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A lonesome boy and a lonesome girl meet accidentally on their Saturday-off at Coney Island. It is love at fight sight but over the bewilderment of their sudden romance and escape from loneliness, they don't even realize they don'y even known each other's name until a fire breaks out and they are separated. Written by
Les Adams <firstname.lastname@example.org>
Wonderfully-paced, great camera movements, excellent location photography. When you compare this with other films of its era, you'll see how well Lonesome was developed. Being visual, I'm always interested in camera placement and movement. While other films of its time showed static camera shots, Lonesome always wanted to keep the camera moving. The pace rarely lets up, soon after the male protagonist Jim, wakes up.
The version I refer to is the Eastman House-restored film. It's presented in a pristine, high- definition film transfer from original film stock, a nitrate print apparently from France. What a treat to watch life from the early 20th century, and the way it seems, the storyline could be presented today, in modern New York City.
This version has music and plenty of sound effects, but it's still one of the last silent films of the era. It's a fun treat, watching the facial expressions as the performers have to sell their emotions without voices. It must have been a trend-setting piece of filmmaking in its time. I only wish the pace on some of the films made today had as much entertainment packed inside.
Packed within the Eastman House print are several scenes with actual dialog between the two, and there's also a bit of color-tinted B/W to boot somewhere in the film. It's worth it for true film buffs to find the restored version. There's no heavy storyline here, just a guy finding it hard to meet a woman he finds attractive. The film really gives me another reason to smile.
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