Charlie is an expert bricklayer. He has lots of fun and work and enjoys himself greatly while at the saloon. As he leaves work his wife takes the pay he has hidden in his hat. But he steals... See full summary »
Natascha, a White Russian countess, stows away on a luxury liner at Hong Kong, determined to seek a new life in America. Natascha hides in the cabin of Ogden Mears, a millionaire diplomat, ... See full summary »
The most important family in Hickoryville is (naturally enough) the Hickorys, with sheriff Jim and his tough manly sons Leo and Olin. The timid youngest son, Harold, doesn't have the ... See full summary »
Charlie's Tramp character finds himself at a circus where he is promptly gets chased around by the police who think he is a pickpocket. Running into the bigtop, he is an accidental sensation with his hilarious efforts to elude the police. The ringmaster/owner immediately hires him, but discovers the Tramp cannot be funny on purpose, so he takes advantage of the situation by making the Tramp a janitor just happens to always in the Bigtop at showtime. Unaware of this exploitation, the Tramp falls for the owner's lovely acrobatic daughter, who is abused by her father. His chances seem good, until a dashing rival comes in and Charlies feels he has to compete with him. Written by
Kenneth Chisholm <email@example.com>
Charles Chaplin's studio burnt down during production. This, combined with a number of major personal issues that arose during production, led to Chaplin's nervous breakdown (he spent time recovering in New York after about two-thirds of the film had been shot). See more »
After the tramp washes the shaving cream from his face, he dries himself with a towel but the towel never touches his face (this is probably so that it won't mess up the stage makeup). See more »
The Circus is probably Chaplin's most underrated film. It is (easily) one of the funniest movies ever, and the inventiveness of such shots as the Mirror Maze scene and the closing sequence are nothing less than brilliant. What separates Chaplin from other comedian filmmakers is his ability to evoke a sense of pity and/or sympathy for his character. How can you watch the closing scenes of this film and, even after all of the laughter, NOT sense a bit of melancholia welling up in your heart? Truly one of the greats.
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