52 user 30 critic

The Cameraman (1928)

Not Rated | | Comedy, Romance, Family | 22 September 1928 (USA)
Hopelessly in love with a woman working at MGM Studios, a clumsy man attempts to become a motion picture cameraman to be close to the object of his desire.


, (uncredited)


(story), (story) | 2 more credits »

On Disc

at Amazon

1 win. See more awards »
Learn more

People who liked this also liked... 

Action | Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 8/10 X  

The effete son of a cantankerous riverboat captain comes to join his father's crew.

Directors: Charles Reisner, Buster Keaton
Stars: Buster Keaton, Tom McGuire, Ernest Torrence
Cops (1922)
Short | Comedy | Family
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

A series of mishaps manages to make a young man get chased by a big city's entire police force.

Directors: Edward F. Cline, Buster Keaton
Stars: Buster Keaton, Edward F. Cline, Virginia Fox
The Scarecrow (1920)
Comedy | Short | Family
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

Two inventive farmhands compete for the hand of the same girl.

Directors: Edward F. Cline, Buster Keaton
Stars: Buster Keaton, Edward F. Cline, Luke the Dog
The Boat (1921)
Short | Comedy | Family
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

Buster and his family go on a voyage on his homemade boat that proves to be one disaster after another.

Directors: Edward F. Cline, Buster Keaton
Stars: Buster Keaton, Edward F. Cline, Sybil Seely
The Freshman (1925)
Comedy | Family | Sport
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

Nerdy college student will do anything to become popular on campus.

Directors: Fred C. Newmeyer, Sam Taylor
Stars: Harold Lloyd, Jobyna Ralston, Brooks Benedict
Comedy | Drama | Family
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

A sheriff's milquetoast son has a chance to prove himself when a medicine show run by con artists comes into town.

Directors: Ted Wilde, J.A. Howe, and 2 more credits »
Stars: Harold Lloyd, Jobyna Ralston, Walter James
Speedy (1928)
Action | Comedy | Family
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

Harold "Speedy" Swift, a fan of Babe Ruth and the New York Yankees, saves from extinction the city's last horse-drawn trolley, operated by his girlfriend's grandfather.

Director: Ted Wilde
Stars: Harold Lloyd, Ann Christy, Bert Woodruff
Comedy | Family | Romance
    1 2 3 4 5 6 7 8 9 10 8/10 X  

While trying to secure a $1 million donation for his museum, a befuddled paleontologist is pursued by a flighty and often irritating heiress and her pet leopard, Baby.

Director: Howard Hawks
Stars: Katharine Hepburn, Cary Grant, Charles Ruggles
The Kid (1921)
Comedy | Drama | Family
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

The Tramp cares for an abandoned child, but events put that relationship in jeopardy.

Director: Charles Chaplin
Stars: Charles Chaplin, Edna Purviance, Jackie Coogan
The Gold Rush (1925)
Adventure | Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

A prospector goes to the Klondike in search of gold and finds it and more.

Director: Charles Chaplin
Stars: Charles Chaplin, Mack Swain, Tom Murray


Complete credited cast:
Éditor (as Sidney Bracy)
Harry Gribbon ...


After becoming infatuated with a pretty office worker for MGM Newsreels, Buster trades in his tintype operation for a movie camera and sets out to impress the girl (and MGM) with his work. Written by tvman@earthlink.net

Plot Summary | Add Synopsis


Not Rated | See all certifications »

Parents Guide:





Release Date:

22 September 1928 (USA)  »

Also Known As:

Der Kameramann  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


(Turner library print)

Sound Mix:

Aspect Ratio:

1.33 : 1
See  »

Did You Know?


When Buster Keaton falls off of the bus, a billboard for The Actress (1928) appears in the background. The titles for both films were written by Joseph Farnham. See more »


Near the end, when Sally and her Boss are watching the part of the tape filmed by the monkey, the shots of Luke bringing Sally to land change, as if the monkey had moved the camera. There's also some movement to fit the characters better, which couldn't be managed by an animal. See more »


Cop: I'll try your reflexes to see if you're goofy.
See more »


References The Actress (1928) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

At last, perfection
12 March 2006 | by (England) – See all my reviews

I loved this film.

I don't give 10/10 marks lightly; I rarely give them at all. For a film to rate that highly, it must be compelling, enthralling, enchanting, a technical tour-de-force -- it must make my heart soar and tear it with pity, and leave me shaken and laughing and crying all at once -- never put a foot wrong or lose my interest for a moment... but above all, it must endure. It must be a candidate for the shelf of the classics, to stand in its own right among all others and hold its own.

