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Applause (1929)

 -  Drama | Musical  -  4 January 1930 (USA)
7.4
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Ratings: 7.4/10 from 823 users  
Reviews: 19 user | 11 critic

This early example of the "backstage" musical genre tells the story of Kitty Darling, a fading burlesque star who tries to save her convent-educated daughter April from following in Mom's ... See full summary »

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Title: Applause (1929)

Applause (1929) on IMDb 7.4/10

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Cast

Cast overview:
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Joan Peers ...
Fuller Mellish Jr. ...
Jack Cameron ...
Henry Wadsworth ...
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Storyline

This early example of the "backstage" musical genre tells the story of Kitty Darling, a fading burlesque star who tries to save her convent-educated daughter April from following in Mom's footsteps. Written by Anonymous

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Is Kitty a mother? See more »

Genres:

Drama | Musical

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Release Date:

4 January 1930 (USA)  »

Also Known As:

Applause  »

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Aspect Ratio:

1.20 : 1
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Did You Know?

Trivia

One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by MCA ever since. See more »

Goofs

When April comes backstage to see Kitty after returning home from the convent, the shot from outside the dressing room shows Kitty sitting at her mirror and then turning to see April in the doorway. In the next shot, from inside the dressing room, she once again is sitting at her mirror and once again turns to see April entering. See more »

Quotes

Hitch Nelson: I'm not goin' to get married unless I'm gonna be the boss.
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Soundtracks

Give Your Little Baby Lots of Lovin'
Music by Joseph Burke
Lyrics by Dolly Morse
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User Reviews

Where credit is due
23 April 2002 | by See all my reviews

Mamoulian's brilliance has been noted here and elsewhere - and properly so. But it should not obscure the poignant, sensitive and altogether touching performance of Helen Morgan. Best known for her singing, Morgan revealed in a number of films that she was a better actress than she was a singer. Here, as in "Show Boat" and "Go Into Your Dance," among others, she plays a woman whom life has mishandled: not quite reputable, doing what she must to hold her life together, seemingly tough on the outside but vulnerable to the wrong kind of man. If her best performances were of a type, she wasn't the first performer to achieve success by doing one thing well.

While it's doubtful if anyone would remember this picture if not for Mamoulian's creativity, Helen Morgan's marvelous contribution should not be overlooked.


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