A cavalcade of English life from New Year's Eve 1899 until 1933 seen through the eyes of well-to-do Londoners Jane and Robert Marryot. Amongst events touching their family are the Boer War,... See full summary »
Midshipman Roger Byam joins Captain Bligh and Fletcher Christian aboard the HMS Bounty for a voyage to Tahiti. Bligh proves to be a brutal tyrant and, after six pleasant months on Tahiti, ... See full summary »
Youthful Father Chuck O'Malley led a colorful life of sports, song, and romance before joining the Roman Catholic clergy, but his level gaze and twinkling eyes make it clear that he knows ... See full summary »
Daring danger and destruction. Scouring the skies for enemy planes. Soaring to the clouds in a flimsy machine. And yet, like a charm, her love kept this "Shooting Star." Carried him through the terrific dangers. Brought him back to earth. Spirited, striving, spectacular. A story of the American war "Aces" in France. See more »
The "German" fighters in the film are actually Curtiss P-1 "Hawks". See more »
Mary paints the shooting star on only one side of the car. But a shot or two later of the car from a different angle, where they are standing in front of the car, reveals enough information to show that the shooting star is now painted on both sides of the car. See more »
For a feeling of what the silents were really like, look for the version of this film with Gaylord Carter performing the score on a Wurlitzer Theater Organ. Carter recorded this version in the 1980's when he was in his 80's. Amazing performance - basically 120 minutes of live, somewhat improvised music with establihed themes for each character. Incidental music was improvised live combining themes from the various characters.
Carter was one of the last musicians that performed during the silent era. Very few musicians understand how difficult this art form was, and Gaylor was one of the best. Each showing of the film was an original, never before heard version due to the improvisational nature of the music. The stamina required to play live music, on 3, 4 or even 5 keyboards with a pedal board and dozens of stops, thousands of pipes for over two hours cannot be overstated. Especially when one of these performers were expected to do so 3 or more times a day!
Orchestras are all well and good, but few theaters could afford them - Wurlitzer (and a few other companies) sold 40,000 instruments to theaters world wide during the 20's, and chances are, 90% of screenings of this film were accompanied by a theater organ.
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