| Videos (see all 2) |
| Barbara Kent | ... | Mary | |
| Glenn Tryon | ... | Jim | |
| Fay Holderness | ... | Overdressed Woman on Roller Coaster | |
| Gusztáv Pártos | ... | Romantic Gentleman on Roller Coaster (as Gustav Partos) | |
| Eddie Phillips | ... | Sportive Gentleman on Bus | |
| Andy Devine | ... | Jim's Friend | |
| rest of cast listed alphabetically: | |||
| Edgar Dearing | ... | Cop (uncredited) | |
| Louise Emmons | ... | Telephone Caller (uncredited) | |
| Fred Esmelton | ... | Swami (uncredited) | |
| Jack Raymond | ... | Barker (uncredited) | |
| Churchill Ross | ... | Telephone Caller (uncredited) | |
Directed by | |||
| Pál Fejös | (as Paul Fejos) | ||
Writing credits | ||
| Mann Page | (story) | |
| Edward T. Lowe Jr. | (adaptation) | |
| Edward T. Lowe Jr. | (scenario) and | |
| Tom Reed | (scenario) | |
| Tom Reed | (titles) | |
Produced by | |||
| Carl Laemmle Jr. | .... | supervising producer | |
| Oskar Schubert-Stevens | .... | supervising producer (german version) | |
Cinematography by | |||
| Gilbert Warrenton | |||
Film Editing by | |||
| Frank Atkinson | |||
Art Direction by | |||
| Charles D. Hall | |||
Music Department | |||
| Joseph Cherniavsky | .... | musical director (uncredited) | |
Other crew | |||
| Carl Laemmle | .... | presenter | |
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| Muriel's Wedding | Three Days of the Condor | Imitation of Life | Inside Daisy Clover | Deception |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Wonderfully-paced, great camera movements, excellent location photography. When you compare this with other films of its era, you'll see how well Lonesome was developed. Being visual, I'm always interested in camera placement and movement. While other films of its time showed static camera shots, Lonesome always wanted to keep the camera moving. The pace rarely lets up, soon after the male protagonist Jim, wakes up.
The version I refer to is the Eastman House-restored film. It's presented in a pristine, high- definition film transfer from original film stock, a nitrate print apparently from France. What a treat to watch life from the early 20th century, and the way it seems, the storyline could be presented today, in modern New York City.
This version has music and plenty of sound effects, but it's still one of the last silent films of the era. It's a fun treat, watching the facial expressions as the performers have to sell their emotions without voices. It must have been a trend-setting piece of filmmaking in its time. I only wish the pace on some of the films made today had as much entertainment packed inside.
Packed within the Eastman House print are several scenes with actual dialog between the two, and there's also a bit of color-tinted B/W to boot somewhere in the film. It's worth it for true film buffs to find the restored version. There's no heavy storyline here, just a guy finding it hard to meet a woman he finds attractive. The film really gives me another reason to smile.