Pépé le Moko is a gangster from Paris that hides in Algier's Casbah. In the Casbah, he is safe and is able to elude the police's attempts to capture him. But he misses his freedom, after ... See full summary »
Prologue: The murderer "Boss" Huller - after having spent ten years in prison - breaks his silence to tell the warden his story. "Boss", a former trapeze artist, and his wife own a cheap ... See full summary »
Ewald André Dupont
Lya De Putti
Gino, a young and handsome tramp, stops in a small roadside inn run by Giovanna. She is unsatisfied with her older husband Bragana : she only married him for money. Gino and Giovanna fall ... See full summary »
Franz "Fox" Biberkopf is a working-class guy, at loose ends when his lover is arrested and the police shutter their carnival booth. In need of cash for his weekly lottery purchase, Fox lets... See full summary »
Rainer Werner Fassbinder
Rainer Werner Fassbinder,
In an open-air dance hall, the members of Leca's gang are relaxing with their ladies. One of them, Marie, aka "Casque d'Or" (Golden Helmet) meets Manda, a carpenter. Her man Roland belongs ... See full summary »
The dancer and prostitute Lulu is the mistress of the newspaper owner Dr. Ludwig Schön and lives in an apartment paid for by him. When her former "protector" Schigolch visits Lulu, he brings the opportunist agent Rodrigo Quast that invites Lulu to dance in a play. Dr. Schön tells Lulu that he will marry the aristocratic Charlotte Marie Adelaide v. Zarnikow and mesmerizing Lulu forces him to marry her. However, in the wedding party, Dr. Schön finds Lulu partying with Schigolch and Rodrigo Quast in their bedroom and he gets his pistol and forces Lulu to shoot him. Lulu is arrested and almost six months later, she goes to the tribunal for trial. Despite the testimony of Dr. Schön's son Alwa Schön and his friend Countess Anna Geschwitz, Lulu is sentenced to five years in prison in a prejudicial verdict. But her friends cause a bedlam in court and Lulu flees. Alwa and Lulu decide to travel to Paris, but in the train, they are convinced to follow the crook Marquis Casti-Piani in the ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Describing a film like PANDORA'S BOX is difficult. As a sterling example of German Expressionism you know it's not a piece of fluff. It's complex, deep, and not for the sitcom and Star Trek crowds. You have to lose yourself in it, and that is to lose yourself in Louise Brooks as PANDORA'S BOX is her movie. Not to diminish the genius of G.W. Pabst but it is Brooks that dominates this movie like so few actors can do. Without Brooks this movie could not exist.
Whew. And what's it about you may ask? It's a morality play made and set in the Berlin of 1928. While I watched the film I could not shake the knowledge of the cataclysm that was to be unleashed on Germany in five short years. In a way Pabst knew it too. (I was particularly weirded by the prominent display of a menorah in one of the Berlin apartment sets.)
I recommend that everyone that loves movies should at some point find the video store in their neighborhood that stocks old movies, rent PANDORA'S BOX, and experience it for themselves.
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