IMDb > Blackmail (1929)
Blackmail
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Blackmail (1929) More at IMDbPro »

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Overview

User Rating:
7.1/10   6,240 votes »
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Up 8% in popularity this week. See why on IMDbPro.
Director:
Writers:
Charles Bennett (from the play by)
Alfred Hitchcock (adapted by)
(more)
Contact:
View company contact information for Blackmail on IMDbPro.
Release Date:
6 October 1929 (USA) See more »
Genre:
Tagline:
See and Hear It - Our Mother Tongue As It Should Be Spoken
Plot:
Alice White is the daughter of a shopkeeper in 1920's London. Her boyfriend, Frank Webber is a Scotland... See more » | Full synopsis »
Plot Keywords:
NewsDesk:
(62 articles)
Video of the Day: See Every Alfred Hitchcock Cameo
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Odessa honours Frears
 (From ScreenDaily. 14 July 2014, 2:03 AM, PDT)

Berlinale and Cannes winners competing in Odessa
 (From ScreenDaily. 11 June 2014, 5:28 AM, PDT)

User Reviews:
Not a disappointment at all See more (75 total) »

Cast

  (in credits order) (verified as complete)

Anny Ondra ... Alice White

Sara Allgood ... Mrs. White
Charles Paton ... Mr. White
John Longden ... Detective Frank Webber
Donald Calthrop ... Tracy
Cyril Ritchard ... The Artist
Hannah Jones ... The Landlady
Harvey Braban ... The Chief Inspector (sound version)
Ex-Det. Sergt. Bishop ... The Detective Sergeant (as Ex-Det. Sergt. Bishop - Late C.I.D. Scotland Yard)
rest of cast listed alphabetically:
Johnny Ashby ... Boy (uncredited)

Joan Barry ... Alice White (voice) (uncredited)
Johnny Butt ... Sergeant (uncredited)

Alfred Hitchcock ... Man on Subway (uncredited)
Phyllis Konstam ... Gossiping Neighbour (uncredited)
Sam Livesey ... The Chief Inspector (silent version) (uncredited)
Phyllis Monkman ... Gossip Woman (uncredited)
Percy Parsons ... Crook (uncredited)

Directed by
Alfred Hitchcock 
 
Writing credits
Charles Bennett (from the play by)

Alfred Hitchcock (adapted by)

Benn W. Levy (dialogue) (as Benn Levy)

Michael Powell  uncredited

Produced by
John Maxwell .... producer (uncredited)
 
Original Music by
Jimmy Campbell (musical score by) (as Campbell)
Reginald Connelly (musical score by) (as Connelly)
Hubert Bath (uncredited)
 
Cinematography by
Jack E. Cox (photography) (as Jack Cox)
 
Film Editing by
Emile de Ruelle (film editor)
 
Art Direction by
C. Wilfred Arnold  (as W.C. Arnold)
Norman G. Arnold (uncredited)
 
Second Unit Director or Assistant Director
Frank Mills .... assistant director
 
Sound Department
Dallas Bower .... sound recordist (uncredited)
Harold V. King .... sound (uncredited)
Harry Miller .... sound editor (uncredited)
 
Camera and Electrical Department
Ronald Neame .... assistant camera (uncredited)
Michael Powell .... assistant camera (uncredited)
Derick Williams .... assistant camera (uncredited)
 
Music Department
Hubert Bath .... musical score arranged by
Hubert Bath .... musical score compiled by
John Reynders .... conductor: British International Symphony Orchestra
Harry Stafford .... musical score arranged by
Harry Stafford .... musical score compiled by
 
Other crew
Joan Barry .... dubbing voice: Anny Ondra (uncredited)
 
Crew verified as complete


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Additional Details

Also Known As:
Runtime:
85 min
Country:
Language:
Aspect Ratio:
1.20 : 1 See more »
Sound Mix:
Mono (R.C.A. Photophone System)
Certification:
Argentina:13 | Australia:PG | Brazil:12 | Canada:PG (Ontario) | Finland:K-12 (1995) | Finland:K-16 (1931) | Germany:12 | Iceland:L | Spain:T | Sweden:15 (DVD rating) | UK:A (original rating) | UK:PG (video rating) (1989)

Did You Know?

Trivia:
There is a big mess with the title of the premiere of this movie in Spain. The film was apparently not released in Spain until the 70s, due to its status as one of the first movies with sound system. Then someone wrote a book in which he decided to assign the title of "La muchacha de Londres", which had belonged to another film with Anny Ondra, Eileen of the Trees (1928/II), to this. Thereafter this error was copied in various publications, and when the film was dubbed and aired on TV in 1984, this error was maintained. Meanwhile in the 70s, the film was first released in theaters in Spain, entitled "Chantaje", title that should really know this movie, and not as "La muchacha de Londres". This chain of errors could be discovered because of the novelization of the argument of "La muchacha de Londres", published at an early date to the premiere of that title in Spain.See more »
Goofs:
Continuity: Alice's hair is different on multiple occasions on switching camera angle close-ups. Most noticeable when Crewe is attempting to assist Alice button the back of her dress...and in Scotland Yard right before Alice and Frank stroll down a long hallway.See more »
Quotes:
[first lines]
Det. Frank Webber:Well, we finished earlier tonight than I expected.
See more »
Movie Connections:
Featured in Celluloid Man (2012)See more »
Soundtrack:
Sonny BoySee more »

FAQ

Are the first eight minutes supposed to be silent?
Why are the picture and sound so bad?
Is this film really in the U.S. public domain?
See more »
4 out of 4 people found the following review useful.
Not a disappointment at all, 9 July 2011
Author: cstotlar-1 from United States

I have seen most of Alfred Hitchcock's films, silent and talking, and was saving this one for a special occasion. It was really quite good and although over-rated despite being cited so often (along with Mamoulian's "Applause") as a successful example of the transition between the silents and talkies in all the references I've consulted, it still has some distinct good qualities of its own. Annie Ondra is an excellent silent actress and this among several other films proves it. Her accent was very strong, of course, and employing Joan Barry to "lip-synch" was genial. Francois Truffaut's interviews with Hitchcock about working with Ms Ondra were enough to stimulate anyone's appetite to see her (and to hear Joan Barry) at work. The music - at least in the beginning - is excessively burdensome and "busy" and frankly irritating. However, when the characters finally began dialogue, it calmed down considerably and actually worked out well until the ending. We're seeing a hybrid here: a talkie and a part-talkie. When the talking itself finally happens, the characters aren't even facing the camera but are photographed from behind! This is the famous Hitchcock we know and love in the heat of action. The view of the staircase is very Hitchockian as in "Vertigo" or "Psycho" as well as the chase in a public monument (North by Northwest" comes to mind). Yes, the director made the move to talking pictures quite fluently and fluidly. One should keep in mind, too, that the film had already been completed as a silent before being converted into a talkie! All the more to admire...

Curtis Stotlar

Was the above review useful to you?
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This movie should be more famous picasso2
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How did the Blackmailer get the other Glove? mikegrijak
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