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Asphalt (1929)

 |  Drama  |  3 May 1930 (USA)
7.6
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Ratings: 7.6/10 from 846 users  
Reviews: 15 user | 12 critic

Joe May's sensual drama of life in the Berlin underworld is in many ways the perfect summation of German filmmaking in the silent era: a dazzling visual style, a psychological approach to ... See full summary »

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(screenplay) (as Fred Majo) , (screenplay), 2 more credits »
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Title: Asphalt (1929)

Asphalt (1929) on IMDb 7.6/10

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Cast

Complete credited cast:
Albert Steinrück ...
Else Heller ...
...
...
...
Konsul Langen
Hans Albers ...
Ein Dieb
Arthur Duarte
...
Ein Dieb
Trude Lieske
Karl Platen
...
Frau an der Theke
Hermann Vallentin
Kurt Vespermann ...
(as Curt Vesperman)
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Storyline

Joe May's sensual drama of life in the Berlin underworld is in many ways the perfect summation of German filmmaking in the silent era: a dazzling visual style, a psychological approach to its characters, and the ability to take a simple and essentially melodramatic story and turn it into something more complex and inherently cinematic. Written by Anonymous

Plot Summary | Plot Synopsis

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Drama

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Release Date:

3 May 1930 (USA)  »

Also Known As:

Asfalto  »

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 »

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 »
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Runtime:

| (restored)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Featured in Cinema Europe: The Other Hollywood: End of an Era (1995) See more »

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User Reviews

 
Fine German silent.
21 August 2011 | by (Saint Paul, MN) – See all my reviews

It's a good film all around, but it's most notable for finding yet another remarkable silent beauty queen, Betty Amann, who could perhaps have been a huge star if the era had continued. With her jet-black bob-cut, she'll remind many of Louise Brooks, but, aside from a similar hairdo, she's not much like Brooks. The story concerns a cop (Metropolis' Gustav Froehlich) who picks up Amann for stealing a diamond from a jewelry store. She tries to seduce him so he'll let her go, but he's so morally upright she basically has to jump on top of him to get what she wants. Froehlich walks away from the situation bewildered, but also kind of in love with her. She, too, develops feelings for the poor little innocent, but odds are against them. Especially when her gangster boyfriend shows back up. I wouldn't quite group this among the silent masterpieces, but it's a fine film. And Amann really is wonderful (she would go on to co-star in Hitchcock's The Rich and the Strange, and she also pops up in Nancy Drew... Reporter). I think it might be a bit better known if not for the lousy title. "Asphalt" only really refers to Froehlich's job as a traffic cop, but I don't see what else it has to do with the film.


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cast listing is incorrect--Louise Brooks is NOT in this movie david_foss
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