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The Finishing Touch (1928)

7.3
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Ratings: 7.3/10 from 581 users  
Reviews: 11 user | 3 critic

The boys are contracted to build a house in one day. Upon completion, a bird lands on the chimney and the house collapses, bit by bit. When the owner demands his money back, mayhem ensues.

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Title: The Finishing Touch (1928)

The Finishing Touch (1928) on IMDb 7.3/10

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Cast

Complete credited cast:
...
...
Dorothy Coburn ...
Nurse
Edgar Kennedy ...
Cop (as Ed Kennedy)
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Storyline

The boys are contracted to build a house in one day. Upon completion, a bird lands on the chimney and the house collapses, bit by bit. When the owner demands his money back, mayhem ensues. Written by Herman Seifer <alagain@aol.com>

Plot Summary | Add Synopsis

Plot Keywords:

house | bird | rock | police officer | shoe | See more »

Genres:

Comedy | Short

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Details

Country:

Language:

Release Date:

25 February 1928 (USA)  »

Also Known As:

The Finishing Touch  »

Company Credits

Production Co:

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Technical Specs

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

The final gag, in which the boys' truck slams into the house, was a misfire. The script called for the truck to drive all the way through the house, but the carpenters had not built the house to property man Thomas Benton Roberts' specifications, so the truck was unable to penetrate it completely. Rather than rebuild the house for one gag, the cast and crew chose to keep the end gag as filmed. See more »

Goofs

At the beginning of the film, a van is rolling downhill before being caught. As it stops a crew member is visible outside the cab on the driver's side, controlling the van. See more »

Connections

Referenced in Variety Time (1948) See more »

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User Reviews

The L & H touch
9 December 2003 | by See all my reviews

In 'The Finishing Touch', directed by a master of slapstick (Clyde Bruckman) and supervised by a pillar of American comedy (Leo McCarey), Laurel and Hardy have fully developed their film personalities. The plot, that reminds Keaton's `One Week' and The Three Stooges `The sitter-downers', is merely an excuse for bringing up the best of the duo's explosive chemistry. The power of their humor relies not in the impact or unawareness of a gag, but in a skillful preparation of the comic situation. Laurel and Hardy's best trick is the anticipation of an effect and the audience's involvement in its prediction. Repetition is fundamental and the pace and timing of the build-up a hard to match one.


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