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The Devious Path (1928)
"Abwege" (original title)

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Title: The Devious Path (1928)

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Complete credited cast:
Gustav Diessl ...
Hertha von Walther ...
Liane, ihre Freundin (as Herta von Walther)
Jack Trevor ...
Walter Frank, Maler
Fritz Odemar ...
Möller, Regierungsrat
Nico Turoff ...
Sam Taylor, Boxer
Ilse Bachmann ...
Anita Haldern
Richard Sora ...
Peter C. Leska ...
Robert (as Peter Leschka)
Irm Cherry ...
Irma Green ...
Tita Christescu ...
Die Zofe
Jimmy Lygelt ...
2. Boxer


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Release Date:

18 March 1929 (Finland)  »

Also Known As:

The Devious Path  »

Company Credits

Show detailed on  »

Technical Specs


| (1998 restored)

Sound Mix:

| (only music score)

Aspect Ratio:

1.33 : 1
See  »

Did You Know?


The original negative is incomplete. One reel is lost. The film was reconstructed and completed from fragmented prints in 1998. See more »

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User Reviews

Expressionism And Psychology

"Abwege", a film directed by Herr G. W. Pabst, demonstrates the most representative and important artistic merits of the oeuvre of this great German director during his silent period. Expressionism and Psychology are both intertwined without distinction in this film so we could say that the film is an Expressionistic film as well as a profound study of the psychology of the main characters, or a film about a marriage in crisis in which the troubled relationship of the couple is worked out in an oppressive setting.

In its visual aspects, "Abwege" is an astounding film with important and decisive cinematography by Herr Theodor Sparkuhl. The different settings that are showed in the film superbly illustrate the different moods suffered by its main characters. This is demonstrated in an astonishing early scene when Herr Thomas Beck ( Herr Gustav Diessl, perfect as the boring and upset husband ) is depressed, sitting on the sofa the in their bedroom in front of an open window waiting in vain for his wife, Dame Irene ( Dame Brigitte Helm, more feline and cold than ever ) The different way of lighting the apartments of the various characters or those wonderful and thrilling shadows in the stairs, are a good examples of the virtuosity of Herr Theodor.

Complicated, controversial and at the same time, successful, is the psychological study of the different personalities of that marriage, a couple in crisis characterized by continuous ups and downs, incomprehension, monotony, and lack of understanding. They are two very different people with different ways of living and they must take on the hard task of finding common ground, an effort that seems to doomed to fail. Herr Pabst falters at the end of the film when he resorts to an unconvincing happy ending as well as doing some unnecessary moralizing.

There is a part of "Abwege" that this German count especially loves and it is the one that happens in the Klub… can you imagine, this film gives the chance to watch a genuine, decadent German night-Klub of the Weimar era!!!... It's is a great present for decadent Teutonic aristocrats who in this way can remember the crazy nights of their youth, where many good times were spent in such gorgeous dens of iniquity. There the vicious and idle clients could find the vice of their choice: alcohol, drugs, tobacco and, the most terrible of all, Latin dancers!… And now, if you'll allow me, I must temporarily take my leave because this German Count must return urgently to the Klub.

Herr Graf Ferdinand Von Galitzien

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