Mickey is selling hot dogs at a carnival next to the tent for Minnie the Shimmy Dancer. He gets into an argument with the barker. Minnie beckons him over to her trailer; he shows off the ... See full summary »
Mickey comes in his horse and buggy to pick up Minnie for the barn dance, but he's aced out by his rival, Pete, with a car, until the car breaks down. At the dance hall, Mickey dances on ... See full summary »
Alice visits an animation studio, where the animators show her various scenes on their drawing boards. A few of them: a cat dancing to a cat band; a mouse poking at a (live) cat until it ... See full summary »
Mickey puts on a show in his barnyard. A short dramatic scene by a chicken and rooster; an operatic ode by Patricia Pig, and then the main attraction: Mickey sings and plays his theme song, then dances to it.
Mickey goes about his farm chores, plowing with Horace and milking Clarabelle, while Minnie sings (until Mickey kisses her, when she stalks off). Clarabelle gets too friendly with Mickey, ... See full summary »
Mickey is a railroad engineer with an anthropomorphic locomotive. He feeds the train (coal), then feeds his dog, then makes lunch for himself. Minnie drops by and plays a tune on her fiddle... See full summary »
THE GALLOPIN' GAUCHO must speed to rescue cantina dancer Minnie from the foul clutches of Pete, the outlaw cat.
This ancient black & white film was only the second Mickey Mouse cartoon released with synchronized sound. It's fun watching The Mouse doing a Douglas Fairbanks spoof - using his tail the way Doug did his bullwhip in THE GAUCHO (1927). Is Mickey's faithful Argentinean mount an ostrich or a rhea? The Disney animators were already making full use of underwear & posterior jokes. Pete still has both legs in this one.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Bambi, Peter Pan and Mr. Toad. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
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