Gum-chewing frizzy-haired golddigger Marie Skinner cooks up a scheme with her lover Babe Winsor, a jazz hound, to fleece a portly middle-aged real estate tycoon, William Judson. Marie moves... See full summary »
Man-eating businesswoman, Angela Barrows is sent by her US company to Edinburgh to investigate export opportunities. She meets businessman Robert MacPherson en route and he persuades her to... See full summary »
There is no documentation that any film bearing this title was either produced or distributed by Biograph or General or directed by D.W. Griffith at this time. Production may have been ... See full summary »
In this "Flickers Flashback" series of shorts (number one of the 1947-48 production season) Richard Fleischer chops up two silent films---both by editing and commentary---in the usual ... See full summary »
There is no documentation that a film bearing this title was directed by D.W. Griffith, or was produced by Biograph at this time. It may have been suspended before completion or else released under another title.
On a warm and sunny summer's day, a mother and father take their young daughter Dollie on a riverside outing. A gypsy basket peddler happens along, and is angered when the mother refuses to... See full summary »
Arthur V. Johnson,
There is no documentation that any film bearing this title was produced or distributed by Biograph at this time. Either the production may have been suspended before completion or else it ... See full summary »
Gum-chewing frizzy-haired golddigger Marie Skinner cooks up a scheme with her lover Babe Winsor, a jazz hound, to fleece a portly middle-aged real estate tycoon, William Judson. Marie moves into Judson's apartment building and contrives to meet and seduce him, plying him with compliments, music, swoons, décolletage, and batted eyes. When his loyal wife (and their two children) see him out catting with Marie at a night club, mom's devastated and confronts him. He moves out. Babe wants Marie to sell Judson worthless bonds. Will mom commit suicide? Will sis shoot the floozy? Will pops figure out he's being a fool? Written by
Adela Rogers St. Johns published a book entitled "The Single Standard" in 1928, the same year this movie was released. It is not known if this book is related to the movie in any way. See more »
When Marie storms around her living room, she grabs the pillows off the couch and throws them every which way. Then she lies down on the couch for a cry, and the pillows are magically back in place behind her head. See more »
Opening Dialogue Card:
The battle of the sexes - always being fought and never being won.
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This one won't change your life, but it's a very pleasant little morality tale
I was very surprised when I watched this film that it was by director D. W. Griffith, as in places the direction looked very modern--much more than I had seen in many of his previous films. In particular, at the beginning, there are some very creative sweeping shots and camera tricks. They are also quite apparent towards the end of the film. Plus, even though this is at heart a morality tale, it seemed so much less histrionic and preachy than other Griffith films I've seen. For 1928, the film was well-done and quite watchable.
Jean Hersholt is a rich industrialist and Phyllis Haver decides when she first sees him that she MUST have him--not out of any love at all, but because she is a "gold digger". Despite his being a rather ordinary looking older man and being happily married, Ms. Haver throws her energies into snagging the guy. This actually leads to a cute scene where she is trying to think up how she will introduce herself to him--it doesn't go at all like she planned, but it does indeed work! And, disappointingly, Hersholt is at heart a dope and he falls for her routine without question. In the meantime, his family doesn't suspect until they accidentally catch him with the bimbo when he is supposed to be working late! Where exactly the movie goes next and all the little details I'll leave for you to discover. However, the movie is a breezy and interesting little film worth seeing if you like silent cinema. The Kino Video version features excellent music and an excellent quality print.
PS--Although she's not listed in the credits and the IMDb database does NOT confirm it, it looks as if Joan Blondell is one of the extras in the nightclub scene. If it's not her, it's a dead-ringer!
PPS--According to IMDb, Phyllis Haver retired from movies a short time after making this film, as she married a millionaire and stopped working! Now THAT'S irony!
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