Edwin, a taxi driver, lives with Annie, a neurasthenic model. They plan to spend Sunday at the Nikolassee beach with Wolfgang, an officer, gentleman, antiquarian, gigolo, at the moment a ... See full summary »
Victor Frandsen is a domestic tyrant. His wife Ida has to work as a slave for him and the rest of the family. She rises early to prepare everything for the day, she toils all day long, and ... See full summary »
Carl Theodor Dreyer
Joe Merrill, son of the millionaire owner of a chain of 5 and 10 cent stores, poses as Joe Grant, and takes a job in the stockroom of one of his father's stores, to prove that he can be a ... See full summary »
Charles 'Buddy' Rogers,
A working-class love story set in and around the London Underground of the 1920s. Two men - gentle Bill and brash Bert - meet and are attracted to the same woman on the same day at the same... See full summary »
Stephen Lee doesn't want his nephew Wally Sanders to marry chorus girl Violet Dayne, because he believes all chorus girls to be ruthless gold diggers, always chasing after the men's money. ... See full summary »
Mary, a poor farm girl, meets Tim just as word comes that war has been declared. Tim enlists in the army and goes to the battlefields of Europe, where he is wounded and loses the use of his... See full summary »
Guinn 'Big Boy' Williams
A lonesome boy and a lonesome girl meet accidentally on their Saturday-off at Coney Island. It is love at fight sight but over the bewilderment of their sudden romance and escape from loneliness, they don't even realize they don'y even known each other's name until a fire breaks out and they are separated. Written by
Les Adams <email@example.com>
A young man and a young woman lead nearly identical lives throughout the day, he a punch-press operator and she a telephone operator. After work, both decide to go to Coney Island, where they meet, have fun, fall in love, and then lose each other. The movie's cute, but it isn't anything superb. There were two much better films made in the same year that Lonesome reminds me of. First, King Vidor's The Crowd, one of the best films of the period. That one takes place over quite a lot more time, but the styles are similar, with The Crowd being much more sophisticated in its narrative, characterization, etc. The Coney Island scenes are probably the most celebrated part of Lonesome, but these are nothing compared to those in the Harold Lloyd vehicle Speedy. Fejös exaggerates these scenes beyond belief, with so much confetti falling on the Coney Island patrons that one would think the crowd would drown in paper. This film is from the school of silent filmmaking where putting a lot of people on screen at the same time is considered ingenious. In comparison, the crowds of Speedy are believable, and that sequence is absolutely lovely. Lonesome also suffers from three intrusive sound sequences, which Universal forced in at the last minute. They stop the film dead in its tracks (but they are somewhat funny). Overall, the film is entertaining, if not too memorable. One particular sequence stands out as masterful: the man's and woman's workdays, edited back to back, with the whole screen surrounded by the numbers on a clock, translucent hands following the time. 7/10.
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