Charlie is an expert bricklayer. He has lots of fun and work and enjoys himself greatly while at the saloon. As he leaves work his wife takes the pay he has hidden in his hat. But he steals... See full summary »
Natascha, a White Russian countess, stows away on a luxury liner at Hong Kong, determined to seek a new life in America. Natascha hides in the cabin of Ogden Mears, a millionaire diplomat, ... See full summary »
Charlie's Tramp character finds himself at a circus where he is promptly gets chased around by the police who think he is a pickpocket. Running into the bigtop, he is an accidental sensation with his hilarious efforts to elude the police. The ringmaster/owner immediately hires him, but discovers the Tramp cannot be funny on purpose, so he takes advantage of the situation by making the Tramp a janitor who just happens to always be in the Bigtop at showtime. Unaware of this exploitation, the Tramp falls for the owner's lovely acrobatic daughter, who is abused by her father. His chances seem good, until a dashing rival comes in and Charlies feels he has to compete with him. Written by
Kenneth Chisholm <firstname.lastname@example.org>
Charles Chaplin practiced tightrope walking for weeks before filming. He actually performed on a rope 40 feet in the air. However, the footage was lost when the negative was scratched during processing. The scene had to be re-shot, and the footage included in the film was not as good as that which had been lost, in Chaplin's estimation. See more »
While the Tramp is locked into the cage, the lion is lying with his head some distance from the side wall in most shots until he gets up. But in one close-up shot just after the Tramp caught the water tray, the lion's head is suddenly right next to that wall. See more »
Perhaps this doesn't have quite the reputation of Charlie Chaplin's greatest movies, but it is very entertaining, and it's a good showcase both for his comic genius and also for his skill as a film-maker. It's full of very funny routines along with plenty of action, with enough of a story to make you care about the characters, too.
The setting in "The Circus" certainly gives Chaplin a lot of ready-made material, and he makes the most of it, coming up with hilarious routines involving everything from a hall of mirrors to a lion. His 'Tramp' character gets involved in all kinds of amusing predicaments that involve several other interesting characters. Most of it keeps a pretty light tone, which makes the serious parts that much more effective. And there are several sequences which, though perhaps not as well known as some of the scenes from other Chaplin films, are quite funny and creative.
With plenty of humor and Chaplin's trademark sympathetic characters, this is a very enjoyable feature for anyone who appreciates classic comedy.
17 of 20 people found this review helpful.
Was this review helpful to you?