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William C. de Mille
It's 1929. The studio gave the cinema its voice gave offered the audiences a chance to see their favorite actors and actresses from the silent screen era to see and for the first time can ... See full summary »
Yes, it's true, an all color silent movie! The title refers to Leif Ericsson, who leaves Norway to search for new lands west of Greenland. On the way he vies for the love of Helga with his companion Egil and Alwin, an English slave. More conflict arises when he stops at the colony of his father (Eric the Red) in Greenland, for Leif has converted to Christianity, which his father hates. He also has to deal with the unrest of his crew, who fear falling off the edge of the Earth. Written by
Robert Tonsing <email@example.com>
There are so many two-strip Technicolor features lost (Laurel and Hardy's The Rogue Song (1930) comes to mind) or just partially intact, that it was a pleasure to see one that seems not only intact (with no black and white inserts) but also as beautiful as originally released. This film is not colorized, as is often done with early black and white films; it was filmed in color, but without the yellow component that was added in the mid 30's that most of us know as Technicolor. As a result, the reds, blues and browns look pretty good, but you will notice the yellows and greens look a bit off color. Still, it is a great example of the process and worth seeing for that reason alone. But there are also some good action sequences that are sure to please lovers of that genre. I also enjoyed the backdrop of the plot; that of Leif Ericsson sailing west to discover America in the 12th century.
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