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2 items from 2011


The Bravura Sequence

12 December 2011 5:30 AM, PST | MUBI | See recent MUBI news »

I’ve finally made it to the grand master of the bravura sequence, or, more specifically, of the ending bravura sequence, King Vidor.

It isn’t surprising that a producer as knowledgeable as Selznick often ran to the services of the two major champions of “slice of cake” cinema and strong sequences, Hitchcock (Rebecca, Spellbound, Notorious, The Paradine Case) and Vidor (Bird of Paradise, Duel in the Sun, Light’s Diamond Jubilee, even Ruby Gentry), who, without a doubt, made the best films for Selznick.

Love Never Dies, Wild Oranges, Hallelujah, Our Daily Bread, Comrade X, Duel in the Sun, The Fountainhead, Ruby Gentry and their terrific denouements once made me write that Vidor was a director of film endings. No doubt I was exaggerating, but it isn’t for nothing that he hesitated for a long time between several different endings for The Crowd. I was also exaggerating because »

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The Artist: Interview with Mark Bridges

22 November 2011 12:27 PM, PST | Clothes on Film | See recent Clothes on Film news »

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Near silent and shot entirely in black and white, The Artist is a captivating and irresistibly romantic vision of old Hollywood. With international and hopefully Oscar success on the horizon, we talk exclusively to the film’s supremely talented costume designer, Mark Bridges.

Seemingly specialising, though perhaps not intentionally, in bringing to life period stories that are culturally defined by their era (Boogie Nights, There Will Be Blood), Bridges has again expertly recreated another, almost mythical bygone world. Here he explains to Clothes on Film his thought process behind costume design in The Artist, his passion for the silent era and how he managed to get every outfit ready to shoot in just eight weeks.

Jean Dujardin as silent movie star, George Valentin and Bérénice Bejo as up and coming actress, »

- Chris Laverty

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2 items from 2011


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