| Photos (see all 5 | slideshow) |
John Monk Saunders (story)
Hope Loring (screenplay) ...
(more)
5 January 1929 (USA) more
An Epic of the Air more
Two young men, one rich, one middle class, who are in love with the same woman, become fighter pilots in World War I. full summary | add synopsis
Won 2 Oscars. Another 3 wins more
Good Entertainment, Despite Some Flaws more (42 total)
| Clara Bow | ... | Mary Preston | |
| Charles 'Buddy' Rogers | ... | Jack Powell (as Charles Rogers) | |
| Richard Arlen | ... | David Armstrong | |
| Jobyna Ralston | ... | Sylvia Lewis | |
| El Brendel | ... | Herman Schwimpf | |
| Richard Tucker | ... | Air Commander | |
| Gary Cooper | ... | Cadet White | |
| Gunboat Smith | ... | The Sergeant | |
| Henry B. Walthall | ... | David's Father | |
| Roscoe Karns | ... | Lieutenant Cameron | |
| Julia Swayne Gordon | ... | David's Mother | |
| Arlette Marchal | ... | Celeste | |
| rest of cast listed alphabetically: | |||
| Charles Barton | ... | Soldier Flirting with Mary (uncredited) | |
| Thomas Carrigan | ... | Undetermined Role (uncredited) | |
| Thomas Carr | ... | Aviator (uncredited) | |
| Margery Chapin | ... | Peasant Woman (uncredited) | |
| Andy Clark | ... | Undetermined Role (uncredited) | |
| Nigel De Brulier | ... | Peasant (uncredited) | |
| Hal George | ... | Undetermined Role (uncredited) | |
| Dick Grace | ... | Aviator (uncredited) | |
| William Hickey | ... | Charlton Blanchard (uncredited) | |
| Hedda Hopper | ... | Mrs. Powell (uncredited) | |
| George Irving | ... | Mr. Powell (uncredited) | |
| Robert Livingston | ... | Recruit in Examination Office (uncredited) | |
| James Pierce | ... | Army MP (uncredited) | |
| Rod Rogers | ... | Aviator (uncredited) | |
| Frank Tomick | ... | Undetermined Role (uncredited) | |
| Carl von Haartman | ... | German Officer (uncredited) | |
| Gloria Wellman | ... | Peasant Child (uncredited) | |
| William A. Wellman | ... | Doughboy (uncredited) | |
| Zalla Zarana | ... | Undetermined Role (uncredited) | |
Directed by | |||
| William A. Wellman | |||
| Harry d'Abbadie d'Arrast | (uncredited) | ||
Writing credits | ||
| John Monk Saunders | (story) | |
| Hope Loring | (screenplay) and | |
| Louis D. Lighton | (screenplay) | |
| Julian Johnson | (titles) | |
| Byron Morgan | story ideas (uncredited) | |
Produced by | |||
| Lucien Hubbard | .... | producer | |
| B.P. Schulberg | .... | associate producer | |
Original Music by | |||
| J.S. Zamecnik | (musical score) (uncredited) | ||
Cinematography by | |||
| Harry Perry | (photographed by) | ||
Film Editing by | |||
| E. Lloyd Sheldon | (editor-in-chief) | ||
| Lucien Hubbard | (uncredited) | ||
Art Direction by | |||
| Hans Dreier | (uncredited) | ||
Costume Design by | |||
| Travis Banton | (uncredited) | ||
| Edith Head | (uncredited) | ||
Production Management | |||
| Frank M. Blount | .... | production manager (uncredited) | |
| Lucien Hubbard | .... | production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Charles Barton | .... | assistant director (uncredited) | |
| James Ewens | .... | assistant director (uncredited) | |
| Richard Johnston | .... | assistant director (uncredited) | |
| Norman Z. McLeod | .... | assistant director (uncredited) | |
| E.K. Merritt | .... | assistant director (uncredited) | |
Art Department | |||
| Charles Barton | .... | property master (uncredited) | |
| Paul B. Malone | .... | construction: Camp Stanley (uncredited) | |
Special Effects by | |||
| Roy Pomeroy | .... | engineering effects (uncredited) | |
| Barney Wolff | .... | special effects assistant (uncredited) | |
Stunts | |||
| Frank Andrews | .... | stunt pilot (uncredited) | |
| Pierce L. Butler | .... | stunt pilot (uncredited) | |
| Frank Clarke | .... | stunt pilot (uncredited) | |
| Hal George | .... | stunt pilot (uncredited) | |
| Dick Grace | .... | aerial stunts (uncredited) | |
| Clarence Irvine | .... | stunt pilot (uncredited) | |
| Denis Kavanagh | .... | stunt pilot (uncredited) | |
| Earle E. Partridge | .... | stunt pilot (uncredited) | |
| E.H. Robinson | .... | stunt pilot (uncredited) | |
| Rod Rogers | .... | stunt pilot (uncredited) | |
| Sterling R. Stribling | .... | stunt pilot (uncredited) | |
| Bill Taylor | .... | stunt pilot (uncredited) | |
| Frank Tomick | .... | stunt pilot (uncredited) | |
| Hoyt Vandenberg | .... | stunt pilot (uncredited) | |
