8.0/10
2,443
28 user 35 critic

The Last Command (1928)

Not Rated | | Drama, History, Romance | April 1928 (Japan)
A former Imperial Russian general and cousin of the Czar ends up in Hollywood as an extra in a movie directed by a former revolutionary.

Writers:

(story), | 2 more credits »
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Won 1 Oscar. Another 1 win & 1 nomination. See more awards »
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Cast

Complete credited cast:
...
...
Natalie Dabrova
...
Lev Andreyev
Jack Raymond ...
Assistant Director
Nicholas Soussanin ...
The Adjutant
Michael Visaroff ...
Serge (the valet)
...
A Revolutionist
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Storyline

A decorated, aristocratic Czarist General is reduced to penury after the collapse of Imperial Russia. An old adversary, now a successful director hires the general to re-enact the revolution which deposed him. Written by W. Louis <wlouis@ego.psych.mcgill.ca>

Plot Summary | Add Synopsis

Taglines:

EMIL JANNINGS -- World's finest dramatic actor in a brilliant successor to "The Way of all Flesh" -- and "Variety." You'll be amazed with Janning's tremendous role of the mighty general!...with men...women...a whole nation at his feet! Through flaming love...adoration...hate! To...! The most terrific climax the screen has ever known!

Genres:

Drama | History | Romance | War

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

April 1928 (Japan)  »

Also Known As:

A Última Ordem  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

|

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Budd Schulberg, son of the film's producer, wrote in his memoirs about witnessing the filming of this film's final scene. See more »

Quotes

Assistant director: [Seeing an extra having a false beard applied by a make-up man] Is that beard supposed to be Russian? It looks like an ad for cough drops!
See more »

Connections

Referenced in Cinema Europe: The Other Hollywood (1995) See more »

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User Reviews

A sad touching film
14 May 2000 | by (Lake Helen Florida) – See all my reviews

When this movie began, and Emil Jannings first appeared, I thought "Oh no! not another stagey old ham playing to the back row of the gallery." However, as the scene changed to Czarist Russia, so did Jannings performance. Instead of the twitchy old refugee living in a boarding house, we saw a upright, aristocratic soldier in control. From then on, the performance was impecable. Who could not feel sympathy for the General as he was betrayed by his country and his love and everything he stood for. Who also could not feel sympathy for the desparate revolutionaries trying to overthrow a decadent monarchy. The theatrical director who became a film director was also sympathetic as an artist caught up (like most participants of WWI) in a war that was not of his doing and that he really couldn't care less about. This film, made only 10 years after the revolution, said a lot about the plight of war refugees everywhere.


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