Alice White is the daughter of a shopkeeper in 1920's London. Her boyfriend, Frank Webber is a Scotland Yard detective who seems more interested in police work than in her. Frank takes ... See full summary »
A French intelligence agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missle Crisis, and then back to France to break up an international Russian spy ring.
A man in London tries to help a counterespionage agent. But when the agent is killed and the man stands accused, he must go on the run to both save himself and also stop a spy ring which is trying to steal top secret information.
Alice White is the daughter of a shopkeeper in 1920's London. Her boyfriend, Frank Webber is a Scotland Yard detective who seems more interested in police work than in her. Frank takes Alice out one night, but she has secretly arranged to meet another man. Later that night Alice agrees to go back to his flat to see his studio. The man has other ideas and as he tries to rape Alice, she defends herself and kills him with a bread knife. When the body is discovered, Frank is assigned to the case, he quickly determines that Alice is the killer, but so has someone else and blackmail is threatened. Written by
Col Needham <firstname.lastname@example.org>
Much of the film was originally shot silent; when sound became available during the course of shooting, director Alfred Hitchcock re-shot certain scenes with sound, thus making it the Master of Suspense's first talkie. There was one complication with this change, however. Leading lady Anny Ondra had a thick German accent which was inappropriate to her character, Alice White. Joan Barry was chosen to provide a different voice for her, but post-production dubbing technology did not exist then. The solution was for Barry to stand just out of shot and read Alice's lines into a microphone as Ondry mouthed them in front of the camera. This is generally acknowledged as the first instance of one actor's voice being dubbed by another, even though the word "dub" is technologically inappropriate in this case. See more »
Alice grasps the knife in a normal cutting position, with her thumb at the front of the handle. But her grip is different as she takes it behind the curtain: the knife is now held below her fist, with her thumb at the back of the handle, in a stabbing position. See more »
Saw this for the first time the other night on Turner Classic network. The movie is really is a "proto-Hitchcock" style; You could catch a glimpse of the future "Bruno" (Robert Walker, Strangers on a Train) in the blackmailer. I suppose we can discuss character development and so on, but after all it was 1929,the first British talkie, and therefore at the beginning of a whole new concept. The scenes in the artist's bedroom were certainly risqué by American standards at the time. I understand the movie initially began as a silent film and a silent version was indeed filmed. Probably every future Hitchcock twist and turn in the plot is in there and I found it quite enjoyable.
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