Editorial Department | |||
| Carl Pierson | .... | cutter (uncredited) | |
| Mildred Richter | .... | cutter (uncredited) | |
Music Department | |||
| Gaylord Carter | .... | performer: 1987 music score (1987 restoration) | |
Other crew | |||
| Jesse L. Lasky | .... | presenter | |
| Adolph Zukor | .... | presenter | |
| F.M. Andrews | .... | commander: military pilots (uncredited) | |
| Hap Arnold | .... | technical consultant (uncredited) | |
| S.C. Campbell | .... | supervisor: flying sequences (uncredited) | |
| Sterling Campbell | .... | technical director: flight sequences (uncredited) | |
| Walter Ellis | .... | communications supervisor (uncredited) | |
| James A. Healy | .... | supervisor: flying sequences (uncredited) | |
| A.M. Jones | .... | supervisor: ground troop maneuvers (uncredited) | |
| E.P. Ketchum | .... | supervisor: trench system reproduction (uncredited) | |
| Arthur Kocks | .... | business manager (uncredited) | |
| Norman Kohn | .... | business manager (uncredited) | |
| F.P. Lahm | .... | commander: military pilots (uncredited) | |
| Rodger Manning | .... | business manager (uncredited) | |
| Robert Mortimer | .... | ordnance supervisor (uncredited) | |
| Edward Norris | .... | double: Buddy Rogers, Parisian hotel scene (uncredited) | |
| Ted Parson | .... | supervisor: flying sequences (uncredited) | |
| Harry Reynolds | .... | airplane preparation (uncredited) | |
| Captain Bill Taylor | .... | airplane preparation (uncredited) | |
| Carl von Haartman | .... | supervisor: flying sequences (uncredited) | |
139 min | USA:141 min
1.33 : 1 more
UK:A | USA:TV-PG (TV rating) | Argentina:13 | Sweden:15
One of only three films to win the Oscar for best picture without also being nominated for best director. The other two are Grand Hotel (1932) and Driving Miss Daisy (1989). more
Mary Preston:
D'you know what you can do when you see a shooting star?
John "Jack" Powell:
No, what?
Mary Preston:
You can kiss the girl you love.
more
Featured in Nuovo cinema Paradiso (1988) more
Wings more
|
|
|
|
|
| Hell's Angels | Pearl Harbor | All Quiet on the Western Front | The Life and Death of Colonel Blimp | Flying Tigers |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
This entertaining and occasionally impressive movie is still well worth seeing in spite of its flaws. The combat scenes alone make the rest of it worth watching, and Clara Bow gives a very good performance. She has plenty of energy as always, and here she makes her character especially sympathetic. But it has its weaknesses, too. The story is contrived and full of obvious holes, and except for Bow most of the acting is rather routine (Buddy Rogers is as likable as ever, but no more).
The highlights of "Wings" come in the battle scenes, and they are awfully impressive. Done without computers or other such advantages, they are exciting and are usually completely realistic. The aerial dogfight scenes are especially dazzling. This part of the movie is not shallow stuff, either, since it has a good balance between the thrilling and the horrifying. If the main story-line had been better, this could have worked very well as a classic film about the realities of war and its effects on the young persons who must carry the heaviest load in a war.
But unfortunately, it has the story that it has, which could easily have been better. It is far too heavy-handed, and is also riddled with unlikely coincidences, implausible developments, strange decisions by the characters, and many other such holes. If you can somehow look past all these problems, then it produces some moving and emotional moments, but such moments are too often undone by the contrived ways that they are set up. It's just the kind of mess that has often impressed the individuals who vote for well-known awards, but a movie with such strengths deserved to have a much better plot.
Nevertheless, it is still well worth watching for its strengths, and not just because it is the answer to some trivia questions. Just in case there are any modern movie fans who have accidentally wandered into the silents section of the database, please don't think that this is the best of what silent cinema has to offer, just because it won an arbitrary award. There are many silent film masterpieces that are vastly better than this. But it's good entertainment, and has some portions that were made with great skill.