Gum-chewing frizzy-haired golddigger Marie Skinner cooks up a scheme with her lover Babe Winsor, a jazz hound, to fleece a portly middle-aged real estate tycoon, William Judson. Marie moves... See full summary »
In a saloon in a Mexican border town, a group of cowboys, including a Mexican named Pedro, play poker. One man is discovered cheating, and is shot dead by Pedro, who is wounded as he ... See full summary »
In this "Flickers Flashback" series of shorts (number one of the 1947-48 production season) Richard Fleischer chops up two silent films---both by editing and commentary---in the usual ... See full summary »
There is no documentation that any film bearing this title was either produced or distributed by Biograph or General or directed by D.W. Griffith at this time. Production may have been ... See full summary »
There is no documentation that a film bearing this title was directed by D.W. Griffith, or was produced by Biograph at this time. It may have been suspended before completion or else released under another title.
On a warm and sunny summer's day, a mother and father take their young daughter Dollie on a riverside outing. A gypsy basket peddler happens along, and is angered when the mother refuses to... See full summary »
Arthur V. Johnson,
There is no documentation that any film bearing this title was produced or distributed by Biograph at this time. Either the production may have been suspended before completion or else it ... See full summary »
Gum-chewing frizzy-haired golddigger Marie Skinner cooks up a scheme with her lover Babe Winsor, a jazz hound, to fleece a portly middle-aged real estate tycoon, William Judson. Marie moves into Judson's apartment building and contrives to meet and seduce him, plying him with compliments, music, swoons, décolletage, and batted eyes. When his loyal wife (and their two children) see him out catting with Marie at a night club, mom's devastated and confronts him. He moves out. Babe wants Marie to sell Judson worthless bonds. Will mom commit suicide? Will sis shoot the floozy? Will pops figure out he's being a fool? Written by
Adela Rogers St. Johns published a book entitled "The Single Standard" in 1928, the same year this movie was released. It is not known if this book is related to the movie in any way. See more »
When Marie storms around her living room, she grabs the pillows off the couch and throws them every which way. Then she lies down on the couch for a cry, and the pillows are magically back in place behind her head. See more »
Opening Dialogue Card:
The battle of the sexes - always being fought and never being won.
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Gold-digging Phyllis Haver (as Marie Skinner) seduces New York real estate tycoon Jean Hersholt (as William Judson), breaking up his happy marriage. After Mr. Hersholt's wife falls into a deep depression, cute and perky daughter Sally O'Neil (as Ruth) takes a gun to shoot Ms. Haver, whom the family has seen out dancing with Hersholt. Then, Ms. O'Neil finds herself prey to handsome jazz hound Don Alvarado (as Babe Winsor), who also serves as Haver's lover.
This curious film was director D.W. Griffith's re-make of his much imitated 1914 hit (presently, a "lost" film). "The Battle of the Sexes" is curious because it's rather well done, and from a period when Mr. Griffith is recalled to have been in sad decline. The film received some good notices, was a box office success, and featured some innovative work from Griffith plus cameramen Karl Struss and Billy Bitzer. Watch for a "fight" scene with Haver hurling objects at Hersholt, then dejected wife Belle Bennett's perilous walk on the couple's rooftop.
Restored in 2000, the film boasts a lively new score, compiled by Rodney Sauer and Susan Hall. The small orchestral soundtrack is excellent, and can be enjoyed on its own; but, it doesn't really match the original. "The Battle of the Sexes" has the look of a film shown with synchronized sound effects (a silent/sound hybrid, favoring the former). The original music and effects are missed. It looks like a couple of scenes went with it - there had to have been an additional encounter between O'Neil and Mr. Alvarado, and a reason why he and Hersholt arrive at Haver's with the same new hat.
If only the waiter who returned with Hersholt's "Reserved" sign could as easily bring back missing film footage...
******** The Battle of the Sexes (10/12/28) D.W. Griffith ~ Jean Hersholt, Phyllis Haver, Sally O'Neil, Don Alvarado
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