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L'argent (1928)
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Overview
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Release Date:
25 December 1928 (France) morePlot:
The business tycoon Nicolas Saccard is nearly ruined by his rival Gunderman, when he tries to raise capital for his company... more | add synopsisPlot Keywords:
User Comments:
Novelistic richness... moreCast
(Credited cast)| Brigitte Helm | ... | Baronin Sandorf | |
| Marie Glory | ... | Line Hamelin | |
| Yvette Guilbert | ... | La Méchain | |
| Pierre Alcover | ... | Nicolas Saccard | |
| Alfred Abel | ... | Alphonse Gunderman | |
| Henry Victor | ... | Jacques Hamelin | |
| Pierre Juvenet | ... | Baron Defrance | |
| Antonin Artaud | ... | Mazaud | |
| Jules Berry | ... | Huret, the reporter | |
| Raymond Rouleau | ... | Jantron | |
| Roger Karl | ... | Un banquier | |
| rest of cast listed alphabetically: | |||
| Armand Bour | ... | Daigremont | |
| Mona Goya | |||
| Esther Kiss | ... | Une standardiste | |
| Alexandre Mihalesco | ... | Salomon Massias | |
| Marcelle Pradot | ... | Aline de Beauvilliers | |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
195 minCountry:
FranceLanguage:
FrenchColor:
Black and WhiteAspect Ratio:
1.33 : 1 moreSound Mix:
SilentFun Stuff
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Even in its truncated 165-minute cut, the visual splendor of "L'Argent" blazes out loud and clear. Seldom has cinema, let alone silent cinema, been so thrilling: witness the scene where Line Hamelin looks down from the building at the huge masses of crowds celebrating her husband's record aviation flight across the Atlantic, with Saccard looking sinisterly at her. The play of light and shadows, the modern editing and the huge, massive, almost surreal sets give full justice to this adaptation of Emile Zola's novel of the same name. It would be possible to imagine this film made in the 1960s or 1970s if one slaps a synchronized soundtrack on it. Critics gave this film a mixed review when it was first screened in 1928. More than 80 years later, you would be forgiven for thinking: what were they thinking?
L'Herbier's "L'Argent" is a cinematic masterpiece, supported by an impressive cast, great acting, naturalistic sets and an originality and daring in a director seldom matched in the silent movie era. That a silent film can support such rich, novelistic texture is surprising. Also, L'Herbier's eye for cinematic ingenuities is unerring; the fresh image is always there to appeal to the eye, while the storyline grips one relentlessly. In my opinion, there are only three or four silent cinematic films which can match "L'Argent" in ambition or execution: Abel Gance's "Napoleon", Dreyer's "La Passion de Jeanne d'Arc", Lang's "Metropolis"...
Certainly a masterpiece. Do watch it if you can get the DVD. I'm certain another 50 years down the road, this film will still be as celebrated, if not even more so.