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Moulin Rouge (1928)

6.8
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Parysia is the rage of Paris. She has a daughter, secretly engaged to Andre, and the boy's aristocratic father objects to the alliance because of Margaret's mother being a revue artist. ... See full summary »

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Title: Moulin Rouge (1928)

Moulin Rouge (1928) on IMDb 6.8/10

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Cast

Cast overview:
Olga Tschechowa ...
Eve Gray ...
Margaret
Jean Bradin ...
Andre
Georges Tréville ...
Father
Marcel Vibert ...
Marquis
Blanche Bernis ...
Wardrobe Mistress
Ellen Pollock ...
Girl
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Storyline

Parysia is the rage of Paris. She has a daughter, secretly engaged to Andre, and the boy's aristocratic father objects to the alliance because of Margaret's mother being a revue artist. Director Ewald Andre Dupont took almost a year to make Moulin Rouge at a production cost of $500,000, a huge amount for 1928. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Drama | Musical

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Details

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Release Date:

30 January 1929 (USA)  »

Also Known As:

Livet maa leves!  »

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Technical Specs

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Aspect Ratio:

1.33 : 1
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Feature film debut of Ray Milland. See more »

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User Reviews

 
Cinematography outstanding in tight close-up combos.
12 February 2002 | by (Putney, VT) – See all my reviews

Dupont made only 37 films including the masterwork, VARIETY. This almost forgotten film is one of six with the same title which include the most recent extravaganza with Nicole Kidman and the classic Technicolor Toulouse-Lautrec visual feast with Jose Ferrer. This late silent film has a lush symphonic score and sound effects. It is an odd and tightly directed tale of a singer/dancer at the Moulin Rouge, who meets her daughter's fiance, only to have him fall obsessively in love with her and she with him. Alienation, betrayal and near tragedy result. Olga Tschechowa, unknown to me before this film, made 122 films stretching from 1917 to 1974. Although first reminding me facially of Jack Lemmon in SOME LIKE IT HOT, she proved herself a tense dramatic actress here.

The star is really the cinematography and the use of tight close-ups, both singly and in combinations of the three leads - this is quite outstanding for a British film of this period. Eve Gray who plays the daughter is rather long in the tooth for the role, looking every bit as old as Ms. Tschechowa, and so seems miscast.

When it is over, we remember the riveting stares of Tschechowa and the composition of the cinematography. Worth a look.


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