In the Crimea, the Reds and the Whites aren't done fighting, and Jeanne discovers that the man she loves is a Bolshevik (when he kills her father). Penniless, she returns to Paris where she... See full summary »
Vienna in the biggest depression, directly after WW1. In a slum, Lila Leid, the wife of lawyer Leid is murdered, Egon, secretary of one of Leid's clients is arrested. He was with her, and ... See full summary »
Georg Wilhelm Pabst
Thymiane is a beautiful young girl who is not having a storybook life. Her governess, Elizabeth, is thrown out of her home when she is pregnant, only to be later found drown. That same day,... See full summary »
Antinea. the Queen of Atlantis, rules her secret kingdom hidden beneath the Sahara Desert. One day two lost explorers stumble into her kingdom, and soon realize that they haven't really ... See full summary »
Just before his two masterworks with Louise Brooks, Pabst directed this provocative study of an upper-class woman's sexual frustration. Neglected by her work-obsessed husband, Brigitte Helm falls in with a fast crowd of Berlin nightclub denizens (the "wrong turn" of the title), toying with an artist and a boxer as potential lovers. Pabst sketches this milieu in terms of consumption of cigarettes, liquor, and drugs, but it looks considerably more realistic than the garish cartoon decadence of CABARET and its imitators. A highlight of a lengthy nightclub sequence is some amusing play around the erotic impact of a backless evening gown. If Helm writhes with coiled intensity in almost every scene, she still creates a credible psychological portrait. While the plot devolves into a can-this-marriage-be-saved? formula, Pabst sustains interest through expert framing and shrewdly chosen gestures: thus, the act of dividing a pastry comes to represent the possibility of divorce. An intelligently adult resolution, offering no easy answers, adds to the film's stature.
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