A tall order for a little comedy, you might think, even with the irreplaceable imagination and grace of Buster Keaton on both sides of the camera. But for me this is the one: his last great film, his swansong perhaps, but the one that is perfection.

This is the 'perfect melding of story and humour' I dreamed would lie ahead, back when I reviewed "The General", and here they are ideally intertwined. In places it is very, very funny, on a level his feature length films arrive at far more seldom than his shorts, but it also has a fully-developed and satisfying narrative curve along timeless lines, underpinned and yet not undermined by Keaton's wry trademark lack of sentiment: virtue is rewarded, villainy confounded, and the underdog is recognised and wins through. The leading lady is no mere cipher to which to aspire, but a warm girl who believes in the hero all along and gives him his vital 'break'. The unfortunate encounter with the organ-grinder's monkey -- Buster's best ever animal co-star! -- proves not simply a one-off gag, but key to the plot; and it is this sort of coherence that gives the film as a whole its beautiful sense of shape.

The story itself is very simple, almost episodic, compared to some of Keaton's wilder offerings: boy loves girl, boy sets out day after day to prove himself and find his dream, as events conspire to frustrate him. But everything ties back. The ending echoes the beginning and every scene counts along the way, as the relationships between the principals evolve. There's even an unmissable 'singing in the rain' sequence that must surely -- surely! -- have been an influence on Gene Kelly's famous rapture of delight (and encounter with bemused policeman); the echoes are so close...

There are no great set-piece stunts and chases to take over the screen and dominate the plot, as in "Seven Chances" or "The General"; but much as I love Buster's breathtaking skills and endless acrobatic agility, I think the film actually benefits by the more integrated style. There are chases -- there are stunts -- there are classic sight gags, long-running situational humour, bittersweet instants and sheer belly laughs -- but none of them ever sideline the impetus of the character-based action. This film quite simply has *everything*, and that's why even among Keaton's work it stands out.

Buster Keaton, meanwhile, is in top form, playing perhaps the most fully-realized of his various romantic dreamers: the little street photographer with his hard-saved nest egg, ten cents a time, who longs to become a daredevil cameraman capturing the breaking news. This is classic Keaton: the fascination and frustration with machinery, the ingenuity applied and misapplied, the beauty of face and body that can express an entire universe without words, the flights of fancy and the inevitable falls.

Buster could, notoriously, "run like a jack-rabbit" for all his small size, and here his speed as well as his famous frozen poise are put to memorable use. His comic timing and inventiveness have never been better: the swimming-pool scene, harking all the way back to Arbuckle's "Coney Island" but with far greater sophistication and development, is truly hilarious and had the audience, almost crying with laughter, eating out of the palm of his hand. (The scene where, carried away by the hallowed stadium turf, he plays out an entire baseball game in his own head single-handed -- still very funny even to the English -- would doubtless have gone down a complete storm with US cinema-goers more familiar with the rules of the sport...) And yet, as always, he is not merely playing for laughs, but acting to effect. We feel for the character; rejoice with him, ache for him, applaud his resource and chuckle with sympathy over his mistakes. In a couple of his shorts, where he deliberately subverts the conventions of melodrama, he demonstrates the all-out poses of classic theatrical mime -- heartbreak, horror, despair -- with spot-on accuracy. Here, we see his own more subtle and naturalistic style. Buster had no time for high drama, but he was a player in full command of his craft, and he can create a moment's shading of emotion with the tiniest shift of face or body, and those eloquent, ever-expressive eyes.

He is a master, and for me this is perhaps his masterpiece. It's one of the films I've enjoyed most in my entire life; silent cinema in its full maturity and comedy at its timeless best. I was swept away. After seeing this I was ready to go down on my knees and worship Keaton; all I can do is hymn him in words.

If he were never again to be allowed to do anything on this creative level -- and arguably, he never was -- then this would still be a final great flowering of a unique art and vision, films that still draw crowds today... but above all perform, as perfectly as when they were first printed, all that Buster Keaton ever set out to do. These are not museum pieces or cultural artifacts of a dead age. They are, as they were created to be, cinematic works of supreme entertainment.

27 of 29 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Why didn't they tell her? manicmango13
Louise in the pool Chrissie
I want to wrap the poor guy in a blanket! Chrissie
Buster Keaton Collection/DVD restoration CHARLIE-89
The Monkey frankiefrears
the scene in the changing room carman-j
Discuss The Cameraman (1928) on the IMDb message boards »

Contribute to This Page

Create a character page for: