| Eleanor Boardman | ... | Mary | |
| James Murray | ... | John | |
| Bert Roach | ... | Bert | |
| Estelle Clark | ... | Jane | |
| Daniel G. Tomlinson | ... | Jim | |
| Dell Henderson | ... | Dick | |
| Lucy Beaumont | ... | Mary's Mother | |
| Freddie Burke Frederick | ... | Junior | |
| Alice Mildred Puter | ... | Daughter | |
| rest of cast listed alphabetically: | |||
| Sidney Bracey | ... | John's Supervisor (uncredited) | |
| Johnny Downs | ... | John - Age 12 (uncredited) | |
| Sally Eilers | ... | Party Girl at Bert's Place (uncredited) | |
| Claude Payton | ... | (uncredited) | |
| Warner Richmond | ... | Mr. Sims - John's Father (uncredited) | |
| Virginia Sale | ... | Mary's Sister-in-Law (uncredited) | |
| Larry Steers | ... | Doctor (uncredited) | |
Directed by | |||
| King Vidor | |||
Writing credits | ||
| King Vidor | (screenplay) & | |
| John V.A. Weaver | (screenplay) | |
| Joseph Farnham | () (titles) (as Joe Farnham) | |
| Harry Behn | adaptation (uncredited) | |
| King Vidor | story (uncredited) | |
Produced by | |||
| Irving Thalberg | .... | producer (uncredited) | |
Original Music by | |||
| Carl Davis | (1981) | ||
Cinematography by | |||
| Henry Sharp | (photographed by) | ||
Film Editing by | |||
| Hugh Wynn | (film editor) | ||
Set Decoration by | |||
| Cedric Gibbons | (settings) | ||
| A. Arnold Gillespie | (settings) (as Arnold Gillespie) | ||
Costume and Wardrobe Department | |||
| André-ani | .... | wardrobe | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Silent drama about John (James Murray) and Mary (Eleanor Boardman) meeting in NYC, falling in love and marrying. John wants to make it big--to be somebody. He looks down on those who, he feels, have failed. But, after marriage and two kids, he's still stuck in the same dead-end job and sees no way out. Then tragedy strikes and John starts to crack.
A failure when first released (it's easy to see why--it's very depressing) but now considered a masterpiece. The story is grim but the ending is happy and realistic. Murray and Boardman give superb performances (especially Murray during a scene with his son on a bridge) and King Vidor's direction is superb. The visuals in this film are decades ahead of their time. His use of the crowds and the individuals lost among them are just great.
Hard to describe but a definite must-see. Just don't expect a barrel of laughs.