The business tycoon Nicolas Saccard is nearly ruined by his rival Gunderman, when he tries to raise capital for his company. To push up the price of his stock, Saccard plans a publicity ... See full summary »
Claire Lescot is a famous prima donna. All men want to be loved by her. Among them is the young scientist Einar Norsen. When she mocks at him, he leaves her house with the declared ... See full summary »
Léonid Walter de Malte,
Thymiane is a beautiful young girl who is not having a storybook life. Her governess, Elizabeth, is thrown out of her home when she is pregnant, only to be later found drown. That same day,... See full summary »
In the Crimea, the Reds and the Whites aren't done fighting, and Jeanne discovers that the man she loves is a Bolshevik (when he kills her father). Penniless, she returns to Paris where she... See full summary »
Denise, an orphaned girl, moves to Paris where she hopes to find work at her uncle's store. But the glamorous department store 'Aux Bonheur des Dames' across the street crunches all the little businesses around. She finds a position there.
Marie wants to escape from her job and also from her lover, Paul, an unemployed drunk. She dreams of going off with Jean, a dockworker. The two men quarrel and fight over Marie on two ... See full summary »
Mathias Pascal, only son of a once rich family, marries beautiful Romalinda, who has a terrible mother-in-law. She controls her daughter, and soon his home life becomes a nightmare, as well... See full summary »
Nolff, a tough Breton fisherman is happy: his wife has just given birth to a son, Michel. His only wish is to make him a fisherman like him. But when he becomes a man, Michel becomes a ... See full summary »
A couple is brutally murdered in the working-class district of Paris. Later on, the narrative follows the lives of their two daughters, both in love with a Parisian thug and leading them to separate ways.
The business tycoon Nicolas Saccard is nearly ruined by his rival Gunderman, when he tries to raise capital for his company. To push up the price of his stock, Saccard plans a publicity stunt involving the aviator Jacques Hamelin flying across the Atlantic to Guyana and drilling for oil there, much to the dismay of Hamelin's wife Line. While Hamelin is away, Saccard tries to seduce Line. Line finally realizes that she and her husband were pawns in Saccard's scheme, and she accuses him of stock fraud. Written by
It does not matter that this is adapted from Zola, and generally received then and now as a prestigious release that should be accorded a place in history. It matters because it's one of the most striking films in the transition towards a cinema that does not merely chronicle life, whose primary means of expression is no longer drama and does not aspire to emotion, but instead sculpts from space and uses the camera as a calligrapher would a brush.
There is a match-cut from the engine of a plane to a madly spinning camera looking down from a ceiling that is perhaps the most impressive in the entire 30 years of cinema until then. And there is a lot of the camera choreographed to dance, or painting with our gaze incomplete motions across rooms.
Resnais would take all this thirty years later to revitalize French cinema.
Story-wise, it is about two puppet-masters vying for the control of the same world. The film begins on the level of the stage, the stockmarket, this new temple of the modern world devoted to capital, and pulls back to reveal who holds the strings, who re-invents the broadcasted reality.
Like Zen calligraphy, this is not about the painted signs on the scroll and what they mean, but the disciplined soul revealed by the flow of ink. Watch it like you would unfold a scroll, the ink is in the image.
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