The owner of a Waxmuseum needs for three of his models stories to be told to the audience. For that reason he has hired a writer, who after one look athe owner's pretty daughter, starts ... See full summary »
A producer decides to reopen a theater, that had been closed five years previously when one of the actors was murdered during a performance, by staging a production of the same play with ... See full summary »
Gwynplaine, son of Lord Clancharlie, has a permanent smile carved on his face by the King, in revenge for Gwynplaine's father's treachery. Gwynplaine is adopted by a travelling showman and becomes a popular idol. He falls in love with the blind Dea. The king dies, and his evil jester tries to destroy or corrupt Gwynplaine. Written by
Helen Elsom <email@example.com>
Gwynplaine's grotesque grin was achieved with prosthesis. Conrad Veidt was fitted with a set of dentures that had metal hooks to pull back the corners of his mouth. He couldn't speak when the dentures were in. The only scene in which he did not wear the prosthesis is the scene where he is ravished by the Duchess Josiana. See more »
The clowns wear modern "clown" make-up in Queen Anne's reign (1702-1714). This appearance was not developed until the mid 1800s. Jo Grimaldi was the first clown to wear this style. See more »
A most extraordinary movie, filmed on an absolutely staggering scale in the most extravagant yet stylish manner possible by director Paul Leni. Superbly photographed, costumed and set, this handsomely atmospheric horror piece is certainly one of a kind. In its own peculiarly dark niche, I can think of no other competitors, not even Universal's own "Hunchback of Notre Dame".
This movie has the further advantage of a far superior cast. Mary Philbin betters her portrayal in "Hunchback" by a mile, while Conrad Veidt in a Chaney-type role easily steals the picture by sheer charisma rather than simply horrific make-up. Mind you, he is given a good run for his money by Brandon Hurst as the scheming villain, Baclanova as the sexy Josiana, and Josephine Crowell (in her final feature film) as the imperious queen.
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