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Storyline
This early example of the "backstage" musical genre tells the story of Kitty Darling, a fading burlesque star who tries to save her convent-educated daughter April from following in Mom's footsteps. Written by
Anonymous
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Trivia
The subway scene was filmed at Chambers Street on what is now the BMT Nassau Street line in lower Manhattan. Chambers Street was a terminus at the time this movie was made, and the train, consisting of a single Triplex unit, operated from the southern end of the station on the second track from the east side and stopped where the camera was situated. The platform used by the passengers in the movie is still in use today.
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Goofs
When April comes backstage to see Kitty after returning home from the convent, the shot from outside the dressing room shows Kitty sitting at her mirror and then turning to see April in the doorway. In the next shot, from inside the dressing room, she once again is sitting at her mirror and once again turns to see April entering.
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Quotes
April Darling:
It's wonderful.
Tony:
You're wonderful.
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Connections
Edited into
American Pop (1981)
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Soundtracks
"I've Got a Feeling I'm Falling"
Music by
Fats Waller and
Harry Link
Lyrics by
Billy Rose See more »
WOW what a terrific film..... 27-year-old Helen Morgan is superb as the frowzy Kitty Darling, the burlesque queen who sends her daughter away to convent school only to have her fall into the clutches of her villainous lover.
Rouben Mamoulian does a spectacular job directing this VERY early all-talkie. Amazing camera angles and lighting, silhouettes, overlapping dialog, songs, music.... he completely captures the sleazy stage world on stage and off.
The film is a pleasure from the very opening with the playbill blowing across the street to Kitty's tragic ending and then ironic kiss between the lovers in front of her poster.
Joan Peers is very good as the daughter, Henry Wadsworth is also good as the young sailor, and Fuller Mellish Jr. is one rotten villain.
The DVD came with "extras" (which I usually never watch) that gave great background material on Helen Morgan, the censorship of the film, and the search for 200-lb former burlesque queens to "round out" the "Beef Trust." But Helen Morgan is just great.... she has all the pathos of Julie from SHOW BOAT (she starred in the original Broadway production) with a twinge of Shelley Winters.... Great performance!