In the castle Vogeloed, a few aristocrats are awaiting baroness Safferstätt. But first count Oetsch invites himself.. Everyone thinks he murdered his brother, baroness Safferstat's first ... See full summary »
When farmer Rog dies, his son Peter stays, but Johannes can not be satisfied with such a condition (and servant Maria's love) and finds a job as old Count Rudenberg's secretary. His ... See full summary »
The likeable and carefree Grand Duke of Abacco is in dire straits. There is no money left to service the State's debt; the main creditor is looking forward to expropriating the entire Duchy... See full summary »
Dr Eigil Borne is engaged to Hélène, a girl who is madly in love with him. At Hélène's birthday celebration, Eigil invites her to a cabaret, where he meets his other love, Lily, a passionate, fiery and funny dancer.
Film historian and collector William K. Everson stated that the only surviving print was lost by actress Mary Duncan, who had borrowed it from Fox Films. In the December 1974 issue of "Films in Review," he explained that Duncan, one of the film's stars, wanted it to show to a group of friends in Florida. The star was aware that it was a dangerous nitrate print and assumed that Fox had others. She threw the only copy in the ocean, a mistake characterized by Everson as "a monumental blunder to rank with Balaclava, Sarajevo, and the Fall of Babylon as one of history's blackest moments." See more »
This isn't a review as such as it is a lost film and no one can possibly review it as anything, but, that. However, if you have the latest DVD of "Sunrise" there is an excellent documentary as an extra about this lost piece of work by the genius that was Murnau. It is highly detailed with the complete storyline illustrated with still and design drawings and an excellent commentary. The only downside is that it makes you yearn for the opportunity to see this movie and we can just live in the hope that one day it will be discovered in a distant or not so distant archive or in someone's granny's attic. It is ironic how we talk of the early film makers as visionaries, yet, they and the studio heads were not forward thinking enough to preserve these pieces of history for future generations.
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