King Midas is visited by an elf; the elf turns his cat to gold, then claps his hands and it changes back. Midas begs for the golden touch, but the elf warns him it would be a curse to him. ... See full summary »
The hen is looking for someone to help her plant her corn. Peter Pig and Donald Duck both feign belly aches to get out of the chore. So, with help from her chicks, she plants it herself. ... See full summary »
Mickey is a railroad engineer with an anthropomorphic locomotive. He feeds the train (coal), then feeds his dog, then makes lunch for himself. Minnie drops by and plays a tune on her fiddle... See full summary »
Mickey is selling hot dogs at a carnival next to the tent for Minnie the Shimmy Dancer. He gets into an argument with the barker. Minnie beckons him over to her trailer; he shows off the ... See full summary »
Mickey puts on a show in his barnyard. A short dramatic scene by a chicken and rooster; an operatic ode by Patricia Pig, and then the main attraction: Mickey sings and plays his theme song, then dances to it.
Mother is making donuts: She throws up a circle of dough, and a cat shoots a hole in it. Later, he fishes them out of the oil with a fishing line; he eats one, and loses all 9 lives. Mother... See full summary »
We see the various birds, mice, and bats that have moved into an old windmill, followed by the frogs, crickets, and fireflies making their music in an adjacent pond. Then a storm comes, ... See full summary »
Mickey is piloting a steamboat when Captain Pete comes to the bridge and throws him off. They stop to pick up cargo. Minnie just misses the boat and Mickey uses the crane to grab her. She drops her sheet music of "Turkey in the Straw" and a goat eats it. With help from Mickey, she cranks the goat's tail, and it plays the tune. Mickey accompanies on percussion and by torturing various animals, until Pete comes down and puts a stop to it, putting Mickey to work peeling potatoes. While this is the first sound Mickey Mouse, there's no dialog. Written by
Jon Reeves <email@example.com>
While in one country, Spain, Luis Bunuel and Salvador Dali combined forces to create the benchmark of short-subject, cinematic surrealism, Un Chien Andalou, Walt Disney and his collaborator Ub Iwerks in America worked on Steamboat Willie, the most prominent of the early synchronized sound cartoons (it was revealed that this was not the first, contrary to other reports). It's also one of the more successfully simplistic and funny of the Mickey Mouse shorts (still in a silent-film way- the only sounds are little irks and bleeps from the Mickey and the animals). It also goes by fairly quickly for its less-than-ten minute run. But in these minutes one gets the immediate sense of how much fun Disney has with his characters, and how the newfound use of sound changes how his creation uses the animals as musical tools. There's no story to speak of, just random things that happens and occurs because of Mickey (err, Steamboat Willie) on this boat on a river. And like the better Mickey Mouse shorts, his lack of speaking acts as an advantage. It's a must-see if you haven't seen it as a kid, but if you have it might still be worth another look.
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