Pandora's Box (1929)
"Die Büchse der Pandora" (original title)

The rise and inevitable fall of an amoral but naive young woman whose insouciant eroticism inspires lust and violence in those around her.

Director:

Georg Wilhelm Pabst

Writers:

Frank Wedekind (plays), Ladislaus Vajda (scenario),

Stars:

Louise Brooks, Fritz Kortner, Francis Lederer

1 nomination.

Cast

Complete credited cast:
Louise Brooks	...	Lulu
Fritz Kortner	...	Dr. Ludwig Schön
Francis Lederer	...	Alwa Schön (as Franz Lederer)
Carl Goetz	...	Schigolch
Krafft-Raschig	...	Rodrigo Quast
Alice Roberts	...	Gräfin Geschwitz - Countess Anna Geschwitz
Daisy D'Ora	...	Charlotte Marie Adelaide v. Zarnikow - braut Dr. Schöns - Dr. Schön's Bride (as Daisy d'Ora)
Gustav Diessl	...	Jack the Ripper (as Gustav Diesel)
Michael von Newlinsky	...	Marquis Casti-Piani (as Michael v. Newlinsky)
Sig Arno	...	Der inspizient - the instructor (as Siegfried Arno)

Storyline

The dancer and prostitute Lulu is the mistress of the newspaper owner Dr. Ludwig Schön and lives in an apartment paid for by him. When her former "protector" Schigolch visits Lulu, he brings the opportunist agent Rodrigo Quast that invites Lulu to dance in a play. Dr. Schön tells Lulu that he will marry the aristocratic Charlotte Marie Adelaide v. Zarnikow and mesmerizing Lulu forces him to marry her. However, in the wedding party, Dr. Schön finds Lulu partying with Schigolch and Rodrigo Quast in their bedroom and he gets his pistol and forces Lulu to shoot him. Lulu is arrested and almost six months later, she goes to the tribunal for trial. Despite the testimony of Dr. Schön's son Alwa Schön and his friend Countess Anna Geschwitz, Lulu is sentenced to five years in prison in a prejudicial verdict. But her friends cause a bedlam in court and Lulu flees. Alwa and Lulu decide to travel to Paris, but in the train, they are convinced to follow the crook Marquis Casti-Piani in the ...

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Plot Keywords:

lust | train | wedding | escape | mistress | 

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Genres:

Crime | Drama | Romance

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Certificate:

TV-PG

Details

Country:

Germany

Language:

German

Release Date:

22 February 1930 (Japan)

Also Known As:

Pandora's Box

Filming Locations:

Nero-Film Studio, Berlin, Germany

Box Office

Opening Weekend:

$9,950 (USA) (16 June 2006)

Gross:

$9,950 (USA) (16 June 2006)

Company Credits

Production Co:

Nero-Film AG

Technical Specs

Runtime:

109 min 133 min (restored) 152 min (Copy with French titles at Brussels Musée du Cinéma) 131 min (original) 110 min (VHS)

Sound Mix:

Silent

Color:

Black and White

Aspect Ratio:

1.33 : 1

Did You Know?

Trivia

Louise Brooks' highly influential "bob" hairdo is referred to as a Lulu to this day.

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Goofs

As Lulu looks at herself in the mirror after the wedding, the wedding dress is off her right shoulder. The position of the dress on her right arm and shoulder varies between shots from when she is confronted by Dr Schon till his death.

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Quotes

Schigolch: You should only play when you're sure to win.

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Connections

Featured in Z Channel: A Magnificent Obsession (2004)

User Reviews

An extraordinary silent film that transcends both its medium and time

Lulu, the protagonist of _Pandora's box_ portrayed by Louise Brooks, lives beyond the constraints of time. She was radiant, outrageous - an icon of modernity that seemed to transcend all time and place. She challenged sexual conventions, and became a screen seductress like no other - not through the traditional devices of the femme fatale, but rather through her bold, kittenish innocence.

This portrayal of innocence is largely what makes her performance both powerful and unique. She's outrageously excessive and provocative, but because she engenders such sympathy, we cannot fail to identify with her. In a sense, she seduces us as she seduces the men whom she encounters. That identification, despite her destructiveness, is much of what makes this film so compelling; we love her despite ourselves.

There are three films that permanently altered my sense of the power of the silent cinema: Sunrise (Murnau); The Passion of Joan of Arc (Dreyer), and this triumph.

This film reaches the highest pinnacle of the cinematic experience; it transforms the viewer through its indelible images and hypnotic captivation.

I can only wish that the first time viewer has the pleasure of experiencing this film and Brooks' immortal performance in a theater with live accompaniment as I did at the Virginia Film Festival.