Wealthy Brice Wayne enters West Point and, though he does well on the football field, angers fellow cadets with his arrogance. Disciplined by the coach he yells "To hell with the Corps!" ... See full summary »
This semi-film within a film opens in the office of producer George Jessel, who never saw a camera he couldn't get in front of, who is holding a story conference to determine the screen ... See full summary »
A young girl and her father are kicked out of their house by a cruel noblewoman, and the girl's heart is broken when her sweetheart, the noblewoman's son, won't go to Paris with them. After... See full summary »
Turner Classic Movies premiered the print on television on 2 December 2007. The only crew credits shown was on the title page ("A Jack Conway Production"); the crew credits in the IMDb database is from the AFI Catalogue of Feature Films, 1921-30, which are obtained from studio records and/or copyright submissions. See more »
Don't you know there are three other men on this team?
If there are... they're keeping it a secret.
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Another of the "Haines Formula" films from MGM in the late silent era casts William Haines as a wealthy polo player, but because this is a Haines film, he's also a swell-headed, brash, brat. He meets a girl (Alice Day) and of course her father (Hobart Bosworth) is also a polo player and she's being pursued by the polo team captain (Jack Holt).
The Haines films were the "feel good" movies of their day. Haines was a terrific comic actor, never afraid of making a total ass of himself. Part of the fun of a Haines film is seeing how bratty and obnoxious he can get because you know he'll get his comeuppance through some "rite of passage" and become a man, win the girl, and save the day.
THE SMART SET is filled with nice comedy bits of business until the big dramatic finale. Holt and Day are OK, and Haines is front and center as STAR. Haines covered most sports and arms of the military in making his films so that the "big game" finale is almost unimportant. He's made the change to manhood and that's really what the finale is about.
I can't think of another actor who could have gotten away with the comic antics Haines displays on screen. The gay subtext is impossible not to see now but apparently contemporary audiences were pretty much unaware. Haines could certainly have made it in films simply by being a romantic leading man--he had the looks. But he invented a unique character in films: the bratty silly goof who always goes too far before he realizes his mistakes. The character didn't play quite so well in talkies but Haines continued the basic formula in most of his films.
Jack Holt starred in a few films with Ralph Graves that seemed to be trying to copy this formula--DIRIGIBLE and FLIGHT come to mind--but without Haines the films were pale copies. Alice Day was the sister of Marceline Day.
Haines made about a dozen talkies, including cameos as himself in a few films. The films were popular but forgettable, although FAST LIFE, REMOTE CONTROL, JUST A GIGOLO, and GET-RICH-QUICK WALLINGFORD are all pretty good.
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