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Wings (1927) Poster

(1927)

Trivia

Was the only silent movie to win the Best Picture Oscar until The Artist (2011) won Best Picture in 2012.
Was considered lost for many years until it was discovered languishing in the Cinematheque Francaise film archive in Paris.
One of the few films to win the Oscar for Best Picture without also being nominated for best director.
This played in theaters for 63 weeks upon initial release. One of the reasons why it was such a resounding success was that the public had become obsessed with aviation following Charles Lindbergh's successful transatlantic flight.
Winner of Best Picture for the 1st annual Academy Awards.
Gary Cooper's two-minute cameo effectively made him a star. It also marked the beginning of his affair with Clara Bow.
Contains the first screen kiss between two men.
Chocolate syrup was used as blood in the movie.
When a preview was shown in San Antonio, Texas, in the spring of 1927, the film was 14 reels long. It was cut down to 13 for final theatrical release.
According to biographer David Stenn, Clara Bow did not like her military uniform, as it did not show off her figure. She kept fighting with the costumers to let her wear a tight belt and show off her curves.
In contrast to co-star Richard Arlen, Charles 'Buddy' Rogers did not know how to fly a plane when production began, but learned how to by the end of it. During filming, Rogers' flight instructor and sometime backup pilot was Lt. Hoyt Vandenberg (aka "Van"), an Army Air Corps pilot at California's March Field (Vandenberg later became a four-star general, commanding the 9th Air Force in World War II, and served as the US Air Force's first official chief of staff after the war, when the Air Force was made a separate branch of the military). For close-up scenes where Jack and David (and other characters) are flying, the actors are actually working the planes themselves. To shoot these scenes, a camera was strapped to the engine cowling. The actors had to get the plane up in the air, keep it up, fly it so that clouds or German fighter planes could be seen in the background, operate the (motorized) camera and land the plane-and act at the same time. During Rogers' early flights, Vandenberg would hide in the back seat of the plane and operate the controls while Rogers gave his performance.
The only movie to win an Academy Award for Engineering Effects.
Much of the film was based on the experiences of director William A. Wellman as a combat pilot during World War I. While stationed in France, he joined the French Foreign Legion's Lafayette Flying Corps, N.87, les Chats Noir (Black Cat Group). The plane he flew was a Nieuport 24 fighter, which he named "Celia" after his mother. He was credited with three recorded "kills" of enemy aircraft, plus five probable kills. Wellman was shot down in combat and survived the crash, but walked with a limp for the rest of his life. He received the Croix du Guerre for his service. After the war, he returned home and joined the US Army Air Corps for two years, where he taught combat tactics to new pilots at Rockwell Field in San Diego.
Paramount Pictures was keen to exploit the presence and reputation of Clara Bow by inserting a scene that required her to be topless. Although she was mainly seen from the back, she was briefly glimpsed by the camera from the front.
Director William A. Wellman appears in the film, in what today could be called a "cameo" (although he does "speak"). During the final battle scene Wellman, portraying a doughboy, is shot and exclaims "Atta boy. Them buzzards are some good after all."
The Battle of St Mihiel was meticulously staged, with William A. Wellman spending 10 days choreographing and rehearsing 60 planes and 3,500 extras.
The US military cooperated heavily in the making of this film, providing thousands of soldiers, millions of dollars worth of equipment and virtually all of the pursuit planes the army had at the time.
Director William A. Wellman's wife Margery Chapin and daughter Gloria Wellman play the peasant mother and daughter whose house gets crashed into toward the end of the film.
As a former pilot, director William A. Wellman knew how vital it was to have clouds for the dogfights, but the skies over Texas were clear for the first four weeks of production so no aerial scenes had been shot. When executives at Paramount Pictures questioned him about the delay, he explained that without clouds the audience would get no sense of speed or even movement--clouds gave audiences a sense of perspective, speed and direction, and without them planes flying around in a clear sky would just look like a swarm of flies.
The only movie to ever win an Academy Award for Best Production. In the Oscars' first year of existence, two "Best Picture"-type awards were given: This film was awarded Best Production and Sunrise (1927) was awarded Best Artistic Quality of Production. Both awards were discontinued the following year and replaced by the modern Best Picture Oscar; Best Production is usually thought of as that award's equivalent.
While many believe that this was the first movie to incorporate product placement, it not true. The earliest known occurrence of product placement in a film was that of Red Crown gasoline in the short film, The Garage (1920).
With the thousands of extras battling on the ground, dozens of airplanes flying around in the sky and hundreds of explosions going off everywhere, only two injuries on the entire picture were incurred. One was by veteran stunt pilot Dick Grace. A plane he was crashing was supposed to completely turn over, but it only turned partly over. Instead of being thrown clear of the plane, which was the plan, Grace was hurled against part of the fuselage and broke his neck. He returned to the company after six weeks in the hospital. The other injury was to one of the army pilots helping out on the shoot. Unfortunately, he was killed, and director William A. Wellman feared it would shut down production, but the army held the pilot, not the director, responsible.
Director William A. Wellman had his cinematographer Harry Perry lash his cameras to the stunt planes to capture the vertiginous feelings of being in dogfights.
A scene of an aerial raid on a German troop train was filmed but not used. It later turned up as part of The Legion of the Condemned (1928).
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Richard Arlen, whose character is a fighter pilot, had actually been a pilot with the Royal Canadian Flying Corps in World War I (though he never saw combat).
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Contains some of the earliest footage of onscreen nudity (both male and female).
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Richard Arlen and Jobyna Ralston met on the set and were married during production. Their marriage lasted until 1946.
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Clara Bow wasn't happy with appearing in the film, as she knew her part was merely decorative.
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Producer Lucien Hubbard hired William A. Wellman because of his WWI aviator experience. Richard Arlen and writer John Monk Saunders had also served as pilots during the war and acted as military advisers on the film, too.
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When "Wings" was revived in 1981 at the Radio City Music Hall in 1981, Carmine Coppola conducted the a full symphony orchestra with synchronized special effects.
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The entire score was written, composed, and recorded using a Wurlitzer Pipe Organ.
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Opening film of the 17th San Francisco Silent Film Festival in 2012.
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Soldiers from the army's 2nd Infantry Division, stationed in Corpus Christi, Texas, were used as extras. The same division was used for Rough Riders (1997).
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In 1925 and 1926, Byron Morgan sent ideas for a story about air service in World War I to Famous Players Lasky Corporation. The company agreed when he brought this to their attention, and settled with him for $3750 which included his waiving claims to all rights to his material.
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The "German" fighters in the film are actually Curtiss P-1 "Hawks".
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The French General does kiss the four heroes - one French, two American and one British - on both cheeks. But he also salutes all of them with his LEFT hand.
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