| Photos (See all 17 | slideshow) |
| Al Ernest Garcia | ... | The Circus Proprietor and Ring Master (as Allan Garcia) | |
| Merna Kennedy | ... | Merna, His Step-Daughter - A Circus Rider | |
| Harry Crocker | ... | Rex - A Tight Rope Walker | |
| George Davis | ... | Professor Bosco - A Magician | |
| Henry Bergman | ... | An Old Clown | |
| Tiny Sandford | ... | The Head Property Man (as Stanley J. Sandford) | |
| John Rand | ... | An Assistant Property Man | |
| Steve Murphy | ... | A Pickpocket | |
| Charles Chaplin | ... | A Tramp (as Charlie Chaplin) | |
| rest of cast listed alphabetically: | |||
| Albert Austin | ... | Clown (uncredited) | |
| Charles A. Bachman | ... | Cop (uncredited) | |
| Eugene Barry | ... | Cop (uncredited) | |
| Jack Bernard | ... | Man in Circus Audience (uncredited) | |
| Stanley Blystone | ... | Cop (uncredited) | |
| Heinie Conklin | ... | Clown (uncredited) | |
| Bill Knight | ... | Cop (uncredited) | |
| Toraichi Kono | ... | Man in Circus Audience (unconfirmed) (uncredited) | |
| H.L. Kyle | ... | Man in Circus Audience (uncredited) | |
| Betty Morrissey | ... | The Vanishing Lady (uncredited) | |
| L.J. O'Connor | ... | Cop (uncredited) | |
| Jack P. Pierce | ... | Man Operating Ropes (uncredited) | |
| Hugh Saxon | ... | Man in Circus Audience (uncredited) | |
| Doc Stone | ... | The Prizefighter (uncredited) | |
| Armand Triller | ... | Clown (uncredited) | |
| Max Tyron | ... | Pickpocket Victim (uncredited) | |
Directed by | |||
| Charles Chaplin | (as Charlie Chaplin) | ||
Writing credits | ||
| Charles Chaplin | (written by) (as Charlie Chaplin) | |
Produced by | |||
| Charles Chaplin | .... | producer (as Charlie Chaplin) | |
Original Music by | |||
| Charles Chaplin | (1969) (as Charlie Chaplin) | ||
Cinematography by | |||
| Roland Totheroh | (photography) (as Rollie H. Totheroh) | ||
Film Editing by | |||
| Charles Chaplin | (uncredited) | ||
Casting by | |||
| Al Ernest Garcia | (uncredited) | ||
Art Direction by | |||
| Charles D. Hall | (uncredited) | ||
Second Unit Director or Assistant Director | |||
| Harry Crocker | .... | assistant director (uncredited) | |
Camera and Electrical Department | |||
| Mark Marlatt | .... | camera operator (uncredited) | |
| Jack Wilson | .... | camera operator (uncredited) | |
Music Department | |||
| Charles Chaplin | .... | title music: sung by (1969 print) (as Charlie Chaplin) | |
| Eric James | .... | musical associate (1969 version) | |
| Lambert Williamson | .... | music arranger (1969 version) | |
| Joseph Plunkett | .... | conductor: prologue (uncredited) | |
Transportation Department | |||
| Toraichi Kono | .... | driver: Mr. Chaplin (uncredited) | |
Other crew | |||
| William E. Hinckley | .... | laboratory supervisor | |
| Tony Campanaro | .... | monkey trainer (uncredited) | |
| Harry Crocker | .... | unit publicist (uncredited) | |
| Henry East | .... | dog trainer (uncredited) | |
| Charles Gay | .... | lion trainer (uncredited) | |
| Della Steele | .... | script supervisor (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
The Circus (1928)
Charlie Chaplin had a string of silent feature films in the 1920s that were and are his classics, ending with a couple of amazing capstones in the 1930s. And though he is famous for having carried on the silent tradition well beyond everyone else (understandably, given his style), this one finished shooting only three weeks after the first talkie, so this is a true cusp film. And it took two years to plan and film (starting in 1926).
And in some ways this is the best of them all for the simple reason that it avoids that occasional cloying sentimentality that you either love or tolerate in his other classics. It's a pure, light, clever, cinematically sophisticated comedy. And the physical tricks, the timing of certain gags, is breathtaking. It also has a deeply satisfying ending, shot in 1927...which you might see echo of in the last moments of "Being There" with Peter Sellars, from 1999.
"The Circus" is just over an hour and it never flags, never repeats, is never strained. Chaplin had the rare ability to do the most outrageous things and make them seem perfectly plausible--even though we know better. It's partly because he would do dozens of takes, "perserverance to the point of madness," as he said, until it felt right.
A note on the sound. This was a true silent film on its release. In the 1960s and 70s, Chaplin created musical soundtracks, composed by himself (and made edits, as well) for his earlier features. The song sung over the opening credits on the Warner Bros. DVD is Chaplin himself, as an old man, singing a song he composed. It's not really legit, in terms of period (1928), but it feels good. The music is fairly innocuous, but a bit too emphatic at times. Still, it's better than the add-on tracks most silent films get these days, and Chaplin was smart to have paid it attention.
Most of all, this is funny, uncompromised Chaplin genius. Maybe the best way to get introducted to his large body of work. See it!!