Luke, a young sailor and fisherman, who thinks he is jinx-ridden, has to be persuaded, and taunted,before he will join a sealing-expedition in the Artic; first by his sweetheart, so he can ... See full summary »
The owner of a Waxmuseum needs for three of his models stories to be told to the audience. For that reason he has hired a writer, who after one look athe owner's pretty daughter, starts ... See full summary »
This is the tale of Albert Poop-Decker, a newly commissioned Midshipman (although he took 8 1/2 years to qualify). He joins the frigate Venus, and adventures through Spanish waters, mutinee... See full summary »
This remake of West of Zanzibar (1928) made four years later tries to outdo the Lon Chaney original in morbidity. From a wheelchair a handicapped white man rules an area of Africa as a ... See full summary »
Yes, it's true, an all color silent movie! The title refers to Leif Ericsson, who leaves Norway to search for new lands west of Greenland. On the way he vies for the love of Helga with his companion Egil and Alwin, an English slave. More conflict arises when he stops at the colony of his father (Eric the Red) in Greenland, for Leif has converted to Christianity, which his father hates. He also has to deal with the unrest of his crew, who fear falling off the edge of the Earth. Written by
Robert Tonsing <firstname.lastname@example.org>
When the film opened at the Embassy Theatre in New York City 28 November 1928 it was still silent and was accompanied by a live orchestral accompaniment. In December 1928 a musical score was recorded, sound-on-disc, and this was the version distributed by MGM in 1929. See more »
Helga finds her slave (the captured English noble Lord Alwin) reading a book that is clearly a typeset, printed volume - 450 years before Gutenberg invents the printing press. See more »
Nobody comes to The Viking (1928) for the plot, at least no one I know of-- it's all about that two-strip Technicolor. Compared with the later three-strip process, two-strip color is more subdued, dominated by greens, blues, and reds, but that gives the images a dreamy watercolor quality. It also helps when your leading lady has a flaming mane of red hair, as the beautiful Pauline Starke does here.
The story is a standard love triangle, with a Viking lass caught between the English captive she loves and the older Viking captain who wants her to marry him. There are also conflicts between pagan and Christian culture which figure big time into the plot... or what there is of it. To be honest, it's quite predictable, though the cinematography is lovely and the action scenes are rousing. However, I will have to concede with reviewer planktonrules: you're better off with the much kitschier but much more fun 1958 film The Vikings, which has Ernest Borgnine and Kirk Douglas chewing the scenery like starved men. Still the 1928 film is still worth viewing at least once.
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