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The Battle of the Sexes (1928)

6.7
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Ratings: 6.7/10 from 277 users  
Reviews: 9 user | 5 critic

Gum-chewing frizzy-haired golddigger Marie Skinner cooks up a scheme with her lover Babe Winsor, a jazz hound, to fleece a portly middle-aged real estate tycoon, William Judson. Marie moves... See full summary »

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(from the story by), (adapted for the screen by), 1 more credit »
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Title: The Battle of the Sexes (1928)

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Cast

Complete credited cast:
...
The Father
...
Marie
...
The Mother
Sally O'Neil ...
The Daughter
Don Alvarado ...
Babe Winsor
...
The Son
John Batten ...
The Friend
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Storyline

Gum-chewing frizzy-haired golddigger Marie Skinner cooks up a scheme with her lover Babe Winsor, a jazz hound, to fleece a portly middle-aged real estate tycoon, William Judson. Marie moves into Judson's apartment building and contrives to meet and seduce him, plying him with compliments, music, swoons, décolletage, and batted eyes. When his loyal wife (and their two children) see him out catting with Marie at a night club, mom's devastated and confronts him. He moves out. Babe wants Marie to sell Judson worthless bonds. Will mom commit suicide? Will sis shoot the floozy? Will pops figure out he's being a fool? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

Hear the marvelous sound accompaniment by Nathaniel Shilkret and Joseph Pasternack...You'll hum the captivating tune of the theme song, "Just a Sweetheart." See more »

Genres:

Comedy

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

1928 (Germany)  »

Also Known As:

A Luta dos Sexos  »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

(MovieTone) (music and sound effects)|

Aspect Ratio:

1.20 : 1
See  »
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Did You Know?

Trivia

No information on the source of the movie, "The Single Standard," has been found. See more »

Goofs

When Marie storms around her living room, she grabs the pillows off the couch and throws them every which way. Then she lies down on the couch for a cry, and the pillows are magically back in place behind her head. See more »

Quotes

Opening Dialogue Card: The battle of the sexes - always being fought and never being won.
See more »

Connections

Version of The Battle of the Sexes (1914) See more »

Soundtracks

Just a Sweetheart
(1928) (uncredited)
Music and Lyrics by Joe Pasternak, Nathaniel Shilkret and Dave Dreyer
Theme song from "The Battle of the Sexes" (1928)
Published by Irving Berlin Inc.
See more »

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User Reviews

 
This Is A D.W. Griffith Film?
3 April 2007 | by (Asheville NC) – See all my reviews

Conventional wisdom says that D.W. Griffith didn't make a good movie after he lost his Mamaroneck studio in 1924. Between SALLY OF THE SAWDUST with W.C. Fields (1925) and THE STRUGGLE (1931), Griffith made 6 feature films for United Artists and Paramount. Most of these have been dismissed out of hand since they first appeared and a few are no longer available. THE BATTLE OF THE SEXES (1928) garnered him some of the worst notices of his career (to be outdone by his last film THE STRUGGLE) although preview audiences loved it. I have seen a restored version of the film and am hard pressed to understand all the negative reviews. The settings by William Cameron Menzies are lavish, the photography by Karl Struss is top notch, and the editing, normally Griffith's Achilles heel, is smooth and polished. It clearly shows that Griffith could take advantage of the Hollywood studio system when given the chance. So why all the bad press? Part of the problem lies in the way the film was promoted. BATTLE OF THE SEXES was billed as a Jazz Age comedy when it was actually a domestic drama with several comic moments. Although the story is melodramatic and features the required happy ending, the emotions of the characters ring true. This was Griffith's greatest strength as a filmmaker. No matter how trite or objectionable the plot you believe his characters even when you don't agree with them. Best known for his epics, Griffith was essentially a miniaturist as his Biograph shorts clearly demonstrate. His feature films are more successful when done on a smaller scale and while dealing with people and their relationships (BROKEN BLOSSOMS, ISN'T LIFE WONDERFUL). Jean Hersholt gives one of his finest performances as a philandering husband. His encounter with a reducing machine in order to make himself look younger is both comic and pathetic. Phyllis Haver is the ultimate Jazz Baby and she lights up the screen with a performance that is both funny AND sexy. The robe she wears to seduce Hersholt must be seen through to be believed. Belle Bennett (THE IRON MASK) as the spurned wife also deserves special mention. THE BATTLE OF THE SEXES proves that Griffith had not lost his touch after he lost his independence. Thanks to Image Entertainment for upgrading this title to DVD as part of their D.W. Griffith collection. Now if they could just rescue ISN'T LIFE WONDERFUL and THE STRUGGLE from VHS oblivion as well.


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