | ... | The Chief Inspector (silent version) (uncredited) | |
| Phyllis Monkman | ... | Gossip Woman (uncredited) | |
| Percy Parsons | ... | Crook (uncredited) | |
Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| Charles Bennett | (from the play by) | |
| Alfred Hitchcock | (adapted by) | |
| Benn W. Levy | (dialogue by) (as Benn Levy) | |
| Michael Powell | uncredited | |
Produced by | |||
| John Maxwell | .... | producer (uncredited) | |
Original Music by | |||
| Jimmy Campbell | (musical score by) (as Campbell) | ||
| Reginald Connelly | (musical score by) (as Connelly) | ||
| Hubert Bath | (uncredited) | ||
Cinematography by | |||
| Jack E. Cox | (photography) (as Jack Cox) | ||
Film Editing by | |||
| Emile de Ruelle | (film editor) | ||
Art Direction by | |||
| C. Wilfred Arnold | (as W.C. Arnold) | ||
| Norman G. Arnold | (uncredited) | ||
Second Unit Director or Assistant Director | |||
| Frank Mills | .... | assistant director | |
Sound Department | |||
| Dallas Bower | .... | sound recordist (uncredited) | |
| Harold V. King | .... | sound (uncredited) | |
| Harry Miller | .... | sound editor (uncredited) | |
Camera and Electrical Department | |||
| Ronald Neame | .... | assistant camera (uncredited) | |
| Michael Powell | .... | assistant camera (uncredited) | |
| Derick Williams | .... | assistant camera (uncredited) | |
Music Department | |||
| Hubert Bath | .... | musical score arranged by | |
| Hubert Bath | .... | musical score compiled by | |
| John Reynders | .... | conductor: British International Symphony Orchestra | |
| Harry Stafford | .... | musical score arranged by | |
| Harry Stafford | .... | musical score compiled by | |
Other crew | |||
| Joan Barry | .... | dubbing voice: Anny Ondra (uncredited) | |
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| Sherlock Holmes Faces Death | Dial M for Murder | The Lodger | I Confess | One Is Guilty |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb UK section |
I watched Blackmail last night on BBC Four having hard it was Britain's first 'talkie' and an Alfred Hitchcock classic. A really good thriller for the early-mid 20th century and is obviously directed by Hitchcock. Not to mention a good opportunity to see London as it was in 1929! Quite a simple story lines with Anny Ondra who stars as our sweet timid heroine, Alice White, who is blackmailed after she killed man who tried to rape her.
The beginning is rather weird as you'll see when watch it and because of this, for one reason or another, I failed to understand it. Hitchcock performs a similar trick as he did later on in his career in Psycho, introducing Alice after he introduces the supporting characters.
The film sadly lacks action scenes as there is a pretty long build up and after the murder takes place we are more focused upon the psychological damaged inflicted upon Alice as she deals with the fact that she has taken another man's life. It is very obvious she is being dubbed, as her mouth and Joan Barry's flawless, girly English accent do not clash at some points during the movie. Ondra was may I add a very pretty lady for her time and I couldn't help but notice a jaw-resemblance to Meryl Streep. Most people won't know what I mean, but I could see it.
Hitchcock was a perfect choice to direct and did it considerably well, taking advantage of all the possible SFX's that were available in the late 20s. He also has a very clear cameo appearance on a train being annoyed by a child early on in the picture.
A real treat and an enjoyable way to spend my Saturday night!