Chick Williams, a prohibition gangster, rejoins his mob soon after being released from prison. When a policeman is murdered during a robbery, he falls under suspicion. The gangster took ... See full summary »
After accidentally killing the key witness to a crime, a mysterious drifter turns himself to the law, under a false name intending to protect his own family. But when the news of his ... See full summary »
William K. Howard
Johnny Mack Brown
Even when Diana, Neville and David played together as children, Diana knew that she loved Nevs. But Morton, Nevs' father, did not like any Merrick. Since Nevs did not have any money, Morton sent him off to Egypt to work and also talked him out of marrying Diana before he left. Diana waited two years and then married David, who Jeffry thought was the greatest thing since sliced bread. While in Paris, David jumps to his death when the cops come after him and Diana lies about the reason for the sake of Jeffry. Of course Jeffry, who has been a drunk all his life, cuts all ties with Diana. While Nevs still loves Diana, she does not return to England for seven years - just 3 days before Nevs' wedding to Constance. Written by
Tony Fontana <firstname.lastname@example.org>
This is a beautifully crafted melodrama, well acted and with high MGM production values, but with moral values that nowadays may well be seen as belonging to another planet. Nevertheless once the historical perspective is in place this is still a simple timeless classic, one I've now seen a dozen times over the years.
Very honourable woman falls in love with equally honourable man, much to his even more honourable father's disfavour. You might notice that understanding "Honor" is the key to understanding this film! Garbo and Gilbert were perfect for the roles (making this a lovely bookend for Flesh And The Devil) and both never looked more gleaming beautiful, although Garbo had a few odd costumes along the way. They had a couple of languid clinches, but this time the plot got in the way of these scenes becoming "hot". Lewis Stone had already dropped into his avuncular stereotype here, his was a marvellously hammy but key performance. Everyone undulates their way to a fitting climax and conclusion (although didn't Neville come back into the room to Constance rather fast after Diana told him ---- ?)
All in all one of my favourite silent melodramas, strangely neglected nowadays - or is there no honour left?
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