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A scene of an aerial raid on a German troop train was filmed but not used. It later turned up as part of The Legion of the Condemned.
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The only movie to ever win an Academy Award for Best Production. In the Oscars' first year of existence, two "Best Picture"-type awards were given: This film was awarded Best Production and Sunrise was awarded Best Artistic Quality of Production. Both awards were discontinued the following year and replaced by the modern Best Picture Oscar; Best Production is usually thought of as that award's equivalent.
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Was the only silent movie to win the Best Picture Oscar until The Artist won Best Picture in 2012.
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The only movie to win an Academy Award for Engineering Effects.
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The entire score was written, composed, and recorded using a Wurlitzer Pipe Organ.
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Director William A. Wellman's wife Margery Chapin and daughter Gloria Wellman play the peasant mother and daughter whose house gets crashed into toward the end of the film.
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Richard Arlen, whose character is a fighter pilot, had actually been a pilot with the Royal Canadian Flying Corps in World War I (though he never saw combat).
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In contrast to co-star Richard Arlen, Charles 'Buddy' Rogers did not know how to fly a plane when production began, but he learned how to do so by the end of it. During filming, Rogers flight instructor and sometime backup pilot was Lt. Hoyt "Van" Vandenberg, an Army Air Corps pilot at California's March Field. (Vandenberg later became a general, commanding the 9th Air Force in World War II, and serving as the U.S. Air Force's first official chief of staff after the war.) For close-up scenes where Jack and David (and other characters) are flying, the actors are actually working the planes themselves. To shoot these scenes, a camera was strapped to the engine cowling. The actors had to get the plane up in the air, keep it up, fly the plane so that the clouds or German fighter planes could be seen in the background, operate the (motorized) camera, and land the plane-and act at the same time. During Buddy Rogers' early flights, Lt. Vandenberg would hide in the back seat of the plane and operate the controls while Rogers gave his performance.
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According to biographer David Stenn, Clara Bow did not like her military uniform, as it did not show off her figure. She kept fighting with the costumers to let her wear a tight belt and show off her curves.
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With the thousands of extras battling on the ground, dozens of airplanes flying around in the sky and hundreds of explosions going off everywhere, the only two injuries on the entire picture were incurred. One was by veteran stunt pilot Dick Grace. A plane he was crashing was supposed to completely turn over, but it only turned partly over. Instead of being thrown clear of the plane as was the plan, Grace was hurled against part of the fuselage and broke his neck. He returned to the company after six weeks in the hospital. The other was by one of the army pilots helping out on the shoot. His crash was fatal and director William A. Wellman feared it would shut down production, but the army held the pilot, not the director, responsible.
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Used soldiers from the army's 2nd Infantry Division stationed in Corpus Christi, Texas, as extras. The same division was used for Rough Riders.
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Chocolate syrup was used as blood in the movie.
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One of only four films to win the Oscar for Best Picture without also being nominated for best director. The other three are Grand Hotel Driving Miss Daisy and Argo.
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Director William A. Wellman appears in the film, in what today could be called a "cameo" (although he does "speak"). During the final battle scene Wellman, portraying a doughboy, is shot and exclaims "Atta boy. Them buzzards are some good after all."
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When a preview was shown in San Antonio, Texas in the Spring of 1927, the movie had 14 reels. It was cut down to 13 for release to theaters.
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In 1925 and 1926, Byron Morgan sent ideas for a story about air service in World War I to Famous Players Lasky Corporation. The Company agreed when he brought this to their attention, and settled with him for $3750 which included his waiving claims to all rights to his material.
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Contains the first screen kiss between two men.
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Director William A. Wellman based much of his work in the film on his experiences as a combat pilot during World War I. While stationed in France, Wellman joined the French Foreign Legion's Lafayette Flying Corps, N.87, les Chats Noir (Black Cat Group). The plane he flew was Nieuport 24 fighter, which he named "Celia" after his mother. He was credited with three recorded "kills" of enemy aircraft, plus five probable kills. Wellman was shot down in combat and survived the crash, but walked with a limp for the rest of his life. He received the Croix du Guerre for his service. After the war, Wellman returned home and joined the U.S. Army Air Corps for two years, where he taught combat tactics to new pilots at Rockwell Field in San Diego.
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Richard Arlen and Jobyna Ralston met on the set and were married during production. Their marriage lasted until 1946.
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The "German" fighters in the film are actually Curtiss P-1 "Hawks".
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Opening film of the 17th San Francisco Silent Film Festival in 2012.
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Director William A. Wellman had his cinematographer Harry Perry lash his cameras to the stunt planes to capture the vertiginous feelings of being in dogfights.
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The Battle of St Mihiel was meticulously staged, with William A. Wellman spending 10 days choreographing and rehearsing 60 planes and 3,500 extras.
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Gary Cooper's two minute cameo effectively made him a star. It also marked the beginning of his affair with Clara Bow.
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Paramount was keen to exploit the presence and reputation of Clara Bow in the film by inserting a scene that required her to be topless.
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Clara Bow wasn't happy with appearing in the film as she knew her part was merely decorative.
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Producer Lucien Hubbard hired William A. Wellman because of his WWI aviator experience. Richard Arlen and writer John Monk Saunders had also served and acted as military advisers on the film too.
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This played for 63 weeks at its first engagement cinemas. One of the reasons why it was such a resounding success was because the public had become obsessed with aviation following Charles Lindbergh's successful transatlantic flight.
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Was considered lost for many years until it was discovered languishing in the Cinematheque Francaise film archive in Paris.
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This was the first movie to incorporate product placement.
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Goofs | Crazy Credits | Quotes | Alternate Versions | Connections | Soundtracks

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