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Alibi (1929)

 -  Crime  -  20 April 1929 (USA)
6.0
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Ratings: 6.0/10 from 401 users  
Reviews: 18 user | 11 critic

Chick Williams, a prohibition gangster, rejoins his mob soon after being released from prison. When a policeman is murdered during a robbery, he falls under suspicion. The gangster took ... See full summary »

Director:

(as Roland West's Alibi)

Writers:

(screenplay), (screenplay), 5 more credits »
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Title: Alibi (1929)

Alibi (1929) on IMDb 6/10

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Nominated for 3 Oscars. See more awards »
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Cast

Complete credited cast:
...
Harry Stubbs ...
...
Eleanor Griffith ...
...
Purnell Pratt ...
Police Sgt. Pete Manning (as Purnell B. Pratt)
Irma Harrison ...
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Storyline

Chick Williams, a prohibition gangster, rejoins his mob soon after being released from prison. When a policeman is murdered during a robbery, he falls under suspicion. The gangster took Joan, a policeman's daughter, to the theater, sneaked out during the intermission to commit the crime, then used her to support his alibi. The detective squad employs its most sophisticated and barbaric techniques, including planting an undercover agent in the gang, to bring him to justice. Written by Fiona Kelleghan <fkelleghan@aol.com>

Plot Summary | Add Synopsis

Genres:

Crime

Certificate:

TV-PG | See all certifications »
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Details

Country:

Language:

Release Date:

20 April 1929 (USA)  »

Also Known As:

Nightstick  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(copyright length) | (Kino Print)

Sound Mix:

(MovieTone)

Aspect Ratio:

1.20 : 1
See  »
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Did You Know?

Trivia

Irma Harrison's singing was dubbed by Virginia Flohri. See more »

Quotes

Joan Manning Williams: I've had enough with being a policeman's daughter. And I don't want to be another policeman's wife
Buck Bachman: Well, now, what's the matter with policemen?
Joan Manning Williams: They think themselves great heroes.
Buck Bachman: Well, we've got to uphold the law.
Joan Manning Williams: Law! Is bull-dogging, third-degreeing people into confessing crimes they didn't commit, is that law?
Buck Bachman: No, but... Oh, I don't understand.
Joan Manning Williams: Of course you don't. You're a policeman. And you'll never understand!
See more »

Connections

Featured in Indie Sex: Censored (2007) See more »

Soundtracks

Aloha Oe
(1908) (uncredited)
Music by Queen Liliuokalani
Variation in the score during a death scene
See more »

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User Reviews

 
Ages about as well as milk!
13 February 2008 | by (Bradenton, Florida) – See all my reviews

Aside from wine and cheese, not all things age well. Like a gallon of milk, over time this film has started to sour--thanks mostly to changing and improving film-making. In fact, had this film been made just a year or two later, it would have been much easier to sit through. Unfortunately, this can be said of most films made in 1929. This was a transition period in which silent films were changing to sound and the technology frankly wasn't very good. Plus, since this was all new territory, the films tended to be very, very stagy--mostly because the sound men had no idea how to compensate for people as they moved away or towards microphones. This is all painfully obvious with ALIBI. Some characters are loud and easy to understand, others appear as if whispering and others have their voices fade as they move. Additionally, the film looked a lot like a play in parts as they used very long single shots with few inter-cut scenes. Plus, it was obvious some scenes were originally filmed as silent because the standard 24 frames per second (used for all sound films) made these segments seem like people were moving too quickly (as silents were filmed anywhere from 16 to 22 frames per second).

As for the plot, it's a crime drama with a lot to like and a lot to hate. I liked how, at times, the film was rather gritty--particularly in the last few minutes (the building scene at the very end was amazingly tough and memorable--one of the best death scenes in film history). Some may also like how the cops in the film pretty much ignore the Bill of Rights--and weren't above slapping a confession out or someone or threatening them with guns! Some may also be appalled, but this is truly Film Noir-like in its sensibilities. But, the plot also is really stupid at times--with some of the dumbest criminals you'll ever see in films, clichés galore and a very sappy death scene that will practically make you cringe.

Now as for the plot. For 1929, it was really quite good. If we'd had IMDb and the internet back then, a score of 7 or 8 wouldn't be unexpected. However, by today's standards, I'd have a hard time giving it anything more than a 2 or 3. So, splitting the difference, a 5 seems appropriate--for the time, a very good film but when seen today, it's terribly old fashioned and dull.


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