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The Docks of New York (1928)

7.8
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Ratings: 7.8/10 from 2,019 users  
Reviews: 23 user | 34 critic

A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.

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(story), (titles), 1 more credit »
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Title: The Docks of New York (1928)

The Docks of New York (1928) on IMDb 7.8/10

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Cast

Complete credited cast:
George Bancroft ...
...
Mae
...
His Wife - Lou (as Baclanova)
Clyde Cook ...
Mitchell Lewis ...
Andy, the Third Engineer
Gustav von Seyffertitz ...
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Storyline

The ship on which Bill Roberts is a stoker has just put into port, giving the crew one night ashore. The ship's bad-tempered third engineer orders the stokers to clean up, while the engineer heads for a dockside bar, where he has a confrontation with the wife he had abandoned. Then, as Bill himself goes ashore, he sees a young woman attempt to drown herself. Bill dives in, saves her, and then, assisted by the engineer's wife, sees that she is cared for. Bill and the rescued woman begin to enjoy one another's company, but they must contend with the malice of the engineer, as well as a number of other complications. Written by Snow Leopard

Plot Summary | Add Synopsis

Genres:

Crime | Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

29 September 1928 (USA)  »

Also Known As:

The Docks of New York  »

Company Credits

Production Co:

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Technical Specs

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Included among the '1001 Movies You Must See Before You Die', edited by Steven Jay Schneider. See more »

Quotes

Bill Roberts: I've always been like this. There ain't no power on earth that could ever keep me ashore!
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Connections

Edited into Spisok korabley (2008) See more »

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User Reviews

 
A silent film that you'll forget is silent.
13 February 1999 | by (Calaveras County) – See all my reviews

Long before Renoir or Welles experimented with depth of field, Sternberg was employing it in his silent films, and perhaps most beautifully in The Docks of New York. The mise-en-scene is so incredible in this movie that many critics accuse the movie of being overly concerned with imagery, and less concerned with plot. The plot is simple, yet it allows Sternberg to concentrate on what he appears to be most concerned with--developing character psychology. One is reminded of the rich characters in Greed when watching this film, yet the sense of despair is underplayed in Docks creating a much more subtle film than Stroheim's.

Many critics claim that Docks shows a near-perfect mastery of silent technique. Yet, the film remains somewhat obscure because it was released in 1928, when the novelty of the first "talkies" was overshadowing silent films such as Docks. If you are at all interested in film history or just plain good films see The Docks of New York.


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