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The Garden of Eden (1928)

 -  Comedy | Drama  -  4 February 1928 (USA)
7.1
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Ratings: 7.1/10 from 275 users  
Reviews: 9 user | 10 critic

Toni Le Brun, a beautiful Viennese singer, becomes the ward of the wardrobe mistress of a Monte Carlo nightclub. Her benefactor, however, is actually a baroness incognito. Toni falls in ... See full summary »

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(screen version), (based on the play adapted by), 3 more credits »
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Title: The Garden of Eden (1928)

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Cast

Complete credited cast:
...
...
Rosa
Lowell Sherman ...
Henri D'Avril
Maude George ...
Madame Bauer
...
Richard Dupont
Edward Martindel ...
Colonel Dupont
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Storyline

Toni Le Brun, a beautiful Viennese singer, becomes the ward of the wardrobe mistress of a Monte Carlo nightclub. Her benefactor, however, is actually a baroness incognito. Toni falls in love with the handsome Richard, but as they prepare to marry, she comes to believe he is only after the wealth accompanying her new noble status. But truth, like true love, will not be kept secret long. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Plot Synopsis

Taglines:

If you think you're blasé---if you believe nothing on earth can make you perk up and stare---this is the film to see! It's a fascinating folderol of fun! See more »

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »
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Details

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Language:

Release Date:

4 February 1928 (USA)  »

Also Known As:

Der Garten Eden  »

Company Credits

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 »
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Technical Specs

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(DVD) | (2002 alternate)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Avery Hopwood's English adaptation of the play opened on Broadway in New York City, New York, USA on 27 September 1927 but had only 23 performances. The opening night cast included Barbara Barondess, Harlan Briggs, Miriam Hopkins, Douglass Montgomery and Alison Skipworth. See more »

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User Reviews

 
A quiet and charming little comedy, with some highly interesting visuals...
27 January 2008 | by (Chinatown, California) – See all my reviews

The Garden of Eden is a charming but obscure silent comedy from 1928 and was an important film for both its talented director Lewis Milestone, a two-time Academy Award Best Director winner, and its beguiling star Corinne Griffith, a once-popular and now nearly-forgotten star of silent cinema.

It's adapted to the screen by Avery Hopwood and Hans Kraly from the play by Rudolph Bernauer and Rudolf Österreicher. It features marvelous art-direction courtesy of William Cameron Menzies, who later became a director of films. It also stars Charles Ray as the sophisticate who falls in love with Griffith who he thinks has a title. Ray's specialty was playing country bumpkins, and this Cinderella tale offered him a chance to go against type and perhaps revive his sagging career. However, comeback attempts were hampered by the advent of the sound picture.

Griffith as always shines and gives a capable and graceful performance. Her beauty has not been missed by Mr. Milestone in his direction of the scenes. Louise Dresser and Lowell Sherman do well by their parts and Edward Martindel is sympathetic as a love-sick uncle. Ray escapes his normal hick role even if the naive innocent aura still hangs over him.

Structurally the film is divided into three sub-movies which could almost be played independently. The first portion is Toni LeBrun's experience at the "Palais de Paris," a cabaret that she naively thinks is an opera hall. The next movie segment concerns the wooing of Toni by rival uncle and nephew. The last section of the film is also set in the Hotel Eden, however, the plot of this section deals with Toni's wedding.

On occasion, there are some visually dazzling shots, such as Toni and Richard seated at a grand piano, perfectly reflected in the raised lid, while the room slowly rotates around them. But overall The Garden of Eden is fun and moves briskly enough. The pacing is aided by a slight under cranking that provides a slightly sped-up feeling that boosts the comic effect. However, it's not overdone to the point of ridiculousness. Sadly a Technicolor dream sequence of Toni as a great opera star, prefiguring her later assumed wealth, remains unfortunately lost.


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