Thymiane is a beautiful young girl who is not having a storybook life. Her governess, Elizabeth, is thrown out of her home when she is pregnant, only to be later found drown. That same day,... See full summary »
Mia DuBois (Calhoun) is a walking cliché--a successful therapist with an unsuccessful marriage. Her husband, Victor (St. John), is more interested in working on his laptop than on her. So ... See full summary »
Michael Jai White,
Kristoff St. John
A group of German infantrymen of the First World War live out their lives in the trenches of France. They find brief entertainment and relief in a village behind the lines, but primarily ... See full summary »
Georg Wilhelm Pabst
After killing her treacherous step-father, a girl tries to escape the country with a young vagabond. She dresses as a boy, they hop freight trains, quarrel with a group of hobos, and steal ... See full summary »
William A. Wellman
Lucienne, typist and gorgeous bathing beauty, decides to enter the 'Miss Europe' pageant sponsored by the French newspaper she works for. She finds her jealous lover Andre violently ... See full summary »
Lulu is a beautiful young Jewish woman who can seemingly work her charms on all of the men around her. She is currently being kept by the rich financier Dr. Ludwig Schon. She is just a plaything however and he is engaged to be married to Charlotte, a woman of his own class. He arranges for Lulu to appear in his son Alwa's musical revue and he too falls for all of her charms. When Dr. Schon and his fiancée go to the theater, Lulu ensures that he is put in a compromising situation and the elder Schon feels he now must marry her, knowing full well it will ruin his reputation. On his wedding day, Dr. Schon reaches his breaking. His actions cost him his life however and Lulu is convicted of manslaughter. She escapes with the help of her old cronies but together they begin a downward spiral. Written by
For the scene in which Lulu picks up and seduces Jack, Georg Wilhelm Pabst selected one of Louise Brooks's own suits - her favorite - for Lulu's costume and soiled, scuffed and rent it. Brooks claimed that, without spoken direction, Pabst thus established the desired effect of making her feel worn, cheap, and desperate, as the character of Lulu was intended to be portrayed. See more »
As Lulu looks at herself in the mirror after the wedding, the wedding dress is off her right shoulder. The position of the dress on her right arm and shoulder varies between shots from when she is confronted by Dr Schon till his death. See more »
[referring to the Egyptian]
He's acting like he wants to buy me.
I need money badly and you have none to give me... The Egyptian will give me 50 more pounds than the German police... You're in luck.
See more »
An extraordinary silent film that transcends both its medium and time
Lulu, the protagonist of _Pandora's box_ portrayed by Louise Brooks, lives beyond the constraints of time. She was radiant, outrageous - an icon of modernity that seemed to transcend all time and place. She challenged sexual conventions, and became a screen seductress like no other - not through the traditional devices of the femme fatale, but rather through her bold, kittenish innocence.
This portrayal of innocence is largely what makes her performance both powerful and unique. She's outrageously excessive and provocative, but because she engenders such sympathy, we cannot fail to identify with her. In a sense, she seduces us as she seduces the men whom she encounters. That identification, despite her destructiveness, is much of what makes this film so compelling; we love her despite ourselves.
There are three films that permanently altered my sense of the power of the silent cinema: Sunrise (Murnau); The Passion of Joan of Arc (Dreyer), and this triumph.
This film reaches the highest pinnacle of the cinematic experience; it transforms the viewer through its indelible images and hypnotic captivation.
I can only wish that the first time viewer has the pleasure of experiencing this film and Brooks' immortal performance in a theater with live accompaniment as I did at the Virginia Film Festival.
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