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Ireland: Vikings pillage the land, seeking silver and slaves, slaying men and women in the process. A young boy is spared when a Viking takes pity on him instead of killing him. Iceland 20 ... See full summary »
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Trausti returns to Iceland just in time to be entangled in a family feud over a stranded whale-cadaver. His mother (the family head) is mortally wounded and Grim kills Erikur; the other ... See full summary »
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Yes, it's true, an all color silent movie! The title refers to Leif Ericsson, who leaves Norway to search for new lands west of Greenland. On the way he vies for the love of Helga with his companion Egil and Alwin, an English slave. More conflict arises when he stops at the colony of his father (Eric the Red) in Greenland, for Leif has converted to Christianity, which his father hates. He also has to deal with the unrest of his crew, who fear falling off the edge of the Earth. Written by
Robert Tonsing <email@example.com>
Amazingly good use of early Technicolor in 1928...
THE VIKING is a film I happened to come upon on TCM the other night, immediately recognizing DONALD CRISP as Leif Ericsson. I was very impressed with the female lead, PAULINE STARKE as Helga, whose lovely face, high cheekbones and steady gaze withstood all those color closeups in fine style. She also happened to be well cast at the headstrong heroine who takes a wealthy nobleman for her slave.
But what really amazed me is the quality of the Technicolor photography, at least ten years before Hollywood was making use of color photography in some of its major films.
The TCM print featured some incidental sound effects and background music. At times, I forgot I was watching a silent film and the use of title cards was minimal.
Well worth watching as a curiosity, but not for historical accuracy.
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