An impoverished British lord (Paul Menford) impersonates a doctor in order to woo an ailing American heiress (Dorothy Adams). The lord is in it for love, but his business associate (Joe Diamond) smells money.
Many of its members are spending a leisurely day at the the El Caballero Golf Club, the most beautiful in California. Also visiting for the day is non-member, Billy Divott, a golf ... See full summary »
Tim Kelly is an orphan who runs away after his orphanage burns down. Presumed to be killed in the fire, he is able to roam the streets of New York freely. He meets Max Ginsberg, an old ... See full summary »
Edward F. Cline
Lydia Yeamans Titus,
A crook's ex-wife marries the state's governor, and the crook sees an opportunity to make some money by threatening to expose his wife's past if the governor doesn't pay him off. The ... See full summary »
John Francis Dillon
Robert Emmett O'Connor
A decorated, aristocratic Czarist General is reduced to penury after the collapse of Imperial Russia. An old adversary, now a successful director hires the general to re-enact the revolution which deposed him. Written by
W. Louis <firstname.lastname@example.org>
EMIL JANNINGS -- World's finest dramatic actor in a brilliant successor to "The Way of all Flesh" -- and "Variety." You'll be amazed with Janning's tremendous role of the mighty general!...with men...women...a whole nation at his feet! Through flaming love...adoration...hate! To...! The most terrific climax the screen has ever known!
Based on the life of General Lodijensky, a former general in the Russian army of Czar Nicholas, who fled Russia after the 1917 Communist revolution and wound up in Hollywood, where he worked for a while as a movie extra. See more »
Member of General Staff:
[Listening at the door to what he perceives to be the Duke's seduction of Natali]
That sort of thing should always be done after caviar.
See more »
When this movie began, and Emil Jannings first appeared, I thought "Oh no! not another stagey old ham playing to the back row of the gallery." However, as the scene changed to Czarist Russia, so did Jannings performance. Instead of the twitchy old refugee living in a boarding house, we saw a upright, aristocratic soldier in control. From then on, the performance was impecable. Who could not feel sympathy for the General as he was betrayed by his country and his love and everything he stood for. Who also could not feel sympathy for the desparate revolutionaries trying to overthrow a decadent monarchy. The theatrical director who became a film director was also sympathetic as an artist caught up (like most participants of WWI) in a war that was not of his doing and that he really couldn't care less about. This film, made only 10 years after the revolution, said a lot about the plight of war refugees everywhere.
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