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The Cameraman (1928)

Not Rated | | Comedy, Romance, Family | 22 September 1928 (USA)
Hopelessly in love with a woman working at MGM Studios, a clumsy man attempts to become a motion picture cameraman to be close to the object of his desire.

Directors:

, (uncredited)

Writers:

(story), (story) | 2 more credits »
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1 win. See more awards »
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Cast

Complete credited cast:
...
Buster
...
...
Stagg
...
Éditor (as Sidney Bracy)
Harry Gribbon ...
Cop
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Storyline

After becoming infatuated with a pretty office worker for MGM Newsreels, Buster trades in his tintype operation for a movie camera and sets out to impress the girl (and MGM) with his work. Written by tvman@earthlink.net

Plot Summary | Add Synopsis


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

22 September 1928 (USA)  »

Also Known As:

Der Kameramann  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(Turner library print)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Metro-Goldwyn-Mayer production number 366. See more »

Goofs

At the start of the "date" scene, Buster is wearing white socks and does so through most of the date. But in the famous changing-room scene - and in another place or two during the date - he's clearly wearing dark socks. See more »

Quotes

Organ Grinder: [to Buster who ran into him and knocked out his monkey] Now, see! You kill-a de monk!
Cop: Pay him for that baboon... or I'll run you in!
See more »

Connections

Featured in The Flash: Out of Time (2015) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Some of it IS brilliant
15 February 2004 | by (Copenhagen, Denmark) – See all my reviews

What a delightfully wacky world our Buster inhabited. This one, his first MGM feature, the beginning of the end one might safely say, is about a hapless would-be newsreel photographer trying to get a foothold within MGM, mostly in order to win the sweet girl in the front office. Lost of footage in 'Cameraman' is rather less than vintage Keaton, some jokes aren't as fresh as one would wish, but hey, listen, this is Keaton, the great stoneface. A Deity. Because other footage is simply brilliant. The pathetic pictures of Buster sitting in his little room from the crack of dawn in all his Sunday best, waiting for the girl to maybe ring. When it does ring he has to rush four stories down to get it! Or the scene where he has to share his dressingroom with another gent and their clothes and limbs get tangled up with each other. Or, most spectacularly, the (location?) scenes from the gangwar in Chinatown, dynamic, violent, imaginative. See it, love it - just just expect another 'General' or 'Sherlock' or 'Scarecrow' or 'Steamboat Bill' or 'Battling Butler'.


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