Gum-chewing frizzy-haired golddigger Marie Skinner cooks up a scheme with her lover Babe Winsor, a jazz hound, to fleece a portly middle-aged real estate tycoon, William Judson. Marie moves... See full summary »
Gum-chewing frizzy-haired golddigger Marie Skinner cooks up a scheme with her lover Babe Winsor, a jazz hound, to fleece a portly middle-aged real estate tycoon, William Judson. Marie moves into Judson's apartment building and contrives to meet and seduce him, plying him with compliments, music, swoons, décolletage, and batted eyes. When his loyal wife (and their two children) see him out catting with Marie at a night club, mom's devastated and confronts him. He moves out. Babe wants Marie to sell Judson worthless bonds. Will mom commit suicide? Will sis shoot the floozy? Will pops figure out he's being a fool? Written by
No information on the source of the movie, "The Single Standard," has been found. See more »
When Marie is at the barber shop, and Judson leaves his chair, she asks a man to pick up the newspaper to read Judson's news about his recent deal. After reading the news, she looks at Judson, and then the scene switches to be seen from other angle, where you can see that Marie is asking the man to pick up the newspaper again. See more »
Opening Dialogue Card:
The battle of the sexes - always being fought and never being won.
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This late jazz age comic morality tale directed by D. W. Griffith is surprisingly good--and its relative sophistication will be a surprise to those who are familiar with Griffith via the standard films such as "The Birth of a Nation," "Intolerance," "Way Down East," or even "Broken Blossoms." This film feels much more modern and far less overtly moralizing than those earlier films, though its 1920s "feel" is a part of its appeal for contemporary viewers.
The new DVD is well scored with period music cues that evoke a consistent, slightly melancholy mood as Jean Hersholt (better known as the villain of "Greed") is thrown into his midlife crisis by gold digger Phyllis Haver. His family is convincingly shown in turmoil--and eventually acts to rescue Hersholt's character from his folly. The film is well structured and altogether charming.
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